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Religious and cultural identity
How parents influence their kids
How parents influence their kids
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Where the Gods Fly
Coming to a new country can be both overwhelming and frightening. Having no friends, not speaking the common tongue and not being familiar with the rules and traditions of this country. While the new country has a set of norms and rules, you also arrive with these, which you have developed in your former country. While all of this is more than enough to adapt to, it gets even harder in the case of you bringing a child along with you. Being a parent, the contrasts from your former life that you might have a tendency of clinging on to, will at some point affect your offspring, and while you are doing your best to give them a good life, you might have to actively take away one of their favorite things to do. “Where the Gods
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Throughout this part we jump from memory to memory. In the beginning of the story we are briefly introduced to the mother, and also a rather interesting trait that she is influenced by through the story. The mother is a devout Buddhist. She practices traditional Chines culture and she seems to live her life off of decision based on her religious values and Chinese culture. “...I think, and then, ashamed, immediately touch my forehead to the ground before the triple Buddhas”. Early on the reader realizes that the story revolves around her reminiscing several important and highly influential points in their lives in America. The first point is the mother and father arriving and America with their five-year-old daughter, Pearl. Pearl’s mother and father had to work at a factory all day in order to provide for themselves as well as Pearl. “Her father and I spent our waking hours at the factory in Chinatown” (l.8) In the first period of time, Pearl attends school while her parents work, and afterwards she stays at home alone, waiting for them to return. One evening the mother realizes that this abandonment perhaps could be the reason for …show more content…
While the mother dos have mixed feelings about this, she agrees to let her dance. The main reason behind this is that she is very happy that her daughter doesn’t have to be alone after school while her parents are still working. The mother herself was not allowed to attend classes in her own childhood, and this influences her to be a bit unwilling towards “When I was a girl in China, I was not permitted to go to classes...the learning I possess, I picked through lingering at the table...as my brother studied”. The reason behind her being so insistent on Pearl getting a proper education is most likely that Pearl will have no one but herself to rely on. Both of her parents work at a factory, and they can’t provide for her forever. This is another clear contrast between the old and the new. It is a general stereotype that families with Asian heritage often want their kids to become successful doctors or lawyers, even if the parents themselves are working at a factory or sitting in ordinary middle-class jobs. It is clear that Pearl’s parents also have the desire, and that they desperately want their daughter to succeed in life and getting an education. As the story progresses Pearl’s mother fears that the ballet is devouring Pearl, and that she is slipping away from what the mother recognizes as familiar for Pearl. Pearl’s father falls ill and a Buddhist ritual commences
Wade states, “America and Jimmy turn out to be just another, gentler, form of silencing (15).” The moment when Jimmy passes away embarks the new beginning of Winnie living on her own. She becomes the figure of the household, working tremendously hard to raise her two children. Winnie is portrayed as an independent woman. Although Winnie speaks broken ungrammatical English, Pearl still finds “it her duty to listen to her mother (6).” Hence, Winnie finds it difficult verbally express her past to her daughter. Nonetheless, she ultimately discloses that Pearl is the result of Wen Fu’s rape not a symbol of Jimmie’s love. Wade believes that “Winnie has power in her speech to change the reality of others, she also allows others to shape her reality (17).” Pearl thinks of her mother as a fighter, who witnessed the pain of Wen Fu’s existence in her characteristics, her temper and behavior matched with his quite often. This allows restrained Pearl to open up about her multiple sclerosis condition. By speaking what is on her own mind, she motivates Winnie to no longer hold back upon what she is afraid to reveal. She promotes awareness develops the confident side Pearl to talk more by giving her the statue of the Kitchen God’s wife, who was originally forgotten and voiceless after her husband a mistress. Due to the fact that she has faced many hardships in her life, Winnie gives Pearl the statue and tells her: “She is telling you to speak. She will listen (17-18).” She describes the Kitchen God’s wife as “Lady Sorrow Free, happiness winning over bitterness, no regrets in the world (18).” Wade uncovers that the name change of the Kitchen God’s wife “not only restores Guo’s identity, but symbolizes both Winnie’s and Pearl’s final restoration as well (18).” Both women are not mind-readers, through the means of delivering
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
The author begins the story with a strong statement, “I found myself in a Chinese funeral parlor because of a phone call I made to my cleaning lady” (Schmitt); it takes the reader right into the funeral parlor and draws the reader into the story: how she got to the funeral parlor and what she doing there was the question I had. She starts the story with some background about how she got to China. Then moves on to the funeral that was happening in her neighbors’ home. She describes how the family was grievously weeping as she was walking toward her apartment. She noticed what happened and wonder why they were weeping. “Do you know why the neighbors are very sad?” she asked her cleaning lady.
