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Question A: The first question is “does the film Big Fish meet the standards of the monomyth?” The answer is yes. Edward Bloom starts off in a regular ordinary town, with just regular people. He was always on the top, looking for an adventure to be apart of. His first call to adventure would be when the giant came into his town eating their crops and animals and they needed someone to get him out. Edward took it upon himself to get him out. When Edward got over there he realized that this Giant was just looking for a home. Shortly after talking he realized that it was time to go. That would lead us to his ultimate call to adventure, leaving his old home town and starting a new life. He and the giant split up from each other one going the side
Policies are often put in place without regards for the effect it will have on other areas, people, or wildlife. Several examples of these unintended consequences are shown in the documentary Salmon: Running the Gauntlet, which explains the effects that human activity, dams, and attempts to repopulate the salmon species have been implemented and failed. With proper evaluation at the onset of a major project, these severe consequences may be avoided.
The Hero Cycle is what most stories follow, stories such as Ella Enchanted. Ella Enchanted is just another film that follows the Hero Cycle. It has an unusual origin, an ultimate test, and a great reward at the end. In the movie Ella Enchanted, Ella has fulfilled all of the Hero Cycle points, such as she is born with a strange gift, her ultimate test is finding a way out of her gift as she feels as it is a curse, and the reward is a grand married into the royal family.
In the book, Your Inner Fish, by Neil Shubin he presents the notion of evolution and how we can trace parts that make up the human body back to jellyfish, worms, and even fish. The book not only discusses how we arose to be what we are today, but also the implications our ancestors had on our current body plan. In this essay, I will demonstrate that I have digested the entirety of Shubin’s book by convincing you (dear reader) that everything in our bodies is based on simple changes to already existing systems. To make this case, I will use the evidence of limb development in a vast array of organisms, the four arches found in the embryological stage of development, the structures inside our noses, and how our ears have come about all due to modifications.
Joseph Campbell stated, “A hero is someone who has given his or her life to something bigger than oneself.” The hero of the movie, Mulan, clearly gives up her life while going through the stages of completing the hero’s journey. The hero’s journey of Mulan is divided into three concrete stages: the departure, the initiation, and the return. Mulan is a classic mono-myth.
Blackfish is a 2013 documentary attempting to elevate public awareness regarding the orca that are being kept in maritime amusement parks, specifically SeaWorld, and the inherent danger of their captivity. The film is effective because it raises a set of important ethical questions for the viewer while presenting with a necessary fact-based style of documentation that does not evoke gratuitous scenes of abuse in order to inspire sympathy, unlike some of the other films that are intended to raise awareness about animal abuse.
The overarching stages of these steps defines the important trilogy of the departure, the initiation, and the return of the hero in the spiritual, physical, and emotional changes that are experienced in this mythic cycle. Campbell’s insightful evaluation of the ten stages of the hero’s journey define the initial reluctance of the hero to follow his destiny, yet he or she slowly walks through the various obstacles and the awakening of consciousness through the death and rebirth of their identity. Finally, the return of hero to “home” reveals the liberation from previous prejudices and limitations of the mind, soul, and body that were present before they partook in the adventure. Surely, Campbell’s’ heroic cycle defines the overarching challenges of selfhood that the hero must endure to raise his or her consciousness to a higher level of understanding and realization. These are the important aspects of the ten stages of Campbell’s heroic journey that define the transformative nature of the journey and the hero’s initiation into the mysteries of life in this mythic theory of the heroic
The hero’s journey can be seen as a set of laws or challenges that every hero faces through their own journey(Christopher Vogler). The hero’s journey is used as a general term such as all
The “Hero’s Journey” is a very eye opening idea that Joseph Campbell has presented us with. It really makes me wonder what myths were derived from each other and which religion is influenced by another religion. It’s been very easy for me to get wrapped up and lost in some of the things Campbell wrote, and I could be completely overthinking the entire thing. It makes me wonder what religion is real and where did some of these mythological stories come from if they weren’t influenced by another myth? I hope I have influenced you to raise the same questions by bringing up these ideas and comparing these myths over the three divisions Campbell gives us.
