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In Fun Home: A Family Tragic Comic, Alison Bechdel uses the graphic novel technique of bringing visuals and concise text to her audience to reveal the relationship with her father in a perspective that can not be modified through the readers perspective and interpretation. Bechdel employs this type of writing style to help visualize a better interpretation of how she describes the differences in both her and her fathers’ gender roles throughout the novel. This tactic helps discuss and show how these gender roles were depicted as opposite from one another. But, in this case being opposite from one another made them gain a stronger relationship of understanding and reviling that these differences were actually similarities they also shared. …show more content…
Therefore, Fun Home: A Family Tragic Comic demonstrates that this novel is a memoir of her growing past relationship with her father which was not recognized in the beginning, only throughout the book that actually show their relationship grow. In contrast, to the whole concept of Bechdel using her graphic novel to reveal her relationship with her father and how they both differ in the whole gender role norm, it is stated, “Fun Home's structure is recursive rather than linear, returning again and again to' the same sites of emotional pain: the author's coming out, her father's suicide, the pressures of compulsory heterosexuality, the always-impossible search for lost time.” (Tolmie 1) While Tolmie discusses that Bechdel’s memoir is more pointed to this concept, it does not further discuss the relationship she had built with her father throughout the story. It did discuss the matter of the pressure of compulsory heterosexuality, but this just goes more in depth on the she evolves in her concept of how she identifies with her own gender role and sexual orientation throughout the story. By this point, it really avoids the major aspect of how this novel focuses heavily on her relationship with her father. The readers also gain a better visual on how they are similar because of the matter that they both go against the gender role norms society has already set. There are many different scenes in the book that hint at the fact that both go against those gender roles such as how Bechdel describes her father in her illustrations as having a more feminine side which consists of being fond of flowers, decorating, and being very fashionable. While she is illustrating herself as a tomboy who does not care for “girly things” such as dressing up in dresses or jewelry, engaging in overly feminine activities. This memoir that Bechdel created was to show these major differences and how at the end of the novel she realizes that both her father and herself were very similar and are going through same situations but in a more opposite reality. In particular, the major scene that goes about explaining both her and her father’s differences in gender role is the scene where they were both getting ready to go to a wedding. In this scene, Bechdel discusses how she is wearing the “least girly dress in the store” and her father is wearing a suit out of “velvet” (98). In society norm, the female would want to dress extravagantly for an event like a wedding while the male counterpart would just wear a normal presentable suit. From this, she also points out when her father gets all into gardening and doing any other hobby that involves flowers and is least interactive when he is playing baseball with her and her brothers. In these scenes, you can tell that Bechdel points out how she dislikes the gardening activities with her father and is more active when she plays baseball with her brothers later on (90-91). In these scenes, the societal norms would have been incorporating the father as very active in playing baseball with his children, which comes from the interpretation in where it is a father’s duty to play catch with his children. As for Bechdel’s depiction of herself in a societal norm, people would think little girls would love anything to do with flowers or gardening, which was broken when she had more fun interacting in baseball than the gardening activities. From these different scenes that she depict in her novel they support the how they interact in the different gender roles. With this in mind, Bechdel employs how her father would try to express his feminine side through her, which open her eyes to how they both are inversions of one another. She points this out by saying, “Not only were we inverts. We were inversions of one another.” While I was trying to compensate for something unmanly in him…he was attempting to express something feminine through me.” (98) This statement explains that at that point she figured out that both she and her father are expressing different gender roles either by themselves or even using one another they are also experiencing similar situations which are shown in her novel. This is well explained in the scene where her father always nagged her about not wearing her barrette and also threatens her by saying, “Next time I see you without it, I’ll wale you” this shows that feminine side that is expressed through her. But, that moment she goes off to play with her older cousins that call her “Butch” as a nickname, which is very masculine and helps understand how they see her as a part of their masculine group of guys playing basketball (96-97). From these scenes that help depict how both she and her father express themselves through each other trying to either compensate for something masculine or feminine that is simply different from their own gender roles. That is to say, Bechdel discussed the impact on how different she and her fathers’ perception of their own gender roles lead to understanding each other in the end. There are many hints that her father was also trying to give her more information later on in the book to help her in her identification as a lesbian. From these little hints, she also realized how her own father was also struggling with his own identity of being either a straight male and at the same time knowing he also identifies himself as gay. In the car scene where she discusses with her father why he help her by giving her the Colette book. In that instant he said, “It was just a guess. I guess there was some kind of – identification.” there he then started to discuss on his first moments of how he began to identify as a gay man. He then went on talking about similar things Bechdel has done when she was younger and with that she depicted this scene as an overwhelming relief that they both had become even closer then hiding the fact they were very similar in the end. By getting to this point in their lives, they shared those similarities and express themselves like a giant weight has been lifted. To conclude with, Bechdel’s novel Fun Home: A Family Tragic Comic demonstrates that this memoir main point was to discuss and depict her own relationship with her father.
This novel went into how she and her father both were similar in how they expressed and experienced their own identification in gender roles. Either it being shown in their own way or even it is being through one another, they did not realize how close they were until she understood herself at the end. This then became the opening to them discusses their life experiences that involved identifying with another gender, which made them gain a better understanding about each other. The reason why the readers gain this perspective was how she used this graphic novel technique to become concise and obtain a mutual understanding in what she was expressing and explaining throughout the novel. With this mutual understanding of how she made this graphic novel, then the readers can focus more on how in the beginning they thought they were very different people, but later on grew to understand that both choose different gender roles. This gave them many similar outcomes, which help them grow even closer than they were before. With that Bechdel stated at the end, “ He did hurtle into the sea, of course. But in the tricky reserved narrative that impels our entwined stories, he was there to catch me when I leapt.”, which suggest that even if he is gone in real life he is still a part of her life’s
history.
