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Importance of communication to humans
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In the graphic novel, "Stitches: A Memoir” written by David Small, the author shares his memories, presenting a hostile home environment and the unique characteristics of his family. David’s family was composed of his mother, Betty, a housewife, Ed, the father-doctor, and David’s older brother, Ted. Towards the end of the book the readers are introduced to David’s psychologist, characterized in the book by a rabbit. The memoir is a true statement of David’s life in a house where there was no effective communication, the lack of love from his mother and how it affect his childhood. David’s illustrations shows an intricate but vivid and painful memory of his childhood. His mother, Betty influenced his life in a way that he could not understand at the time. He did not understand the reasons behind some of her attitudes or the peculiar way that she communicated with him. In the first pages of the book David stated: “Mama had her little cough… once …show more content…
Betty drive him to the first appointment, she dropped him off and made a negative comment about it: “It’s like throwing money down a hole, if you ask me” (247). She was again nagging him. David’s psychologist was characterized of a White Rabbit, one of the references he had most of his childhood, he used to daydream about been Alice, from Alice in the Wonderland by Lewis Carrol. The “White Rabbit” analyses him and let David’s know the truth: his mother does not love him. (255) David’s life went upside down and in the next pages the illustrations show a big storm that went for days. The darkness, the sadness, the emptiness, and pain, can be feel at every drop of rain that David had drawn.(259-264) Those feelings finally come to an end and David’s was back to his psychologist three times a week, he was at last healing from the past of mistreating. The White Rabbit helped him to go through his memories and feelings, sorting out and changing his life for the
In a restaurant, picture a young boy enjoying breakfast with his mother. Then suddenly, the child’s gesture expresses how his life was good until “a man started changing it all” (285). This passage reflects how writer, Dagoberto Gilb, in his short story, “Uncle Rock,” sets a tone of displeasure in Erick’s character as he writes a story about the emotions of a child while experiencing his mother’s attempt to find a suitable husband who can provide for her, and who can become a father to him. Erick’s quiet demeanor serves to emphasis how children may express their feelings of disapproval. By communicating through his silence or gestures, Erick shows his disapproval towards the men in a relationship with his mother as he experiences them.
In this memoir, James gives the reader a view into his and his mother's past, and how truly similar they were. Throughout his life, he showed the reader that there were monumental events that impacted his life forever, even if he
Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship between Bruce Bechdel and his family and his attempts to disguise his homosexuality by creating the image of an ideal family, themes which are prevalent throughout the rest of the nook.
Intergenerational conflicts are an undeniable facet of life. With every generation of society comes new experiences, new ideas, and many times new morals. It is the parent’s job go work around these differences to reach their children and ensure they receive the necessary lessons for life. Flannery O’Connor makes generous use of this idea in several of her works. Within each of the three short stories, we see a very strained relationship between a mother figure and their child. We quickly find that O’Conner sets up the first to be receive the brunt of our attention and to some extent loathing, but as we grow nearer to the work’s characteristic sudden and violent ending, we grow to see the finer details and what really makes these relations
The girl's mother is associated with comfort and nurturing, embodied in a "honeyed edge of light." As she puts her daughter to bed, she doesn't shut the door, she "close[s] the door to." There are no harsh sounds, compared to the "buzz-saw whine" of the father, as the mother is portrayed in a gentle, positive figure in whom the girl finds solace. However, this "honeyed edge of li...
The misfortunes Jane was given early in life didn’t alter her passionate thinking. As a child she ...
...cts of the mother and the descriptions, which are presented to us from her, are very conclusive and need to be further examined to draw out any further conclusions on how she ?really? felt. The mother-daughter relationship between the narrator and her daughter bring up many questions as to their exact connection. At times it seems strong, as when the narrator is relating her childhood and recounting the good times. Other times it is very strained. All in all the connection between the two seems to be a very real and lifelike account of an actual mother-daughter relationship.
In Fun Home: A Family Tragic Comic, Alison Bechdel uses the graphic novel technique of bringing visuals and concise text to her audience to reveal the relationship with her father in a perspective that can not be modified through the readers perspective and interpretation. Bechdel employs this type of writing style to help visualize a better interpretation of how she describes the differences in both her and her fathers’ gender roles throughout the novel. This tactic helps discuss and show how these gender roles were depicted as opposite from one another. But, in this case being opposite from one another made them gain a stronger relationship of understanding and reviling that these differences were actually similarities they also shared.
Torres contrasts the inexperienced Ma with an older, more mature Ma, demonstrating that, over time, mothers develop motherly qualities. Torres describes a solemn last morning, years after the scene in “The Lake,” before the son is sent to an institution to be “institutionalized [to fix his sexuality]” (Torres 117). When illustrating the mother, Torres writes, “[l]ook how she enters, holding a stack of folded clothes, jeans on the bottom, a sweatshirt, some boxer shorts, and on top a pair of socks bundled together. Except for her wild, beautiful face, she looks like a servile woman, a television mom” (Torres 122-123). Torres presents a different mother from “The Lake.” Ma is folding clothes, a stereotypical motherly activity.
mother, and narrative point of view, to illustrate the tension between the two protagonists and
Presenting the story from a third person perception and having the narration by the mother or “Mama” gives the story great relevance to real life situations that ha...
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
Describing complicated situations and overwhelming events can sometimes best be done with very few words. When giving bad news or explaining how something went wrong more than often the reciprocator of the description likes a short and sweet version. Simplifying the complicated is the art of children’s literature authors. Those who are able to wrap up messages many fumble over, into a way that simple children can understand, are gifted. Such is the case with Hans Christian Anderson and Laura Numeroff, two excellent authors able to incorporate experiences they had personally into their works. Because they were both children growing up in times of social change and made the choice to push for the best education they could get, Anderson and Numeroff wrote stories where the protagonist was characterized as a child who was never satisfied and always wanting more; used color symbolism adding to the texture of the storyline and showing things that words would not; and the plots of their stories were allusions to the historic events of the time.
As soon as Mama appears on stage, before she speaks a single word, the stage directions tell us, the audience, that Mama is a strong woman (40). She has endured many things, among them the loss of a child, and now the loss of her husband and yet she preserves. As the play progresses we learn that Mama has managed to act as the head of the family in extremely tough times, working day in and day out. Instead of choosing to be bitter about her l...