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Climate change for literature review in essay
Climate change for literature review in essay
Climate change for literature review in essay
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Both Susanna Moodie and Copway speak of nature and environment with admiration by showeing the positive sides of nature. In addition, they both describe nature and the environment as a rough and challenging element of life. Susanna Moodie speaks of the wilderness as pure and a phenomenon that does not interfere with human activities. On the other hand Copway encounters a spectacle in the description of nature as presented in the travel documented in the biography. However, both describe environment and wilderness in distinctive ways that affect their way of presentating Canadian nature.
Moodie describes the environment as an area with wide and stormy seas and chilly blasts with wintry storms. The male speaker also fears the dark forests because he plainly says it (Canadian Poetry 1). It is also evident that what Moodie expected is not what she encounters since she states that her first day’s experience ends without much activity in the land of all their hopes. To add to that the emigrant views his new home in Canada and compares it with native land and then he remembers the warm hearts and bright shiny eyes of his loved ones that are far away. Copway’s regards to nature are clearly depicted when he decides to write about the Ojibwas. He attends a Methodist camp meeting with his father when his mother passed away where he is converted (Copway 14).
Moreover, Copway shows that he is chosen to travel to Lake Superior for the American Methodist Church mission at the age of sixteen, surprisingly, because of his dedication. In fact, the reader is able to note that he travelled a lot when the Great Spirit came to him through the dream he never knew he could travel, but all in all he went to the great lakes, Europe and the upper Mississipp...
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...ure as interesting, addictive to view and beautiful to experience. This explains why the biography illustrates several times that the central person in the book spends time in the landscape on several occasions.
Works Cited
Canadian Poetry. Introduction to the Third Edition, 1854. Web, Accessed, May 24, 2014
Gersdorf, Catrin and Mayer, Sylvia. Nature in Literary and Cultural Studies: Transatlantic Conversations on Ecocriticism. Rodopi, 2006. Print
Copway, George. The Life, History, And Travels Of Kah-Ge-Ga-Gah-Bowh, George Copway: A Young Indian Chief Of The Ojebwa Nation, A Convert To The Christian Faith, (Large Print Edition). Whitefish, Montana: Kessinger Publishing. 2011, Print
Moodie, Susanna. Roughing it in the Bush; Or, Life in Canada. London, England: Richard Bentley, 1852) and 3rd. ed. (1854). Print
In Emerson’s article, Nature, the passage shows great value of how man and nature can be similar. The article shows in many ways how man can represent nature, and how nature can represent everything. Emerson’s Nature can be related to Guy Montag’s journey into nature in Fahrenheit 451, and the author’s ways of showing similarity between man and vegetable can be presented as showing how nature is mixed in with literature and humans.
In Mark Fiege’s book “The Republic of Nature,” the author embarks on an elaborate, yet eloquent quest to chronicle pivotal points in American history from an environmental perspective. This scholarly work composed by Fiege details the environmental perspective of American history by focusing on nine key moments showing how nature is very much entrenched in the fibers that manifested this great nation. The author sheds light on the forces that shape the lands of America and humanities desire to master and manipulate nature, while the human individual experience is dictated by the cycles that govern nature. The story of the human experience unfolds in Mark Fiege’s book through history’s actors and their challenges amongst an array of environmental possibilities, which led to nature being the deciding factor on how
Walcutt, C.C. American Literary Naturalism, A Divided Stream. Minneapolis: University of Minnesota Press, 1952, p.66-82 Rpt in Crane, Stephen. The Red Badge of Courage. Sculley Bradley, Richard Beatty, and E. Hudson Long Eds. New York: W.W. Norton, 1962.
Early on in Joy Harjo’s career, the nature and native american culture never appeared in her works. As demonstrated in her poem, “Everybody Has a Heartache” Joy goes on to talk about how everyone feels down and out but everytime they fight back from it, they are happier than before, rarely mentioning nature or native american culture. Comparing “Everybody Has a Heartache” to “My House is the Red Earth” there is a stark difference in the way nature is used
Jim is an innocent young man, living on the coast of Queensland. In this peaceful town, everybody is happy and at peace with themselves and with nature. The people enjoy the simple pleasures of life - nature, birds, and friendly neighbourly conversations. Their days are filled with peaceful walks in the bush, bird watching and fishing. Jim and his friends especially enjoy the serenity of the sanctuary and the wonders of nature that it holds.
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
MacDougall, Brenda. One of the Family: Metis Culture in Nineteenth-Century Northwestern Saskatchewan. Vancouver: University of British Columbia Press, 2010.