The second concept of the Hero’s journey shows us that all stories are the same. They all follow the same pattern or algorithm of separation, initiation, and return. An example from the movie is the Wizard of Oz where Dorothy is removed from her natural environment by a tornado, initiated with a lion, scarecrow, and tin man, and the group embarks on a journey to see the wizard. In the end, she is able to return home by clicking her heels. She realizes she has had the ability the whole time, but she needed to test herself. We are just like the characters we see in our favoritie movies, books, and shows – they are a metaphor for us as normal human beings. The last concept I learned is “Follow your bliss”. This concept of bliss is defined in many ways. One definition is serenity. Another definition is the thing you cannot not do. It is what makes a person feel alive. In order to answer the question of what is your bliss, you must ask yourself difficult questions like: What am I passionate about? What makes hours seem like minutes? What made me different as a child? After answering these tough questions, a person can find their
Joseph Campbell splits the idea of the hero’s journey into three stages: departure/separation, Initiation, and the return. Not all heroes’ journeys are the same, for example, some do not have a return or the hero might be thrown right into the initiation (Campbell's 'Hero's Journey' Monomyth). Richard’s case of a hero’s journey is different from the normal journey because he is thrown into the situation with zero idea of what is going on and he has to help Door find out about her parents’ death and return himself to the normal life, facing many challenges along the way. There are many events in this novel similar to Joseph Campbell’s sequence of actions often found in stories. Richard has to go through the call to adventure, which is part of the departure, where he figures out about the quest he is on. “You can’t go back to your old home or your old job or your old life… None of those things exist. Up there, you don’t exist” (Gaiman, 127). This quote from Marquis de Carabas expresses when Richard crosses the first threshold which is the point in which he realizes that there is no turning back, this is when he realizes he is part of the underworld and non-existent in the normal world. He receives supernatural aid, which is part of the departure, from several people along the way, including Door, Marquis de Carabas, Hunter, Anasthesia, and Old Bailey. Another action of the departure
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation, and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind.
Everyone is different, from me my hero's journey consists of my threshold crossing which was when I started depending on myself more than I did on others, my helpers/mentors like my parents, teachers, my sister and many more influential people in my life finally, my rewards were getting awards in school, having a nice family, and many friends. I still have many stages to go through. Nevertheless I have completed many stages. One day it would be nice to write another heroic journey like Joseph Campbell did and filled with many more details and
This one simple statement brings Edward’s greater goal back home to his son. This is why his call to adventure is Will’s birth even though Edward believes his adventure started long before. The film begins with Will’s wedding and Edward is telling the story of Will’s birth. This is different from the novel but really helps with the monomyth chronology. In the film Karl the giant is Edward’s first helper. Karl is who Edward leaves Ashton with and helps Edward meet his wife. This however is out of order because Edward meets Karl long before his son is born. In the novel Edward doesn’t really have a helper because Karl doesn’t serve the same purpose. Edward takes many tests, and everytime he makes it out alive he passes. This, like most of the parts of this hero quest, happen before his son is born. The boon is Edward’s stories and his adventures. It’s the things that his relationship with his son are built off of. In the movie, Will constantly complains that he doesn’t know his father because Edward has never told him a fact about himself. At the end of the film, Will realises that his father’s stories were who he was, and he knew Edward all along. In the
One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby. Joseph Campbell calls the initial phase of a hero’s development the “Call to Adventure.” The call is the in... ...
We sat, holding hands, so tight they were purple. We had worked so hard to get to this moment. They called our name. Screams and shouts of happiness fill the area around us. As we stood on the podium, wide smiles appear on our faces. We laughed at each other as we remembered the previous nights activities.