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Essaytwo kinds by Amy tan
American Dream in American literary works
American Dream in American literary works
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Amy Tan the author of “Two Kinds” focuses on the relationship between a mother and daughter. Suyan Woo moved to America after leaving her first husband and twin girls behind in China. The mother wanted to find her twin daughters but they died before she could do so. She left China and moved to America in the hopes of the endless opportunities. She remarries and has a daughter in America. The mother wants her daughter to try all of these different activities and become successful in one of them. First the mother tries to get her to be become a child actress but that did not work out. Another activity she made her try was intellectual tests from magazines she read. Again this activity did not work out like the mother thought. Finally the mother tried to get her to take piano lessons. Mr. …show more content…
At this point in the story she believes she is a child prodigy and that she will end up succeeding. After she started playing she realized that she was not hitting the right notes and could see the disappointment in the parent’s faces. After the talent show her mother continued making her practice playing the piano. Jing Mei stands up to her mother and upsets her by wishing that she was never born. After this incident the piano was never mentioned again. Suyan wanted her daughter Jing Mei to become a child prodigy because she never got that opportunity to do so. Suyan pressures her daughter because she did not get the same opportunity and wants to see her excel in America. I believe she uses parental pressure throughout the story because the mother wants her to do something and to do it well. Her mother pressures her to try all of these activities and the daughter ends up feeling like she can never please her mother. Also, Jing Mei fears that her mother will not love her for who she is unless she is able to succeed in America. Towards the end of the story the daughter got fed up with the mother because she is tired of doing everything the mother
Jing-mei Woo has to become a member of the Joy Luck Club in place of her mother, Suyuan Woo, who passed away. Before Suyuan's passing Jing-mei does not know much about her mother, as the story continues to develop Jing-mei realizes how much she did not know about her mother and learns more and more new things about her on her journey of finding her sisters. “Your father is not my first husband. You are not those babies” (26), this quote is from Suyuan Woo and shows Jing- mei that her mother has a lot of secrets that she does not know about. “Over the years, she told me the same story, except for the ending, which grew darker, casting long shadows into her life, and eventually into mine” (21). This quote shows how Jing-mei did not know much
Since "You could be anything you wanted to be in America" (Tan 348) Jing-Meis' mother thought that meant that you had to be a prodigy. While that makes "Everything [sound] too simple and too easily achieved; [Jing-Mei] does not paint a picture of her mother as ignorant or silly" (Brent). In fact, in the beginning, Jing-Mei and her mother are both trying to "Pick the right kind of prodigy" (Tan 349). "In the beginning, [she] was just as excited as [her] mother,"(Tan 349) she wanted to be a prodigy, she wanted to "become perfect [she wanted her] mother and father to adore [her]"(Tan 349). As she strived to achieve perfection she and her mother would try many different things to try and find the "right kind of prodigy" (Tan 349).
Woo cleans the house herself and no longer has a housekeeper. With the money she saved, she hired Mr. Chong, an ancient piano teacher, who can barely hear and whose eyes are too dulled to tell when Jing-mei messes up. He is so genuine that Jing-mei feels guilty and picks up the basic skills, but she is so bent on not pleasing her mother that she continues to purposefully lack in her efforts. She hates the piano. She hates the fact that her mother is shaping her identity. She hates that her mother forces it upon her. She hates that it's everything she isn’t: disciplined, elegant, and most of all controlled. Jing-mei wants to be who she wants to be, and with the piano around, she only continues to be who her mother wants her to be, but she can not tell her mother this. She is supposed to play a piece called “Pleading Child” which is a “simple, moody piece that sounded more difficult than it was”. Even though she had not practiced and didn't know the piece, she played anyway. Halfway through, she began to realize how awful she was. The silence that followed her performance and her parent’s disappointed looks unfolded the undeniable truth, Jing-mei was not a piano
Jing-mei realizes her mother was trying to help her out, but since their personalities clash, Jing-mei first believed her mother was forcing her to play piano. She thought her mother was setting up unrealistic expectations for her, when only she just wanted to see her daughter live the American Dream. She didn’t understand the Chinese way of thinking so she thought her mother was just being strict. Her mother wants her to be a strong, independent American woman. She just wanted her daughter to have all the opportunities she wasn’t able to have in China.
...r mothers death to meet her half sisters. While in China Jing-mei finds out that she did appreciate her mother although she was worried that she didn't and knew nothing about her. She also realizes that she did not have to prove her Chinese identity to her two half sisters, that she belongs to their family automatically because of Suyuan. After her trip to China she "found" her mother and stops feeling doubt of her and Suyuan's relationship with each other.
Jing-Mei was forced to take piano lessons; this only further upset her as she felt that she was a constant disappointment. Her mother was mad at her on a regular basis because Jing-Mei stood up for herself and explained to her that she didn’t want to be a child prodigy.
The theme that comes to mind for me when I read this story is conflicting values. While growing up it was an important value to Jing-mei to be accepted for the daughter that she was. Unlike the value of her mother which was to not only become the best you can be but a prodigy, someone famous. In the way that Jing-mei's mother pushes so hard for her to become something bigger than she was it seems that Jing-mei tried her hardest not to.
In Tan’s Two Kinds the story is a about an Asian family trying to assimilate to an American lifestyle. The mother, who was originally from china, wants to turn her daughter into a "prodigy" so she can be famous and live an extravagant lifestyle. The mother who "Believes you could be anything you wanted to be in America", spends most of her time watching TV, hoping to find a talent, which her daughter might possess. After several attempts at many different talents, the daughter becomes very frustrated and hateful towards her mothers attempts to change her.
The cultural ideals of the daughters and their mothers are different and difficult to reconcile, however this conflict, as shown in The Joy Luck Club and The Kitchen God’s Wife can be resolved through storytelling. One major tenet in Confucianism is filial piety which requires children to show absolute respect and obedience to their parents or guardians. However, in America, the relationship between a child and an adult is much more relaxed. In the Joy Luck Club, Jing-mei was forced by her mother to try to find something she was talented in such as piano playing. However, after a failed recital Jing-mei refuses to practice and her mother’s outburst epitomizes the cross-cultural differences, “Only two kinds of daughters...Those who are obedient
“Only two kinds of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard, the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart. In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei eagerly hoped to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei.
"My mother believed you could be anything you wanted to be in America" (491). This ideology inspired Jing-mei’s mother to work hard to create a better life for herself and her family in a new country. The search of the American dream exerts a powerful influence on new arrivals in the United States. However, realizing that they may not achieve the dream of material success and social acceptance, parents tend to transfer that burden to their children. It is a burden where dreams usually fall short of expectations.
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
The theme seems to be about how the expectations of a parent can lead to resentment from the child when the child fails to meet those expectations. The theme is partially set in the opening paragraph with the statement, "My mother believed you could be anything you wanted to be in America" (Tan 1), and again in the second paragraph, when the mother tells the daughter, "Of course you can be prodigy, too" (Tan1). Throughout the story, the mother constantly insists on making of Jing Mei a child prodigy. In the beginning, Jing Mei is excited about the possibility. She even likens herself to Jesus saying, "I was like the Christ child lifted out of the straw manger, crying with holy indignity" (Tan 1). When Jing Mei realizes she isn’t succeeding, she loses hope and so chooses not to succeed. In this she resents her mother for constantly trying to make of her something she is not.
She sees the opportunities that America has to offer, and does not want to see her daughter throw those opportunities away. She wants the best for her daughter, and does not want Jing-Mei to ever let go of something she wants because it is too hard to achieve. "America is where all my mother's hopes lay. . .There were so many ways for ... ...
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.