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Industrialisation and urbanization
Industrialisation and urbanization
Industrialisation and urbanization
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The poem “City Johannesburg” is about the relationship between the speaker, an African man working in the urban area during the Apartheid era, and the city, Johannesburg. It emphasises the oppression and dehumanisation caused by the Apartheid system in the past. The urban area is shown to be vast and controlling, a place of anxiety and sorrow for the man. The poem also deals with some similarities and differences between the rural and urban areas.
The title of the poem, “City Johannesburg” refers to the setting, namely Johannesburg and it also refers to a deeper meaning that characterizes the oppressive nature of Apartheid in the past. Similarly, there is still tension between different races in the country currently. After Apartheid era, the country was left socio-economically divided by race. As a ‘Born Free’, this has shaped me to try and eliminate the traces of oppression and profound racism still seen today because there still seems to be a clear divide of “us” and “them”, even after 20 years of democracy. In the beginning of the poem, the poet speaks about his life, “For my pass, my life” (Serote, W. 2002: 4) and towards the end he speaks about his death, “My dongas, my dust, my people, my death” (Serote, W. 2002: 32). These lines are contrasting and compare the pass which allows him to live in a township and work in the city, to his death. The speaker’s daily movement between the township and the city emphasises the lives of the workers in the past and present.
The images such as “roboted roads”, “thick iron breath” and “neon flowers” (Serote, W. 2002: 20-25) describe various aspects of the city. These examples reveal the controlling effects of industry in the city and also the artificial beauty of the city in the dark. ...
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...was said to be a symbol of success and pride. “We boasted about the Carlton – it was said to be the greatest concrete erection in the world.” (Hope, C. 2002: 134) In the past, it had been the tallest tower and richest hotel in Johannesburg. The building was once a proud reminder to the Johannesburg residents that their hospitality was amongst the finest in the world. “The Carlton, like central Jo’burg, is a place where no one walks.” Now, the building is seen as a symbol of defeat and decay. I view the Carlton Centre as a money making project that paid off until the 1990s. Although the complex is slowly re-emerging in trading, many people including myself see it as the failure of the city's business tycoons.
By referring to the opinion piece, Johannesburg has shaped me to become more aware of my security at my University because of the high crime rates presently.
‘Can I Call You “Madiba”?’ is another masterpiece by the Poetess where she pours out her heart to the Father of South Africa, Nelson Mandela. You never stop until you finish reading the whole as if the world has already written his obituary and cunningly decided not to invite such souls again to this earth. The “Public Prisoner” Mandela as she proudly calls him is a living symbol of slavery and discrimination who remained only a "friend" now.
Alexander, N, (2002) “’Race’ and class in South Africa historiography: An overview”, An ordinary country, Scottvile: University of Natal Press.
The distance of 5km, is it truly the disparity between affluence and indigence? Although they only live 5km apart from each other, the “apartheid’s children”, Sylvia and Nameurena live in contrasting worlds. Sylvia lives in the Alexandra township, without a mother or father for protection or comfort. On the other hand, Nameurena lives in a private home with her family just outside of Alexandra, where she enjoys the luxury she would’ve never been able to if apartheid was still in effect. Consequently, the two black South African girls evidently demonstrate distinctive individual development and identity. Although the Afrikaner government has long since been taken down, apartheid is still not over for thousands of black South Africans living in poverty; therefore it is vital for young students to maintain their own individuality.
In the poem there is an ABAB rhyme scheme along with use of alliteration, onomatopoeia, and imagery. By using all of these techniques, it helps the reader to better understand the message which is being relayed in the poem. Some of the subjects of this poem include, urbanization, dystopia, nature, dying and the fall of man. The reader gets a vivid image of a huge industrial city built in “valleys huge of Tartarus”(4).
