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Literal analysis on where are you going, where have you been
Where are you going, where have you been? analysis
Where are you going, where have you been? analysis
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I. SUBJECT “Where Are You Going, Where Have You Been?” by Joyce Carol Oates centers around the rebellious teenager Connie and the events that transpire one fateful summer night. One day fifteen-year-old Connie refuses to go to a family barbeque. She thus left home alone, where she finds herself at peace until a suspicious gold convertible shows up in her driveway. She sees a man outside this car, and though she tries to show no interest, she goes outside to her driveway. The man attempts to lure Connie into taking a ride with him. Despite feeling scared and uncomfortable with the situation, she finds herself curious about the identity of this man. He reveals himself to be Arnold Friend and relays personal details about her life, but does not tell her how he knows this information. As their conversation progresses, Arnold begins to embody a predator, which causes Connie to feel paranoid. She runs inside her house and threatens to call the police, but in response, Arnold threatens to hurt Connie and her family if she does. This leaves Connie too frightened to call the police, and despite being she is scared, she gets into Arnold’s car and they drive off. II. THEME In “Where Are You Going, Where Have You Been?” Oates demonstrates that despite an individual’s attempt to gain control in their life, this control can be …show more content…
In the beginning of the story the reader feels sympathy for Connie and her broken relationship with her mother. Later in the plot Arnold is able to use the fear that Connie feels in order to take over her life. She is unable to do anything to stop him, so she accepts her doom and drives away with him. Connie’s inability to avoid her tragic fate causes the reader to feel pity for her. Oates leaves her fate ambiguous, allowing the reader to conjure up his or her own ending to this story. This increases the sympathy for Connie, for the reader will imagine the worse case
Oates, Joyce C. "Where Are You Going, Where Have You Been"" N.p., n.d. Web. 20 Apr. 2014.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
Joyce Carol Oates intrigues readers in her fictional piece “Where Are You Going, Where Have You Been” by examining the life of a fifteen year old girl. She is beautiful, and her name is Connie. Oates lets the reader know that “everything about her [Connie] had two sides to it, one for home, and one for anywhere but home (27). When Connie goes out, she acts and dresses more mature than she probably should. However, when she is at home, she spends the majority of her time absorbed with daydreams “about the boys she met”(28). This daydreaming behavior is observable to the reader throughout the story. From theories about dreams, theories about subconscious thought, and the clues that Oates provides, the reader is lead to believe that Connie’s experience with Arnold Friend is a nightmare used to awaken her to the consequences that her behavior could result in.
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
In the short story, Connie is a young, naïve, sassy, little girl who hates her mom and sister. According to Oates, “Connie wished her mother was dead” (324). Connie enjoys going out with her friends and going to a drive-in restaurant where the older kids hang out. Connie is innocent, but thinks about love and sex. She is desperate to appeal to boys and succeeds at it when a boy with shaggy black hair says to her, “Gonna get you, baby” (325). Her encounter with this boy will change her life forever, because he is the antagonist that influences Connie’s loss of innocence. On a Sunday afternoon, the boy, Arnold Friend, visits Connie and asks her to come for a ride, which she declines. But, Arnold Friend won’t take “no” for an answer and threatens to go in the house. For example when Connie says she will call the cops, Arnold says “Soon as you touch the phone I don’t need to keep my promise and come inside”
Arnold Friend’s layers of deception. Connie’s blindness is the pretext of her loss of innocence
”Where Are You Going? Where Have You Been?” is a short story written by Joyce Carol Oates, which explores the life of a teenage girl named Connie. One of the issues this story divulges is the various stresses of adolescence. Connie, like so many others, is pressured to conform according to different social pressures, which displays the lack of respect female adolescents face. The music culture, young men, and family infringe upon young female minds to persuade them to look or act in certain ways, showing a disrespect for these girls. While some perhaps intend their influence for good, when put into practice, the outcome often has a negative effect. Moreover, this can lead young women to confusion and a lack of self-respect, which proves