Henry Thoreau’s relationship to nature underwent many changes throughout the course of his life. He especially made a much discussed shift from Emersonian Transcendentalism, to scientific data collection. Thoreau followed varied paths on his quest to understand the world in which he lived. As he grew older he managed to amass a huge collection of information about the plants and animals in the Concord region of Massachusetts. But his greatest contribution to the world is not his scientific research; rather it is the example of respect and thoughtfulness with which he approached nature. This individualistic and spiritual approach to nature differentiates him from modern day ecologists. Thoreau’s quest was to understand better and appreciate nature as a whole and the greater role it plays in connection to all things. Not only did he succeed in doing so, but he has also inspired his readers to question, observe, and appreciate the natural world. His thoughts on nature are recognized today as precursors of the conservation movement and also inspiration for the creation of national parks. Thoreau’s approach to nature varied throughout his life, but his purpose did not. His myriad approach to his work is exactly what brought about his success, and sets him apart from other nature writers and ecologists who share his quest.
In the book Fahrenheit 451 by Ray Bradbury, there are many themes, symbols, and motifs that are found throughout the novel. For my journal response, I have chosen to discuss nature as a prevalent symbol in the book. The main character, Montag, lives in a society where technology is overwhelmingly popular, and nature is regarded as an unpredictable variable that should be avoided. Technology is used to repress the citizens, but the oppression is disguised as entertainment, like the TV parlour. On the opposite end of the spectrum, nature is viewed as boring and dull, but it is a way to escape the brainwashing that technology brings. People who enjoy nature are deemed insane and are forced to go into therapy. Clarisse says “My psychiatrist wants to know why I go out and hike around in the forests and watch the birds and collect butterflies,” (Bradbury 23) which shows she is a threat to the control that the government has put upon the people by enjoying nature.
“She thought of the space, back home in Canada. The vast and glorious emptiness of the North. So much land, so few people. She hadn't appreciated, hadn’t realized how beautiful it was, until now” (Road Ends, 113)
Flourishing nature is most beauteous in areas which have not been maimed by the human race. The idea that spiritual and philosophical wellness can be found in nature is supported world-wide. Many different cultures use their eco-rich surroundings to become more spiritually/philosophically endowed. In the short story “A White Heron” by Sarah Orne Jewett there are two fundamental relationships with society and nature that reflect the author’s point of view in support of this idea. The first is a good example of how nature can positively affect the spiritual/philosophical wellness of a person through an appreciative, loving, and tolerant relationship (Sylvia). The second is a destructive, parasitic relationship that is only beneficial to one party (the hunter). Sylvia struggles with her loyalty to her own innocence and respect of nature because of the exciting new possibilities the hunter promises to her. I will elaborate on topics such as the nature of Sylvia’s relationships, the narrator’s point of view, and the writing style in the text to demonstrate an understanding of how the author saw the relationship of society and nature in “A White Heron”.
Both “The Clan of One-Breasted Women” and “An Entrance to the Woods,” gives a viewpoint on the human relationship with nature. Terry Tempest Williams critizes man for being ruthless when it comes to nature and other humans. Wendell Berry believes similarly the same thing. He believes that man needs nature just as much as they need civilization. However, regardless of the differences, both writers offer an insightful perspective on the forever changing relationship between man and nature. And this relationship is, and always will be, changing.
To Richard Louv, ‘the logical extension of synthetic nature is the irrelevance of “true” nature.’ Written in 2008, Last Child in the Woods conveys Louv’s perspective on “synthetic nature” vs. ‘“true” nature’ and attempts to prove, to readers, how real nature is being overlooked. In order to tactfully expose how the increase of man-made nature is diminishing the beauty of actual nature, Louv employs the use of details, language, and imagery.
It is also a novel in which the nature of the landscape determines the psyche and the actions of its protagonists. Indeed, the 'sands' can be said to be the dominant character of the whole book.
The Canadian imagination may be divide into two distinct (However, not uniquely apart) forms: hinterland, or that of the wilderness and being often associated with unstructured verse; and baseland, or that of the settlements, following closely with traditional structured form carried over by colonists. Although apart in terms of verse form and theme, the two are linked by a largely prominent patrilineal cultural norm. That is, that both branches of this Canadian imaginative effort borrow methodology from some other source, and are not unilaterally Canadian. With the former statement in mind, the nature of a true “Canadian” imagination becomes one of question: is it possible to ascertain a unique Canadian identity without including the biases of external cultures? Moreover, can it be possible to determine a true Canadian imagination by allowing for this range of diversity? This essay will explore a hypothesis that suggests the Canadian imagination is not truly unique, rather it is the byproduct of a cultural mosaic; moreover, it is an identity that displays no novel characteristics and is largely composed of an increasing number of external influences. Furthermore, while the previous notion might suggest Canadian imagination as being rightly a product of multiple influences, it is assumed that a truly unique identity is one that can be discerned upon reading and not left to ambiguity and questioning. For the purpose of essay, works by Al Purdy, A.J.M. Smith, A. Lampman, and Isabella Crawford will be examined to determine their consistency to a developing imagination and to what extent they portray uniquity.