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Character development introduction
Character development introduction
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Lauren Seidewand
ENG 1D1
November 18th, 2015
Mr. Andreacchi
Short Story Essay
Everyone at some point is bound to experience situations where they question who they really are. This conflict usually arises as a result of either another’s actions or one’s own actions. In the short story “On the Sidewalk Bleeding”, Andy struggles with his self-identity. Furthermore, the barber in “Just Lather, That’s All”, battles with his abilities and image of himself. Therefore, both the barber and Andy face an inner conflict as a result of their struggle of determining who they genuinely are, which conclusively results in how their future will unfold.
In the short story “On the Sidewalk Bleeding”, Andy suffers with the inner conflict of his self-identity
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as he has his last moments on Earth. Andy is initially stabbed by the Guardians gang and ponders “had they known that he was Andy, or had they simply known that he was a Royal wearing a purple silk jacket?” (Hunter, 41). For this reason, Andy starts to develop an inner conflict within himself as a result of questioning his true identity, how the world see’s him. “I’m Andy, he screamed wordlessly. I’m Andy!” (41). He realizes that he, as a human being, was not stabbed, only the jacket was. He thought of how happy he was when he first joined the Royals. “There has been meaning to the title” (40). Now, the meaning of the jacket was death. Andy realizes that he does not want to die as a Royal, he wants to die as Andy, a person. This conflict is eventually solved by Andy using all his remaining strength to remove the Royal’s jacket so that he can end his life as just Andy. Even though to the police officer and everyone else, he may have died as “A Royal” (42) he was able to prove to himself that he is Andy, he is more than just a title on the back of a jacket. Through all of this, Andy shows that one’s identity will result in how one’s future will unfold. In Andy’s case, his future means both life or death, Andy or Royal. While Andy has to overcome the problems with how the world sees him, the barber in “Just Lather, That’s All” struggles with making a life changing decision based on his self-image. At the start of “Just Lather, That’s All”, the reader is introduced to the barber who is suffering with an inner conflict dealing with his self-identity.
His client is Captain Torres, who is an evil man. The barber has been given the job of shaving his beard, and with the Captain sitting before him and a razor in his hand, the barber realizes how easy it would be to kill him. “I could cut his throat just so, zip! zip! I wouldn’t give him time to complain” (Tellez, 3). This develops the barber’s inner conflict as he is silently contemplating whether to simply shave him like a professional barber should, or kill him on the spot. The Captain’s fate is literally in the barber’s hands. This inner conflict is a result of his image, how he wants to be portrayed, because he is both a barber and a secret rebel. “My destiny depends on the edge of this razor” (3). Therefore, whatever he chooses ultimately results in how his future will unfold. If he kills the Captain, he could be seen as either a “murderer or hero” (3). If he doesn’t kill the Captain, he is letting the man go who is responsible for so many terrible things. After contemplating his choices and considering the consequences, he eventually solves his conflict by simply giving him a shave and letting Torres go. As a result, the barber indeed proves how one’s identity will result in how one’s future will
unfold. Andy and the barber set their future path for themselves based on their internal conflict with their identity. Firstly, Andy learns how one’s identity can determine life or death as his death is upon him. Secondly, the barber overcomes his dilemma with his self-image by staying true to his professionalism. Through these short stories, the reader will better understand the consequences of one’s identity. Therefore, it is clear to see that how one handles inner conflict conclusively determines his/her future.
Just as nobody wants to be criticized and underestimated, so does Quoyle. While his family considers him as a root of failures and doesn’t give enough love to him, Quoyle also thinks about himself that he is not part of his family and wants to leave for somewhere. He is always despondent and not confident about his family, his appearance, and his life. However, through the picture, he finds out that he has something in common with his father. The author uses various dictions, imagery, and figurative language in order to vividly illustrate how Quoyle feels about himself and his family.
As the narrator makes his way to the courtyard heading home from school, a "friend" of Sonny's, another drug-user, approaches him. The narrator ...
...ll he can do is suppress his urge to cry. The protagonist?s realization of his own maturity is ironic. Once so eager to appear ?bad,? but lacking the true essence of this word, the narrator has achieved this status at the price of his naivete, and wishes that he could return.
... under any immediate danger (Téllez). Even though Captain Torres is very close to the barber, he is in a position of disadvantage because he is disarmed and he is retrained by the sheet that the barber put on him (Téllez). The proximity of the killer to their victim creates circumstances in which forces one to kill or allows one to not kill.
