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Sylvia plath mirror poetic devices essay
Sylvia Plath depression in her writing
Figurative language in sylvia plath poems
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Sylvia Plath reflects her pain and suffering from depression in her life in the novel The Bell Jar, and Plath reveals her depression in her two poems, “Mirror” and “Daddy.” Plath had a weakness that was easy to spot but hard to control, “If Plath is to be faulted, this quality is perhaps her greatest weakness: she was not able to project her personae a great distance from herself. Plath was aware of this limitation. She once wrote: ‘I shall perish if I can write about no one but myself’”(Giles). She knew all of her literature was about her personal experiences, most of her writing is very dark and shows the world from a different point of view that not many people have. Plath commonly wrote about death, corpses, the moon, fetuses, and the sea. In “Mirror,” she wrote about hiding her inner self from the rest of the world, while in “Daddy,” she wrote about her selfish father, dying and leaving her to be alone. While critics such as Jeannine Johnson call her only novel, The Bell Jar an obvious “autobiography.”
Sylvia Plath started writing at a very
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young age, as her mom has said, her life seemed to be shattered at the age of eight, when her father, Otto, died. Otto had complications with diabetes, and had to get one of his legs amputated, about a month later he passed away(Kehoe). After that tragic event Plath tried distracting herself with school, earning a scholarship and studying at college for free. Even having all these great opportunities and being top of her class, she did not feel happy. Plath attempted suicide although her mom caught her and she went to a woman’s hospital where she received shock therapy. This did not work and soon, on February 11, 1963, she locked her children up in a nearby room, boarder up the kitchen doors, and turned on the gas oven, committing suicide in the flat of her kitchen(Giles). Her depression never went away after her father died, and the pressure of her cheating husband, raising two children alone, and the thought that no one understands what she is going through led her to ending her life. Right before she committed suicide she actually wrote her first and only novel, The Bell Jar. In fact, “...the book is narrated by Esther Greenwood, an obvious stand-in for Plath. The novel was so frankly autobiographical and it’s characters so thinly disguised and assiduously portrayed that Plath chose to publish it only in England under the pseudonym of Victoria Lucas…”(Kehoe). Her book was not published in the United States until a few years later, probably in fear that people would figure out who the fiction story is actually about. At the start of The Bell Jar, it introduces Esther who is an intelligent woman at a prestigious women's college; she got to study in New York for being top of her class, receiving many scholarships. Plath got the same opportunities and went to Smith college first, for writing, along with getting her own section in a New York newspaper to write poems(Johnson 35). Esther had anxiety and depression from school work, finding real friends, and confusion about sexual desire. Showing her depression in the first chapter saying, “The silence depressed me. It wasn’t the silence of silence. It was my own silence”(Plath Bell 13). When she left college she went to go live with her mom, distressed and upset she went into the crawl space swallowing pills, attempting suicide. Sylvia Plath had the same issues and left Smith college to go live with her mom, attempting suicide in her crawl space as well(Giles). After attempting suicide, Esther and Plath’s families were both worried for them and took them to the doctors, who appointed them a psychiatrist at a mental facility. There, they each received shock therapy, which supposedly worked(Johnson 36). At the end of The Bell Jar Esther walks out of a meeting with a psychiatrist determining whether she has to stay in the mental facility. It leaves the reading hanging, not knowing whether she has to go back, but then Esther exclaims, “To the person in the bell jar, blank and stopped as a dead baby, the world itself is a bad dream”(Plath Bell 237). The Bell Jar is a metaphor comparing herself to being trapped in a bell jar with no way out; no way to escape her depression. In real life, even after the mental hospital, she never felt better and ended up committing suicide, it seems like from that maxum Esther was feeling and thinking the same way as Plath. “Mirror” is a poem by Sylvia Plath, describing her thoughts and feelings about a metaphoric mirror.