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
...cts of the mother and the descriptions, which are presented to us from her, are very conclusive and need to be further examined to draw out any further conclusions on how she ?really? felt. The mother-daughter relationship between the narrator and her daughter bring up many questions as to their exact connection. At times it seems strong, as when the narrator is relating her childhood and recounting the good times. Other times it is very strained. All in all the connection between the two seems to be a very real and lifelike account of an actual mother-daughter relationship.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
As the four women entered America, which is far from their motherland China, they experience a change of culture, the American culture, which was dominant than the Chinese. The Chinese mothers are faced with a difficult task of how to raise their American-born daughters with an understanding of their heritage. The daughters clearly show a gap in culture between the Chinese culture and American culture. The mothers wanted their daughter to follow the Chinese traditions, but the daughters followed the American traditions and even some of them got married to American men. The mothers tried to tell their daughters the story about the Chinese ancestors but the daughter could not follow them and the daughters thought their mothers were backwards and did not know what they are saying. As much as the mothers tried to show love to their daughters, the daughters usually responded negatively. They often saw their mothers’ attempts to guidance as a failure to understand the American culture. Being Chinese and living in America, both the mothers and the daughters struggle with many issues like identity, language, translation, and others. The mothers try to reconcile their Chinese pasts with their American presents; the daughters try to find a balance between independence and loyalty to their heritage
"My mother believed you could be anything you wanted to be in America" (491). This ideology inspired Jing-mei’s mother to work hard to create a better life for herself and her family in a new country. The search of the American dream exerts a powerful influence on new arrivals in the United States. However, realizing that they may not achieve the dream of material success and social acceptance, parents tend to transfer that burden to their children. It is a burden where dreams usually fall short of expectations.
This was the illustration of this entire story. As the story goes it present a lot perspective and though of the mother and very little of the girl. More importantly, the story shows that the mother doesn’t really care about how the girl feels about her advice; it wasn’t a choice either she take her advice and become a good daughter and a good wife in the future or she will become known a “slut” who doesn’t follow her tradition. This story will make you wonder if the girl will ever become the perfect girl that her mother wants her to be or if she gets use to the American tradition and not be the perfect girl her mother ought her to
...look like our mother. Her same eyes, her same mouth, open in surprise to see, at last, her long-cherished wish" (Tan 332). Each mother achieved her desire of implanting her Chinese spirit and wish into each American daughter.
New country means new language, new culture, new people and different lifestyle. I never thought of being somewhere where you don’t know the language and people. For my parent and me the difficult part was learning new language. Since, I and my sister were going to school, so we knew Basic English. But for my parents adopting new language after so many years was really tough. Since, my dad had his own business, he also had to take care that before we move to us.
She honored her parents as she should, but longed for them to pass. In the beginning of the story she said "I had never expected my parents to take so long to die.” She had taken care of them all of her life she was in her fifty’s and her parents in their ninety’s. She was ready to live and break free of all the rules and duties put upon her, they were like chains binding her and holding her down. She was ready to explore to go on journeys and adventures she was already aging all she wanted was to be free. Her parents’ death let her run free, she left Hong Kong to start over and maybe find love, in any way possible, maybe even through food or luxuries. She wanted to be rebellious of her parents I’m sure she knew they wouldn’t approve but she didn’t care she wanted change. All her life she had followed so many rules, she had to fight to teach, to learn, to be with friends, her fight was finally over. She now had no one to rebel against, she now had the freedom to
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).