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Sylvia plath biography essay
Biography of sylvia plath
Sylvia plath poetic style
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Writing Through the Pain of Life Sylvia Plath, born on October 27, 1932 in Boston, Massachusetts was famously known for her effect on the literary world. Her parents, Aurelia and Otto Plath, played a major role when it came to encouraging her to listen in school and learn the English language but it was not until after Plath’s father died suddenly when she was eight years old that she really began to keep diaries and begin writing (McKenna). Her father’s death sparked a sad and depressing lifestyle for Plath, and this was seen in her writing as a well. She was very successful as a writer of only eight years old when it came to her poetry, novels and short stories. Plath may have not loved her life at times and she continued to show that in …show more content…
She told stories about suicide attempts and influenced others to write about their problems. Plath however, was tied up in her own problems of her mental illness and was not able to make it very far with her new job. She went back to just focusing on writing in the United Kingdom, and soon later baby Frieda came into her life in 1960 (Steinburg). Hughes and Plath raised Frieda together and tried for more but were not successful, and the heart shattering feelings felt by a mother that recently had a miscarriage was portrayed in Plath’s Parliament Hill Fields. Plath was in a bad place in her life after the miscarriage but in 1962 was successful when she had her son Nicholas …show more content…
She attempted suicide multiple times and lacked motivation to do many things. One thing Plath was not lazy at however, was writing literary pieces. Plath’s novels and poetry were inspiring, deep and connective in numerous ways. She was a writing genius and throughout her school years she continued to grow and become more popular. People loved the dark edge her writing had. Her writing reflected the depressing life she lived and each and every time a new piece came out readers were able to find a realistic view from it. Sylvia Plath wrote her feelings and lived with her husband and two kids until it all went downhill and she finally was successful with her suicide mission. It was sad to many readers she had touched during the 1960 and 19070s but ultimately gained success in forcing people to view the feelings and state of mind others
In American society, the common stereotype is that the father has the role of the dominant figure in the household. Sylvia Plath and Sharon Olds may come across as two seemingly different poets, however, they are really quite similar, especially in their driving forces behind their writing styles in poetry. The lives of Plath and Olds are both expressive of the realities of a father-dominated family, in which both of these poets lost their fathers at a young age. This is significant because both poets have faced a similar traumatic event that has had everlasting effects on their adult womanhood, which is reflected in their writings. For both these woman, their accesses to father-daughter relationships were denied based on life circumstances. Ironically, their fathers were their muses for writing and are what made them the women they are today.
Aurelia Schober, Plath’s mother, was studying at Boston University when she fell in love with her professor that taught German and biology, Otto Plath, whom she would marry in January 1932. Later in that same year on October 27, Plath was born to the couple. Plath’s father passed away when she was only eight. (Academy of American Poets) From then on, Plath began publishing her poems. In everything she did, she strived towards being flawless; she had straight A’s, was a good daughter, and earned prestigious prizes (Gilson). Schober aided in pushing her daughter towards excellence and always made sure Plath knew how proud she was of her. In fact, Sylvia’s mother collected her daughter’s achievements and praised her highly for them (Liukkonen). By 1950, she had been given a scholarship to attend Smith College and had hundreds of publications, which she would add to substantially in the time she spent at Smith (Gilson).
Sylvia Plath was born on 27 October 1932 in Boston, Massachusetts. Plath’s father was a very strict man with dictatorial attitudes that stuck with and scarred Plath. Her father died due to complications with his diabetes when Plath was only eight years old, inspiring her poem “Daddy” (Academy of American Poets). “Daddy” is one of her most famous works that basically declares her hatred for her father.
Emily Dickinson is regarded as “America’s most original poet” and was born on December 10th, 1830 (CITATION1). During her life, she spent most of her time alone in her house, spending time with only herself and writing poetry. When she died at the age of fifty-five, her sister decided to publish the 1,800 poems Emily had written. Before her death, Emily had only published ten of her poems. Because of this, she was not widely known before she died, unlike Sylvia Plath. Sylvia Plath, on the other hand, is a well-known author and poet. She even won the Pulitzer Prize award for Poetry in 1982 (CITATION2). Sylvia was similar to Emily Dickinson in that she was not an outgoing person. In fact, she was often depressed, and eventually took her own life in 1963 (CITATION3). While unfortunate, Sylvia Plath had written many popular poems, such as “Daddy”, short stories, and a semi-autobiographical novel called “The Bell Jar”.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
middle of paper ... ... eals the mother’s attitude towards her new role. Just as in the Victorian era where women were limited in their development as individuals and mainly served as wives and mothers, the speaker feels as if she is confined to her new role as a mother and is denied her creative freedom. Clearly, Plath’s poems take a profoundly different approach to the concepts of pregnancy and motherhood, which are usually looked upon as rewarding and fulfilling stages in a woman’s life.