This mirror symbolizes the good and the bad image that Plath did not want to see of herself, yet the bad image was the only picture of herself she could see(Freedman “Monster” 124). In “Mirror” Plath is explaining poetically that there is no good or happiness left in her by saying, “ In me she has drown a young girl, and in me an/ old woman/ Rises toward her day after day, like a terrible fish”(Plath “Mirror” 122). Critics such as Freedman, believe the root of her depression was losing her father at such a young age, this maxum shows that her happiness from when she was younger is gone, and swallowed up by the older black and white version of her. In fact, one of the last lines of the poem is, “I am not cruel, only truthful-”(Plath, “Mirror” 122), seeming like she was just naive to how dark the real world actually
is. The mirror shows Plath’s weakness too, with her inability to face or conquer her depression, she seems afraid of her true destructive self since, “To do later is to risk looking into the mirror and seeing, not the pleasing young girl, but the terrible fish…”(Freedman “Monster” 124). For example, when she was at the mental facility she was resistant to shock therapy or any visitors, believing nothing could help her; she just wanted to leave the hospital, expecting to avoid the issue. When she described the mirror or reflection she meant herself, “...she is the personification---or reflection-- of the mirror as passive servant, the preconditioned object whose perception is a form of helpless swallowing or absorption”(Heims 152). Like how Plath told the story of her life through the character of Esther, she told her inner-self, or thought of herself through the mirror. Finally, “Daddy” is one of Plath’s most famous poems, written about her father. People questioned what the cause of her depression was, although it could have been multiple reasons, “ She seemed convinced.... That the root of her suffering was the death of her father, whom she loved, who abandoned her, and who dragged her down after him into death”(Kehoe). He passed away when she was very young, since that age she appeared more upset, and focused more on school, almost as an escape route. In this poem she blames him for her sadness with name calling, declaring her rebellion, and showing aggression(Giles). Plath, even at an older age, was obviously still distraught by her father’s death, “...[Plath] still suffers both the stifling authority of her father and the pain of his early death. This tension between resentment and sadness forms the context for the poem's main theme: the speaker’s journey through horror and rage to self- individuation”(Dunn). One of the reasons she killed herself could be because of her dead father, after all she did write this only months before her death. After calling her father nasty words, Plath shows some compassion towards him by writing, “Bit my pretty red heart into two./ I was ten when they buried you./ At twenty I tried to die/ and get back, back, back to you”(Plath “Daddy” 193). Around the age of twenty Plath attempted suicide, with this line it appears she attempted suicide to get to go back with her father. She shows sympathy for her father but by the end of the poem, her aggression builds (Freedman “Daddy”). In the last few lines, Plath in a way breaks through and takes a stand, telling her father, “There’s a stake in your fat black heart...Daddy, daddy you bastard, I’m through”(Plath “Daddy” 194). Freedman infers this to be a way of cutting the ties with her deceased father, letting that part of her anger and depression out using her writing. Sylvia Plath reflects her pain and suffering from depression in her life in the novel, The Bell Jar, and Plath reveals her depression in her two poems, “Mirror” and “Daddy.” The Bell Jar practically shares every detail about her life, she just shares it through a fiction character named Esther. “Mirror” shows an accurate insight on Plath’s thoughts or feelings about herself and her self esteem. Finally, “Daddy” shows how the root, or one of the reasons for her depression can be easily inferred to be the death of her father at such a young age. Sylvia Plath will continued to be analyzed and depicted throughout the years for her depression and obscure, mysterious thoughts; but in reality her life story is already in her writing.
The first two stanzas, lines 1-10, tell the readers that Plath, for thirty years, has been afraid of her father, so scared that she dares not to “breathe or Achoo.” She has been living in fear, although she announces that he’s already dead. It is obvious that she believes that her father continues to control her life from the grave. She says that she “has had to kill” him, but he’s already dead, indicating her initial promise to forget him. She calls him a “bag full of God,” telling us that she considers her father a very strong, omnipotent being, someone who is superior in her eyes.
In American society, the common stereotype is that the father has the role of the dominant figure in the household. Sylvia Plath and Sharon Olds may come across as two seemingly different poets, however, they are really quite similar, especially in their driving forces behind their writing styles in poetry. The lives of Plath and Olds are both expressive of the realities of a father-dominated family, in which both of these poets lost their fathers at a young age. This is significant because both poets have faced a similar traumatic event that has had everlasting effects on their adult womanhood, which is reflected in their writings. For both these woman, their accesses to father-daughter relationships were denied based on life circumstances. Ironically, their fathers were their muses for writing and are what made them the women they are today.
Sylvia Plath a highly acclaimed twentieth century American poet whose writings were mostly influenced by her life experiences. Her father died shortly after her eighth birthday and her first documented attempt at suicide was in her early twenties. She was married at age twenty-three and when she discovered her husband was having an affair she left him with their two children. Her depression and the abandonment she felt as a child and as a woman is what inspires most of her works. Daddy is a major decision point where Plath decides to overcome her father’s death by telling him she will no longer allow his memory to control her.
