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Annotating leather and nothing else by hernando Tellez
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“Lather and Nothing Else” is a short story written by Hernando Tellez that describes a rebel barber and his client, the Captain Torres, the executioner of his comrades and friends. The barber was left with the paramount decision as to kill the Captain or to spare his life. Throughout the story, Tellez utilizes multiple techniques to develop suspense. Suspense is a critical aspect in many novels, and aids in captivating the reader to compel them to continue reading to know the end result. Tellez creates suspense by including internal dialogue, imagery, and point of view to increase the reader's anticipation to find the final result.
The barber is continuously engaged in internal conflict, arguing that he was “a revolutionary but not a murderer” and
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wanting to follow his conscience, even “knowing it would have been so easy to kill him” (Tellez, P20). The argument creates tension in the story, and the reader is constantly wondering what will become of the barber and the captain. He is constantly contradicting his longing to do what is just, yet the duty to kill the captain and the pressure from his peers is well depicted in the tale, creating further trepidation in the reader, therefore creating suspense. Tellez uses internal dialogue yet again to further create suspense further in the story. The barber is weighing the outcomes of his situation, for he would either be remembered as “Captain Torres' murderer … [who] cut his throat while … shaving him” (Tellez) He would be seen as “a coward.” However, he would also be seen as one who “avenged [them]. A name to remember… a barber of the people.” The likelihood of the barber killing the captain had grown, and he was now on the verge of a decision, and the prospect of being a hero is extremely appealing to people, so the reader was made to believe that there would be an equal chance of either outcome. This would create uncertainty as to what would happen in the story, urging the reader to continue reading. The complexity of the barber’s thoughts also creates a frenzied tone, which contrasts the seemingly normal situation on the exterior of the barber’s mind. The imagery Tellez creates works extremely well to compare the frantic barber’s view of the situation to the reality, for the barber imagined, if he were to kill the captain, a “stream of blood [would] flow … down on [his] hands” (Tellez), intensifying the dark tone with the mention of blood.
It heightens the experience of reading by adding the aspect of violence and crime, which in turn also creates suspense. Furthermore, it creates a more personal aspect for the barber, connecting the blood to his being, him becoming stained if he were to have made the permanent decision of killing the captain. The barber had thought that Captain Torres’ “skin would give way like silk, like rubber, like leather.” (Tellez). The picture created by each of these substances portrays a different message, for silk would be extremely smooth and simple to cut through or damage, while leather, on the other hand, is known to be tough and resistant to wear. While the barber’s frenzied thoughts are beginning to affect his reasoning, he is also imagining how simple the task could be, but it begins to loom over him when he ponders the consequences, and the task soon may seem inconceivable, the difficulty constantly increasing in his
mind. Throughout the tale, there is a constant concern as to whether the Captain would see the barber for what he really was, a secret revolutionary. The barber was convinced that “Torres didn't know that [he] was his enemy” (Tellez). The reader is left with the suspicion as to what the Captain knows due to the limited point of view, only being able to examine the barber’s thoughts, and is not seeing the other perspective in the story. However, the captain had only come to evaluate the rumors that "[the barber] would kill [him]”, and he had. “c[o]me to find out if it was true” (Tellez). If the story were told from a point of view in which it was possible to see both the barber’s and the captain's thoughts, the reader would no longer be left with any uncertainty, and one would immediately know why the captain had visited the barber in his small shop, and would no longer be anticipating to see whether the captain would determine the barber being a revolutionary due to his racing thoughts, which affected his actions. Suspense is a key element in a story and is often used to impel the reader to continue the story to reveal the outcome of the conflict. It creates uncertainty in the reader's mind so that any conclusion could be possible, which spurs the reader to finish the tale they may be reading. Suspense is critical in many genres, and when applied correctly using proper technique, creates an enthralling story in which the reader feels compelled to complete. Without suspense, a story can easily become dull, losing the reader midway due to lack of interest. Tellez uses the many techniques to create suspense exquisitely, which creates a riveting story to read and experience.
His client is Captain Torres, who is an evil man. The barber has been given the job of shaving his beard, and with the Captain sitting before him and a razor in his hand, the barber realizes how easy it would be to kill him. “I could cut his throat just so, zip! zip! I wouldn’t give him time to complain” (Tellez, 3). This develops the barber’s inner conflict as he is silently contemplating whether to simply shave him like a professional barber should, or kill him on the spot. The Captain’s fate is literally in the barber’s hands. This inner conflict is a result of his image, how he wants to be portrayed, because he is both a barber and a secret rebel. “My destiny depends on the edge of this razor” (3). Therefore, whatever he chooses ultimately results in how his future will unfold. If he kills the Captain, he could be seen as either a “murderer or hero” (3). If he doesn’t kill the Captain, he is letting the man go who is responsible for so many terrible things. After contemplating his choices and considering the consequences, he eventually solves his conflict by simply giving him a shave and letting Torres go. As a result, the barber indeed proves how one’s identity will result in how one’s future will
In his painting/collage, line is emphasized in the floor and moves up into the line of his pants which forces you to focus in on the texture of his pants because they are real jeans. It makes you want to reach out and touch it and feel it for yourself. The line continues up to the rest of his body only to notice that his collar too is a piece of fabric which sticks out a few inches from the painting. The line also forces you to look over to the paining that he is creating and notice once again his use of fabric in the collage he is creating and then down to the box of rags at his feet. His use of fabrics throughout the paintin...
