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“Look on my Works, ye Mighty, and Despair!” (Ozymandias, 11) No, not overheard at the English Dept. staff meeting, but a quote from the self-proclaimed once and future “King of Kings” (10), the eponymous subject of Percy Bysshe Shelley’s poem, “Ozymandias”. Ozymandias apparently had the idea that his powerful empire would surpass all others, and endure for all time. It is true that his name has survived, but the poet appears to take a different view of the King’s legacy. The legacy that Ozymandias leaves us with, the poet seems to say, is not one of eternal omnipotence but that of the fool who believes that he or she is somehow different from all other humans and will alone retain their power and pride. Shelley’s use of irony, symbolism, and imagery presents a darkly humorous case that refutes the king’s claim and reminds us all that we, too, are subject to the same fate as Ozymandias. We must admit that power is a temporary possession and all arrogance and vanity will eventually be laid low. Shelley employs irony to both make his case as well as to comment on the argument. An obvious irony is the fact that, despite Ozymandias’ proclamation, all that’s left of his magnificent statue is “two vast and trunkless legs” (2) alongside …show more content…
Commenting on Ozymandias, he also comments on himself as well as us, and I do find a wry humor in his use of irony. Death isn’t generally considered to be funny, but attempting to deny it or escape it is. While we may look on Ozymandias and say “What a fool” let’s also not forget to check ourselves and the pitfalls in which our pride and ego conspire to entrap us. It’s always easy to judge the other person, but let’s remember that the true King of Kings is Time, and in appropriating the King’s words, may truly say “Look on my Works, ye Mighty, and despair!” (11). And nothing does
The poem Ozymandias tells of a king who was very powerful, people feared him. He created statues of himself for people to admire. Now all that remains of his power are remains. What remains of him are memories that are now long forgotten and that the wind carries away. Sand that stretches for miles and miles until it
Mary Shelley’s Frankenstein concludes with a series of speeches from Victor Frankenstein and the Creature to Captain Walton, including one where Frankenstein expends his physical strength to persuade Walton’s crew to complete their mission. This speech is striking considering Frankenstein’s previous dangerously ambitious and irresponsible actions. His speech is one of heroics and sublimity, two major values of the Romantic poet. Reading Frankenstein as a reflection of the Romantic poets who surrounded Mary Shelley while she wrote the novel, Frankenstein’s speech is one of a failed Romantic poet – one who takes Shelley’s contemporaries’ ideals too far. Shelley highlights the irony of Frankenstein’s speech through his uncharacteristic use of
"Ozymandias" written by Percy Shelley, represents the psychological forces of the id as well as the superego, as a charceter in a poem, and as a poetic work. In the poem we encounter a traveler. He brings a message from the desert. There is a statue that exists alone among the rocks and sand. Stamped on the pedestal of that statue are these words, "My name is Ozymandias, king of kings: Look on my works, ye mighty, and despair!"
Pride has been a heavily associated trait with the human race since the existence of time as if it is fused in the blood of the populations. Although not all individuals suffer from pride, it's effects can be commonly seen in a vast majority of individuals. Both Percy Shelley, author of "Ozymandias," and Dahlia Ravikovitch, author of "Pride," explore the effects of pride in relation to an individual's success or legacy. Percy Shelley wrote during the early 1800’s as a primary poet of the English Romanticism Movement. Dahlia Ravikovitch, an Israeli Poet, wrote primarily during the mid-1940s, however, “Pride” is special because it did not reflect her usual patterns. Through the use of literary techniques and tone, both authors present their poem with the intent to communicate that pride ultimately results in ruin.
Another example of irony is when Leonce comes back from his night of enjoyment and tries to wake Enda up to be his audience. Leonce gets annoyed when she does not give him her attention and here the voice of the story refers to Edna as him “sole object of his existence”. “He thought it very dis...
In William Faulkner’s As I Lay Dying, Faulkner portrays the death of Addie Bundren and her family's quest to honor her dying wish to bury her in the town of Jefferson. Faulkner utilizes humor in the novel to lighten the mood of death and as an act of transgression against the orthodox Christian views of death as it relates to good souls dying and becoming angels. Addie Bundren’s son, Vardaman, relates to the orthodox Christian views of death, and the synonymous use of humor with these views ultimately creates an idea about humanity’s perception of death and how they should live, which is enhanced through John Morreal’s “Humor in the Holocaust: Its Coping, Criticizing, and Superiority” and “‘The Abject’- A Brief Definition.”