Born in Boston on October 27, 1932 to Otto and Aurelia Plath, Sylvia had a pleasant start in life. She grew up in Winthrop, a seaside town outside of Boston, with her younger brother, Warren. When she was eight years old, her father died as a result of pulmonary embolism following an injury complicated by diabetes. His death had such an impact on her that she eventually became obsessed with dying and wrote many pieces on the subject. In her works, he became a Nazi, a devil, and a demon lover, calling her to the grave. In school, Sylvia proved to be an outstanding writer, winning numerous awards. In 1950, entering college, her first short story, "And Summer Will Not Come Again" was published in Seventeen magazine. She attended Smith College with a double scholarship from Wellesly Smith Club and a private fund endowed by Olive Higgins Prouty. In 1952 she won a guest editorship in Mademoiselle's College Board Co...
After reading the poem “Mad Girl’s Love Song” and doing some research on Plath, I came to find out that the poem was very similar to Plath’s personal life. The poem is basically about a young girl who fell in love and gave her all to a boy who never came back to love her. The young girl fell in a depression and made herself believe that she was making it all up. She still had hope that she and the boy could be happy someday, but it never happened and it drove her insane. Perhaps the boy could have been Plath’s husband, Hughes. Everything about the poem is so similar to her marriage with Hughes; the story makes the reader believe the poem could possibly be about Plath herself.
Sylvia Plath reflects her pain and suffering from depression in her life in the novel The Bell Jar, and Plath reveals her depression in her two poems, “Mirror” and “Daddy.” Plath had a weakness that was easy to spot but hard to control, “If Plath is to be faulted, this quality is perhaps her greatest weakness: she was not able to project her personae a great distance from herself. Plath was aware of this limitation. She once wrote: ‘I shall perish if I can write about no one but myself’”(Giles). She knew all of her literature was about her personal experiences, most of her writing is very dark and shows the world from a different point of view that not many people have. Plath commonly wrote about death, corpses, the moon, fetuses, and the sea. In “Mirror,” she wrote about hiding her inner self from the rest of the world, while in “Daddy,” she wrote about her selfish father, dying and leaving her to be alone. While critics such as Jeannine Johnson call her only novel, The Bell Jar an obvious “autobiography.”
Less than a week before her suicide, Plath wrote, "the woman is perfected" (qtd. in "Scenes"). In "Daddy," she was, in a sense, "perfecting" herself for death, but her desperate grasps at sanity ended in self-destruction. She proved herself that she could not be through with her problems. So, while the last line of this poem may seem like a statement of closure, it is better interpreted as a statement of capitulation. Plath was indeed through: She was through trying to overcome her distress, through loving her husband, through fighting with the memory of her father, and through living
“I find myself absolutely fulfilled when I have written a poem. I think the actual experience of writing a poem is a magnificent one.” These are the words of Sylvia Plath, the American poet, and author. Through her use of metaphors, imagery and end rhymes, Plath paints an autobiographical picture of her life by depicting the absence of her father, the birth of her child, and her declining mental state just before her death, she does this through her use of language by not explaining what is going on, but by showing.
Plath’s father died early in her life leaving her with unresolved feelings, and this brought a lot of troubles later on in life. Sylvia was a great student but when she was overwhelmed with disappointments after a month in New York, she attempted suicide (“Sylvia Plath”). After receiving treatment and recovering, she returned to school and later moved to England where she met her future husband, Ted Hughes (“Sylvia Plath”). Their marriage with two children didn’t last when Ted had an affair. They separated and Ted moved in with the new woman, leaving Sylvia and their two children. Battling depression during this time, Sylvia soon ended her life. She left behind numerous writings that many might see as signs of her depression and suicide attempts.
Through her dark and intense poetry, Sylvia Plath left an eternal mark on the literary community. Her personal struggles with depression, insecurities, and suicidal thoughts influenced her poetry and literary works. As a respected twentieth century writer, Sylvia Plath incorporated various literary techniques to intensify her writing. Her use of personification, metaphors, and allusions in her poems “Ariel,” “Lady Lazarus,” and “Edge”, exemplifies her talent as a poet and the influence her own troubled life had on her poetry. According to “Sylvia Plath” Sylvia Plath struggled with severe depression throughout her life.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.