Foreshadowing is a beneficial literary device that may be most salutary once the reader has completed the passage. In the short story,“The Most Dangerous Game”, author Richard Connell uses foreshadowing to expose General Zaroff as a bloodthirsty cannibal to his readers.
“Lather And Nothing Else” by Hernando Tellez, shows suspense in many ways, by using key elements. The key element that Tellez uses, develops suspense in the story. Tellez uses many different elements to show suspense like using mood and tone to make us feel something. In "Lather And Nothing Else” Tellez used style, the point of view, and pace to build suspense into the story.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
He claims it is a skill that demands patience and spirituality. He begins this which his description of the knife, which he relates to a flower and an instrument, two images that one relates to peace and purity. He also says "The knife is not for pressing. It is for drawing". This implies that the tool he is using requires a delicate and thoughtful hand to guide it. Also pertaining to art, he says, "there is color." The word colour itself is often immediately associated with hues that are bright and many, setting an upbeat feel. Selzer even beautifully describes the skin of the patient falling to the sides when he says it "Blooms with strange flowers". Selzer next says that surgery is a holy act. He says, "I must confess that the priestliness of my profession has ever been impressed on me." Also, he says that surgery "is a ritual cleansing", and relates the patient's body to a "temple". These two metaphors help create the strong message that surgery can be divine. Lastly, Selzer forms a stunning comparison between physician and poet in the lines, "And if the surgeon is like a poet, then the scars you have made on countless bodies are like verses into the fashioning of which you have poured your soul." The diction is one element of these lines which immensely aids the strong message, for instance, "fashioning", "poured", and "soul". However what is even
The story is concerned with the conflict between his conception of himself and the reality.
Taylor, the author uses both foreshadowing and figurative language to help convey a theme, sometimes people need to resort to resort to violence to keep themselves safe, by using these literary devices to help describe important events in the story. These Literary devices help improve the description, and can help convey a certain theme throughout the
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
Julia Alvarez poems “Dusting”, “Ironing Their Clothes”, and “Sometimes the Words Are So Close” have the ability to be closely compared in regards to theme and the use of syntax to create a vivid feeling, and image. Alvarez also made use of literary devices such as cacophony, and figures of speech such as anaphora. These 3 poems are able to be analysed together because of the distinct use of the same underlying theme between these 3 poems, with that in mind, each of these poems are able to be analysed closely because all three discuss the feelings that overtake someone who is constantly told to keep quiet and out of the way.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Written stories differ in numerous ways, but most of them have one thing in common; they all have a narrator that, on either rare occasions or more regularly, help to tell the story. Sometimes, the narrator is a vital part of the story since without him or her, it would not be possible to tell the story in the same way, and sometimes, the narrator has a very small role in the story. However, he or she is always there, and to compare how different authors use, and do not use, this outside perspective writing tool, a comparison between Herman Melville’s Benito Cereno, Henry James’ Daisy Miller, and David Henry Hwang’s M. Butterfly will be done.
To show how the African Americans straightened their hair. Gates says, “It made a scorching, crinkly sound, the hot iron did, as it burned its way through damp kink, leaving in its wake the straightest if hair strands, each of them standing up long and tall but drooping at the end like the top of a heavy willow tree” (41). This is a simile and also imagery because it is saying someone’s hair strands are long, tall and droopy at the ends comparing it to the top of a heavy willow tree. Also the imagery is describing what the iron is doing to the black person’s hair. Another use of figurative language to establish how the kinky hair was treated and how the barber talked about the quality of an African Americans hair when it was being trimmed, is in the text where Gates has stated, “It is like a doctor reporting the overall results of the first full physical that he has given you. “You are in good shape” or “blood pressures kind of high; better cut down on the salt” (Gates,44). This is a metaphor and means that the barber that is cutting the hair has analysed it and they gave him “not a bad grade” for how his hair is looking at the moment but there is room for improvement when they cut his hair for the first time. Personification is also used to
The main conflict that Mr. Stevens faces is with him, exhibiting person vs person character conflict. Mr. Stevens clearly struggles with internal conflict, ideological struggle and is an abstract