Frankenstein, a novel by Mary Shelley, illustrates the trials including Victor Frankenstein's triumphs, a character who owned a lovely with memorable life experiences that shaped the independent college student he became. Despite Victor growing up in a welcoming setting, he struggled to find the intellectual purpose of acquiring a college education in his physical science interest to generate the likelihood of reviving a dead corpse with electricity to acquire the comfortability to feel like God. Mary Shelley used diction and imagery to convey shifts in mood that supported the plot of chapters one through five in Frankenstein to inundate the reader with the feelings the characters of the story were facing.
Shelley uses several types of irony, including situational irony. In one such situation, she uses situational irony when the Creature tells Victor he will be there on his wedding night. Both the readers and Victor assume the threat is directed towards him, as Victor mentions “That then was the period fixed for the fulfillment of my destiny. In that hour I should die, and at once satisfy and extinguish his malice.” This is an example of situational irony because we are led to believe that Victor is going to be killed on his wedding night, though,
All Shelley might be doing both here and in the ‘Mutability’ lines (as also perhaps in ‘Ozymandias’) is describing the imperfection and impermanence of worldly circumstances. Mary Shelley’s purpose in using her husband’s lines might be no more than a device to engender feelings of pathos in the reader’s heart at the series of losses suffered by the protagonist.
Romantic writer Mary Shelley’s gothic novel Frankenstein does indeed do a lot more than simply tell story, and in this case, horrify and frighten the reader. Through her careful and deliberate construction of characters as representations of certain dominant beliefs, Shelley supports a value system and way of life that challenges those that prevailed in the late eighteenth century during the ‘Age of Reason’. Thus the novel can be said to be challenging prevailant ideologies, of which the dominant society was constructed, and endorsing many of the alternative views and thoughts of the society. Shelley can be said to be influenced by her mothers early feminist views, her father’s radical challenges to society’s structure and her own, and indeed her husband’s views as Romantics. By considering these vital influences on the text, we can see that in Shelley’s construction of the meaning in Frankenstein she encourages a life led as a challenge to dominant views.
Some literary works exhibit structural irony, in that they show sustained irony. In such works the author, instead of using an occasional verbal irony, introduces a structural feature which serves to sustain a duplicity of meaning. One common device of this sort is the invention of a naïve hero, or else a naïve narrator or spokesman, whose invincible simplicity or obtuseness leads him to persist in putting an interpretation on affairs which the knowing reader—who penetrates to, and shares, the implicit point of view of the authorial presence behind the naïve persona—just as persistently is called on to alter and correct. (Abrams, 90)
Shelley envisioned a strong sense of humanity in her novel. She encapsulated the quintessence of the period in which she lived by expressing ideologies, such as humanity’s relationship with God and the hypothesis of nature versus nurture. The relationship with God was vividly changed during the industrial era.
It is nature that destroys humankind when the sun disappears and the volcano erupts in “Darkness” and in “Ozymandias,” it is the sand and wind that causes the statue to fall. In Byron’s poem, humans lose the fight for their lives, and in Shelley’s poem, Ozymandias’s statue is powerless because it is lifeless, emphasizing the importance of the themes of life and death to the shared topic of destruction. Although they explore destruction using different language, they share the use of ideas about the destruction of civilization, and the fall of humankind because of nature, life and
Bloom, Harold and Golding, William. Modern Critical Views on Mary Shelley. Edited with an introduction by Harold Bloom. Chelsea House Publishers, New York, 1985.
The question textual matter marks the start of Shelley’s separation of the “mortal” from the “spiritual.” Asking queries creates area for the writer to supply answers. The solution he comes up with is that we tend to, in contrast to the song of the skylark, area unit “mortals” capable of “dreaming” sweet melodies. It’s not adequate to possess thoughtless joy, and therefore even our “sincerest laughter (88)” is usually attended with “our saddest thought (90),” however this is often the fact we tend to should acknowledge.