Alison Bechdel wrote Fun Home as a memoir so that people understood the impact her father had on her. She went into great detail in this memoir about her childhood and moments after her father’s death. Which she claims her dad was a suicidal. During the memoir, she describes her relationship with her father. All issues, lessons, and arguments she had with her father are really significant to her. She uses her relationship with her father as the main point in the memoir. Their relationship had its ups and downs but she had very strong feelings for her father. Even though her father did not treat her as a girl most of the time, she managed to get over the fact of her father’s behavior.
When Marie tries to ask the protagonist to take a walk, this action shows that she is trying to achieve Pauline’s dream by getting her outside of the house. Therefore, she could finally feel the true meaning of freedom. Nevertheless, Pauline’s mother’s response demonstrates that she wants her daughter’s safety more than anything. The mother tries to keep Pauline away from the danger, so the protagonist can at last have a healthier life. However, Agathe’s reply shows that her mother is willing to sacrifice Pauline’s dream to keep her secure. Therefore, the author uses contrasting characters to mention that safety is more valuable. Furthermore, the protagonist starts to describe Tante Marie and reveals that she always has her hair “around her shoulder” (85). When Pauline describes Marie, Pauline shows how her Tante is open-minded. In fact, Marie helps Pauline to let go of her limitations and to get a taste of her dream. Therefore, Marie always wants Pauline to go outside and play hockey or even to take a walk. These actions that Pauline’s Tante takes show how she is determinate to make Pauline’s dream come true. Thus, the author
The comic “Compulsory Reading” expresses the way Bechdel feels about “must read” literature by using media and design, rhetorical patterns, and tone. The graphic novel is used to help get the best imagery and explain how Bechdel feels. The rhetorical patterns allow for the read to know why she feels that way. As well the tone also contributing to the way Bechdel
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
Picking up the book Fun Home, one would imagine that the novel would embellish some sort of comical life story of a misunderstood teenager. Although the short comic-book structured novel does have its sarcastic humor, Alison Bechdel explains her firsthand account of growing up with the difficulty of living of finding her true identity. Alison was a teenager in college when she discovered that she was a lesbian, however, the shock came when she also discovered her father was homosexual. I feel that the most influencing panel in Fun Home is where Alison and her father are in the car alone together. Not only does this panel explain the entirety of the novel in a few short speech bubbles, but it is the defining scene that connects both Alison and her father together for the first time (221). This explains the absences of Alison’s father in her life, and the scary realization that both characters are more alike than different. The car scene must be broken into spectrums to fully analyze what is happening. The only way to understand the Alison’s feelings to observe the illustrations and expressions she uses.
Bechdel decides to live her reality and be her true self. After she reveals this information to her parents, her mother reveals the truth about her father. Bechdel’s father had affairs with many other men throughout his lifetime. Bechdel is shocked and does not understand how her father was able to do that for so long. When Bechdel realizes this, she instantly feels as if now she may be able to connect with her father. Her father was living behind the appearance of the perfect husband and man to hide his actual sexuality of being gay. She feels as if they can connect through their changing sexuality, even though she has decided to come out while her father has
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.
Bechdel recounts her childhood growing up with a closeted homosexual father and a mother who
“Stitches” by David Small is a graphic novel where he visually describes his childhood. Small shows how he perceived his family relationships as a child and his own perspective of the world at the time. He clearly depicts his family’s dysfunctionality that prevented him the ability to display his self expression. Small encountered various events throughout his novel that added a different element to his understanding of relationships, specifically with his parents. As Small matured, these events played a critical role on his ultimate understanding of their complicated relationship.
...cts of the mother and the descriptions, which are presented to us from her, are very conclusive and need to be further examined to draw out any further conclusions on how she ?really? felt. The mother-daughter relationship between the narrator and her daughter bring up many questions as to their exact connection. At times it seems strong, as when the narrator is relating her childhood and recounting the good times. Other times it is very strained. All in all the connection between the two seems to be a very real and lifelike account of an actual mother-daughter relationship.
In her novel, Bechdel’s complex sexual self-development is a powerful struggle for her to figure out and acknowledge her sexual orientation. One can simply observe the pain and struggle Bechdel encountered in his process of self-development especially in one of her monologues when she discusses the impact of finding out about her father’s homosexual ways in his past. She states, “Only four months earlier (to her fathers suicide), I had made an announcement to my parents, ‘I am a lesbian’ but it was a hypothesis so thorough and convincing that I saw no reason not to share it immediately… My homosexuality remained at that point purely theoretical, untested hypothesis” (Bechdel 58). After receiving the news that her father was...
Unsurprisingly, the novel is a classic coming of age story which centers on a young man who is confused about himself and his sexual identity in his early twenties. This confusion about himself and his sexual identity is the driving force of his interactions with his friends and lovers. Moreover, this confusion about himself and his sexual identity also facilitates the conflict and unforeseen consequences which occur during the novel.
The hope to survive is shown through the author’s use of figurative language. For example, Gerda listening to her parents’ conversation about her father leaving on the train the next morning brings her strength. Her parents’ love and courage sustains Gerda through the happy
basis of the plot and themes of this novel. The fond memories she possessed of her mother and the harsh ones of her father are reflected in the thoughts and
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...