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Australian aboriginal culture
Essay on aboriginal culture
Introduction to aboriginal culture in australia
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The poetry “Your buildings” was written by Rita Joe who is aboriginal author. She has been describing her feeling about aboriginal people and history. Rita Joe wrote your buildings reflects on the changed landscape of her people, and her homeland area to the most modern building have replaced the natural landscape and destroyed the beauty of her homeland. Now only a memory in her hearts of people. The author tone in to the poetry was sad, hurt and sarcastic by saying “Your Buildings” she was talking to the white man what have you done to her homeland. Also when the author mentioned in her poetry “while skyscrapers hide the heavens, they can fall” Rita joe mean all of those buildings you build high, they hide the beauty of her homeland, and
In “Behind Grandma's House” by Gary Soto it tells a story of a young ten year old kid, who wanted to be known and famous. From what I understand the tone in this poem that is being exhibited is that the kid in the poem is trying to act tough and had a unexpected plot twist. To prove that he was trying to portray that he was tough, he would kick over trash cans, threw light bulbs around and threw rocks at stray cats. Other than what was stated there was more bad things that he has done around his neighborhood. This was just a ordinary bad boy trying to attract attention.
Flannery O'Conner has again provided her audience a carefully woven tale with fascinating and intricate characters. "The Displaced Person" introduces the reader to some interesting characters who experience major life changes in front of the reader's eyes. The reader ventures into the minds of two of the more complex characters in "The Displaced Person," Mrs. McIntyre and Mrs. Shortley, and discovers an unwillingness to adapt to change. Furthermore, the intricate details of their characters are revealed throughout the story. Through these details, the reader can see that both Mrs. McIntyre and Mrs. Shortley suffer from a lack of spiritual dimension that hinders them as they face some of life's harsher realities. Mrs. McIntyre struggles throughout the story, most notably during the tragic conclusion. Her lack of spiritual dimension is revealed slowly until we ultimately see how her life is devastated because of it. Mrs. Shortley, on the other hand, seems to have it all figured out spiritually -- or at least she believes that she does. It is only in the last few minutes of her life that she realizes all she has convinced herself of is wrong.
Stephen Crane’s novella, “Maggie: A Girl of the Streets” deals with many difficult concepts and situations. However, the most prevalent seems to be the people that find themselves caught in a vicious cycle of violence. Although some claim that a literary label cannot possibly contain Crane’s work, his ideas certainly have much in common with other naturalistic writers of his time. He portrays poor Irish immigrants, the dregs of humanity, struggling for survival during the Industrial Revolution. Even while relating terrible events, Crane remains detached in the typical naturalistic style, seeming to view the world as a broad social experiment. As the story opens, we are instantly drawn into a heart-wrenching arena where people behave like animals, tearing each other apart if it will help them to reach the zenith of the food chain. Yet in this cycle of violence, Crane definitively incriminates the environment over every other malevolent influence acting upon his victims; using a theme of violence, a tone lacking in emotion, rich imagery, and strong personification of the environment, Crane fashions a wild Darwinian view of society that leaves all of the blame resting on a person’s surroundings rather than his choices.
In The Houses of History, many different schools of historical thought are presented and light in shed on what exactly it means to be those different types of historians. Not all historians think the same way or approach history from the same perspective, but some similar groups of thought have converged together and have formed the various types of historians that will be presented, such as empiricists, psychohistorians, oral historians, and gender historians. All of these groups can approach the same event or concept and look at them in an entirely different way simply due to the way the historical approach they are accustomed to views things.