From the silent epic of Fritz Lang Metropolis (1927) to Ridley’s Scott’s spectacular Blade Runner (1982) the connection between architecture and film has always been intimate. The most apparent concepts that connect these two films are the overall visuals of both films and their vision of city of the future. The futuristic city of both Scott and Lang are distinct in their landscapes, geography, and social structure. These two films sought to envision a future where technology was the basis by which society functioned. Technology was the culture and the cities would crumble without it (Will Brooker). Metropolis and Blade Runner uses the themes relationships among female sexuality and male vision, and technology. However, Gender roles and technology seems to be the most important part in both films.
The question presented, concerning the South African apartheid and the music that was involved with the movements, debates whether the music came from the people’s desire to over come apartheid or if the music was a catalyst to the movement. As explained in the movie, the people used music for different aspects of the music, fundamentally a different song for every part of the movement. The music was a way in which the people could express themselves in a way that was noticed by their over rulers and which included all people taking part in the revolution.
Korang, Kwaku Larbi. “Making a Post-Eurocentric Humanity: Tragedy, Realism, and Things Fall Apart.” Research in African Literatures 42.2 (2011): 1–29. ProQuest. Web. 11 Nov. 2013.
Disgrace, set in a post-apartheid community, shows the struggles that many people face when pushing towards change in the community of desegregating in the most segregated parts of Africa. The country of South Africa emphasizes physical consequences, sexual urges, and sexually transmitted diseases. Graham explains the importance of such a historically diverse setting by relating it to events, such as segregation and apartheid, which occurred in Africa. “Coetzee’s choice of rural Eastern Cape as a setting for rape of Lurie’s daughter by three black men emphasize complex historical relationships between issues of race, gender, and land” (Graham). These events create the bold conflicts in the story which makes everything unique to the country South Africa.
In Cape Town we have a very rich culture and heritage, starting as early as the Khoisan era and leading up to the liberated society that we are today. South Africa has progressed through many different trials and tribulations throughout the years, conquering numerous noteworthy feats such as slavery and the Apartheid struggle (Bray, 2008). “South Africa is democratic developing country where everybody has the right to vote so that their voices may be heard” (Smith, 1999).
People naturally segregate themselves. Social inequality occurs not only in Johannesburg, where big corporations take advantage of the naïve, but even in Ndotsheni, a small village. Paton uses a hopeless tone to convey feelings of isolation and defeat. He emphasizes the impact a class system has on the culture of South Africa: “Down in Ndotsheni I am nobody, even as you are nobody, my brother. I am subject
The young man’s predicaments all revolve around his need to satisfy those that will judge him and he becomes trapped between the apartheid rule and humanity’s desire for equality and respect towards others. This is purely a personal issue that can be resolved solely by him, but should take into the consideration of those involved. We see glimpses of this coming through the young man, but being raised in an era of apartheid it overpowers his common understanding of respect.
I have always thought that Nelson Mandela has been one of the most important people in history. I find it very fascinating that one man could end the Apartheid and that is why I want to find out more about this. South Africa is a country with a past of enforced racism and separation of its multi-racial community. The White Europeans invaded South Africa and started a political system known as 'Apartheid' (meaning 'apartness'). This system severely restricted the rights and lifestyle of the non-White inhabitants of the country forcing them to live separately from the White Europeans. I have chosen to investigate how the Apartheid affected people’s lives, and also how and why the Apartheid system rose and fell in South Africa.
A city has to be beautiful, though the definition of “beauty” is so vague. The beauty can be physical, such as enjoyable parks, streetscapes, architectural facades, the sky fragment through freeways and trees; or it can be the beauty of livelihood, people, and history. As landscape architects, we are creating beautiful things or turning the unpleasant memorial.
An Abandoned Bundle and Nightfall in Soweto are both veracious poems that have enlightened me about the poverty and anguish suffered in South Africa, as well as the desperation that people in these places suffer.
"Swize Bansi is Dead" tells the difficult reality of Africa under apartheid (1950s), analysing the complex issue of identity in that time. The rules of Apartheid meant that people were legally classified into a racial group, mainly Black and White, and separated from each others.