"The bell jar hung, suspended, a few feet above my head…” For most people, when the name Sylvia Plath comes to mind, the word “psychotic” is the word that follows; however, there was more to Plath than her demented works. Throughout her shortened life, Plath had a variety of titles bestowed upon her: daughter, sister, student, wife, mother, teacher, author, and poetess However, Sylvia Plath was a haunted soul, as she also had the labels of “manic depressive” and “bipolar.” Her constant struggles with her mental illnesses are evident in her writing, especially her semi-autobiographical novel, The Bell Jar.
Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.
Emily Dickinson is regarded as “America’s most original poet” and was born on December 10th, 1830 (CITATION1). During her life, she spent most of her time alone in her house, spending time with only herself and writing poetry. When she died at the age of fifty-five, her sister decided to publish the 1,800 poems Emily had written. Before her death, Emily had only published ten of her poems. Because of this, she was not widely known before she died, unlike Sylvia Plath. Sylvia Plath, on the other hand, is a well-known author and poet. She even won the Pulitzer Prize award for Poetry in 1982 (CITATION2). Sylvia was similar to Emily Dickinson in that she was not an outgoing person. In fact, she was often depressed, and eventually took her own life in 1963 (CITATION3). While unfortunate, Sylvia Plath had written many popular poems, such as “Daddy”, short stories, and a semi-autobiographical novel called “The Bell Jar”.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Cornell strategy note taking system, was developed by Dr Pauk of Cornell University, the Cornell strategy is an excellent study system for organizing and reviewing lecture notes to increase comprehension and critical thinking of course materials, which typically results in improved test scores.
Death can represent a multitude of things. For example, it can be depicted as a villain that will eventually claim everyone, or it could represent the escape from the world that someone has always been seeking. Regardless, dying is the end to everyone’s life. However, the poem "Sylvia 's Death" by Anne Sexton regards thoughts of death as well as the act of suicide as an escape from reality and the problems the world presents. Sexton utilizes organized couplets to resonate the speaker’s depression in order to emphasize the change in tone throughout the poem, which evolves as the speaker accepts the unfortunate news of Plath’s death.
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
Known for her distinctive voice and exploration of dark, violent emotions, Sylvia Plath was one of the most acclaimed poets of the twentieth century. In her poems she discusses many common themes such as family relations, marriage, self-image and death in unique ways. Among these topics, she expresses a particularly original perspective on motherhood and its effect on the individual that often deviates completely from the traditional view of child rearing. In her poems “Moonrise,” “Heavy Woman” and “Morning Song,” Plath conveys the idea that motherhood, although necessary, is a personal as well as physical sacrifice that involves much pain and suffering.
Throughout the poem "Daddy" by Sylvia Plath, the author struggles to escape the memory of her father who died when she was only ten years old. She also expresses anger at her husband, Ted Hughes, who abandoned her for another woman. The confessional poem begins with a series of metaphors about Plath's father which progress from godlike to demonic. Near the end, a new metaphor emerges, when the author realizes that her estranged husband is actually the vampire of her dead father, sent to torture her. This hyperbole is central to the meaning of the poem. Lines 75-76 express a hope that they will stop oppressing her: "Daddy, you can lie back now / There ís a stake in your fat black heart." She concludes that her father can return to the grave, because she has finally rid herself of the strain he had caused her, by killing his vampire form. Despite this seeming closure, however, we will see that the author does not overcome her trauma.
Plath’s father died early in her life leaving her with unresolved feelings, and this brought a lot of troubles later on in life. Sylvia was a great student but when she was overwhelmed with disappointments after a month in New York, she attempted suicide (“Sylvia Plath”). After receiving treatment and recovering, she returned to school and later moved to England where she met her future husband, Ted Hughes (“Sylvia Plath”). Their marriage with two children didn’t last when Ted had an affair. They separated and Ted moved in with the new woman, leaving Sylvia and their two children. Battling depression during this time, Sylvia soon ended her life. She left behind numerous writings that many might see as signs of her depression and suicide attempts.
Through her dark and intense poetry, Sylvia Plath left an eternal mark on the literary community. Her personal struggles with depression, insecurities, and suicidal thoughts influenced her poetry and literary works. As a respected twentieth century writer, Sylvia Plath incorporated various literary techniques to intensify her writing. Her use of personification, metaphors, and allusions in her poems “Ariel,” “Lady Lazarus,” and “Edge”, exemplifies her talent as a poet and the influence her own troubled life had on her poetry. According to “Sylvia Plath” Sylvia Plath struggled with severe depression throughout her life.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.