Throughout our lives people share commonalities on the idea of home and what it is. Some people think of home as a house they have lived in throughout their life or a city/country they reside in. Although true for some, some people are at a loss for a distinct place to call home. People may think of home as “feeling comfortable in diverse settings and intermingling with people of different cultures” (150), which Stoddard describes as the ordinary description of cosmopolitism. (150) In contrast, people may think of home in the sense that Stoddard mentions; Freud’s idea of the uncanny, “That species of the frightening that goes back to what was once well known and has long been familiar” (Stoddard 150,). What Freud means is that the feeling of uncanny in relation to home is the frightening thought of returning ‘home’ after a long time, when you have become comfortable in another setting. It is uncanny because it becomes a struggle to fit into the place one currently resides in and the place they originally resided in. In Brooklyn the idea of the uncanny is represented in relationship to Ellis’ attitude of home. Through Eilis’ internal debates with herself, the concrete personal relations she shares in both Enniscorthy and Brooklyn, and her career opportunities in both cities, one can see her sense of home is shown to be uncanny. Ultimately, Eilis’ feeling of home is not static and fixed, instead fluid, bringing into focus the uncanny sense of a cosmopolitan view of home.
Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” depicts a young woman suffering from depression after the birth of her child. This woman is sheltered away by her husband to a mansion in the country, where she persists to retreat into her mind from lack of other stimuli. Through the narrator’s drastic plunge to insanity, Gilman accurately depicts the limited roles available to women of the nineteenth century and the domineering and oppressing actions men took toward them.
Social discrimination is the prejudicial and distinguishing treatment of an individual on the basis of their social class. It includes individual attitudes and behaviors, and systems of policies and practices that are set up to benefit the upper classes at the expense of the lower class. Isabel Allende uses the rigid class structure and the degree of social mobility in the country described in The House of the Spirits as a literary representation of the social discrimination that occurred in Latin American cultures during the 20th century. This period witnessed the growth of two classes—the landowning, upper class criollos represented by the del Valle and Trueba families (a person born and raised in South America but is a direct descendant of Spaniards) who control the land, housing, and the infrastructure and the peasants represented by the Garcia family who are tenants that till the land. Allende establishes the social discrimination of the poor workers who have little access to education or political enfranchisement by the educated elite. That control businesses and politics through the depiction of the absolute power, and control Esteban Trueba has over the peasant’s living in Tres Marias. His tyrannical rule over the hacienda is a microcosm of the social discrimination in larger society. The economic, educational, and physical subjugations of the peasants by the upper class undermine their social mobility due to their lack of access to money, education, and political influence. This deliberate preservation of social inequality through discriminatory practices against the lower class not only creates a permanent underclass whose opportunities in life are dictated far more by circumstance of birth, but culminates in the dehuman...
A house with a roof so darkly low The heavy rafters shut the sunlight out. One cannot stand erect without a blow. Until the soul inside Cries for a grave more wide.(318). Just as in “The Yellow Wallpaper”, this poem gives insight to the urgency and hopelessness of women who feel the duty to be submissive.
In Catherine Steiner Adair's," The Revolution in the Living Room," i think the examples she chose are representative, even though their are some examples she gave that contradict her perspective. Her main point was developed using true stories and examples. She gave an example using the fathers point of view of how technology is effecting his children and related it to the mother and her view point. In another example we can clearly see that the parents both agree on the same opinion. The author states at the end, "Families thrive when parents have strong, healthy relationships with their children..." The way the author wrote this example makes it seem like it is the parents are at fault, when in reality, the kids are the ones who
It describes how the conservative farmer follows traditions blindly and the isolated life followed by him. It reflects how people overcome physical barriers and that later in life come to their social life too. Where a neighbor with a pine tree, believes that this separation is needed as it is essential for their privacy and personal life. The poem explores a paradox in human nature. The first few lines reflect demolition of the wall,?Something there is that doesn?t reflect love a wall?
study on the phone to his girlfriend to whom we can see he does not
How sidewalks are the most public and important parts of the city, and how we as citizens/neighbors watching it (eyes on the streets) constitute a vital component of urban and suburban street’s security and comfort.
The film argues that architecture is a world changing element where you are able to take something that is deemed to be a wild idea (Ingels, 2014) and turn into an actual physical projection, challenging what other people may have convinced you into believing that it was impossible to do.
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
Our societies have not yet developed the idea that modern architecture is a cultural product and it should be protected for future generations. Recognition of a building as a cultural asset of a community takes time. Many modern buildings are at risk of adulteration or demolition, but many of them still did not have their values recognized by the society. There is a need to take an effective action to safeguard preventively buildings that can become social and cultural