When Connie first meets Arnold, she doesn’t know who he is: he’s just a creepy guy in the parking lot. However, Arnold sees her as an adult woman who is ready to pursue a relationship with her because that is what her appearance says about her. In reality that’s all it is, her appearance and she is not ready for that type of relationship. So, when Arnold Friend came by and was persuading her to come with him saying, “Don’tcha wanta see what’s on the car? Don’tcha wanta go for a ride?” (Oates 375). This line is one of the many that he used to persuade girls to get into his car. Also, he is making all moves to get closer to kidnapping Connie. Connie did try to avoid him but she had false hopes. Although Connie seemed to be confused there are many girls like this that fall for someone’s charms even if they are sincere or not just because these girls seek for someone to appreciate them. Arnold Friend said. “But I promise it won’t last long and you’ll like me that way you get to like people you’re close to.” (Oates 383). These statements give Connie confidence to leave her house and go with him regardless if they just
During the teenage years they no longer want to be labeled the “child; matter of fact, they have a strong desire to rebel against the family norms and move quickly into adulthood. This transition and want for freedom can be a very powerful and frightening thing as there are evils in this world that cannot be explained. Most parents try to understand and give their teens certain freedoms, but at what expense? Joyce Oates gives us a chilly story about a teenager that wanted and craved this freedom of adulthood called “Where Are You Going, Where Have You Been?”. This is a haunting story of a young girl by the name of Connie who gives us a glimpse of teenager transitioning from childhood with the need for freedom and the consequences of her actions. Connie is described as a very attractive girl who did not like her role in the family unit. She was the daughter who could not compare to her older sister and she felt her Mom showed favoritism towards her sister. Connie is your average teen who loves music, going out with friends, and she likes the attention she receives from boys. During this time, Connie is also growing into her sexuality and is obsessing with her looks as she wants and likes to be noticed by the opposite sex. Her sexual persona and need to be free will be what is fatal to her character’s life and well-being.
The tragic situation of Connie relates to the real life chain of murders in Tucson, Arizona. Tom Quirk iterates that Oates seems to get her creative imagination from “real criminal and real crime”, the irony is the story of Connie is sadly all too familiar in society (Quirk 413). The characters of Eddie and Ellie Oscar are figures that are not particularly familiar to readers. The lack of dialogue from these characters tend to neglect their significance, however studying them may actually connect a few dots that Oates purposely leaves for the reader to wonder. The comparison of Eddie and Ellie inclines that they are actually the same person. From research into Ellie’s appearance and mysterious motivation to remain unnoticed by Connie hints at the notion that instead of young teenage boy named Eddie accompanying Connie at the restaurant, it was none other than Ellie disguising himself. Although some find it bizarre that Connie could not see Eddie/Ellie for who he was while spending hours with him, one must take into account that Connie was more into herself rather than the boy she was with. Along with Connie’s natural infatuation with herself, the drive-in restaurant presented distractions such as the bright lights and loud music which aided Eddie/Ellie. The main antagonist Arnold Friend makes various statements and questionable actions that support the theory that Ellie has already encountered Connie at some point in time, thus providing the explanation as to how he knew so much information about
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
In her famous short story, “Where Are You Going, Where Have You Been,” Joyce Carol Oates shows the transition from childhood to adulthood through her character Connie. Each person experiences this transition in their own way and time. For some it is leaving home for the first time to go to college, for others it might be having to step up to a leadership position. No matter what, this transition affects everyone; it just happens to everyone differently. Oates describes Connie's unfortunate coming of age in a much more violent and unexpected way than the typical coming of age story for a fifteen year old girl.
That’s right. Come over here to me… Now come out through the kitchen to me, honey, and let’s see a smile, try it, you’re a brave, sweet little girl’”(Oates 7). “She put her hand against the screen. She watch herself push the door slowly open as if she were back safe somewherein the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited”(7). What had gotten into Connie, why would she go out with Arnold knowing that all he is going to do is hurt her. Readers may think she is a state of shock and the only thing she can do to protect her family is by going with Arnold.
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
Reader Response Essay - Joyce Carol Oates's Where Are You Going, Where Have You Been?