Weisel-Barth, J 2014 ‘Review of “The Stories We Tell”’, International Journal of Psychoanalytic Self Psychology, Vol.9(2), p.162-166, DOI: 10.1080/15551024.2014.884526
Conflict is an important part of any short story. The short story, “On the Sidewalk Bleeding,” contains three major conflicts: man vs. man, man vs. nature, and man vs. himself. In this essay, I intend to explain, prove, and analyze these three struggles.
In Pat Mora’s “Sonrisas,” A woman tells the audience that she lives in between two worlds: her vapid office workplace and a kitchen/break-room with family members or colleagues of her same heritage. Mora includes many sensory details to enrich our understanding of the speaker’s experience in both “rooms.” The speaker is content living in the “hallway” between the two rooms because she can put on a metaphorical mask, as mentioned in Jungian psychology, which fits what is acceptable to the different social society that is in each room of her life. Adrienne Rich on the other hand, is not content with peeking her head into the doorframes of the roles she must play in order to be accepted. In her poem, “Diving into The Wreck,” she pursues, in my opinion, a form of individuation by diving into the wreck of her inner consciousness to find who she is among the wreckage of the world and its effects on her. Both Pat Mora and Adrienne Rich explore the dangers of being defined by others and the rewards of exploring different worlds.
...le for them throughout the play, and it came to a head at the end of their lives. This play highlights the importance of identity, by showing what happens without it. Without your identity, you will pass through life with no purpose, until you stopped living.
In his 1971 paper “Personal Identity”, Derek Parfit posits that it is possible and indeed desirable to free important questions from presuppositions about personal identity without losing all that matter. In working out how to do so, Parfit comes to the conclusion that “the question of identity has no importance” (Parfit, 1971, p. 4.2:3). In this essay, I will attempt to show that Parfit’s thesis is a valid one, with positive implications for human behaviour. The first section of the essay will examine the thesis in further detail, and the second will assess how Parfit’s claims fare in the face of criticism. Problems of personal identity generally involve questions about what makes one the person one is and what it takes for the same person to exist at separate times (Olson, 2010).
Now, alone in New York and all of his faith in the hands of the same man who expelled him from college, he still remained with the same aspirations, not questioning any of his circumstances, nor searching for any answers within himself or others. Coming to terms with one’s true self is certainly something many people would rather avoid. “It is an issue [we] can only comfort by evading...” (Ellison, p.93) .This was exactly what the protagonist did. Ignorant to the fact that several people had been deceiving him through the entire situation. The only way he could remain content while reaching for the near impossible was to avoid his problems and avoid what his instinct, his true self, was trying to tell him. However, the main character was not the only person in the world who has lost substance within himself grasping at shadows (Aesop). In fact, Ellison addresses that many others also hurry along through a fog (Ellison,
Society constantly projects the idea of originality and being unparalleled, but blindly cages us in the standard of being accepted. The movie Edward Scissorhands by Tim Burton and the poem “Identity” by Julio Noboa Polanco, demonstrates the struggle of finding one’s identity when being led into one pathway. Although individuals are told that there is beauty and radiance in being unique, there is still fear found in individuality and comfort in conformity. The texts venture in a labyrinth of dilemmas between the desires of fitting in and not letting the wages of society mold you.
In Just Lather, That’s All, Hernando Téllez tells the readers about the struggles of indecision. The indecision of whether to kill Captain Torres and save many people or let him continue murdering the rebels. The barber was contemplating whether he should kill the barber with his shaving knife or not, and he did not end up killing him. I thought that this move was selfish because by killing the Captain, he would be able to save his people; and might as well take a chance, because the Captain was going to kill the barber, a rebel, eventually. The main conflict of the story was man versus himself, he starts questioning himself about the aftermath of the murder and taking things into consideration. Also, the barber mentioned that the captain “...came to me for a shave. And I perform my work honourably…” (127). It is evident that the barber is too scared to do the dirty work for everyone else and knows how to respect the Captain as every other customer. Therefore the barber, in my opinions, is a coward.
“We are more alike, my friends, than we are unalike.” ( Maya Angelou ). The barber in Lather and Nothing Else and the sniper in The Sniper are both unique in their own special ways. Both of these characters have significant similarities and differences, some more than others. If we look at both of these characters diverse personalities we will see their distinguished differences and their closely related similarities.
Decisions made in this book help us to understand the characters more in-depth. The biggest decision that shows us the character of the barber is when he decides not to kill Captain Torres. This shows that even though they are enemies and Captain Torres could have the barber killed in a second that he is not the kind of person to kill someone without a concrete reason. The barber deals with an internal conflict with himself in the decision to continue shaving or to kill him. If he was to kill them right then and there, he would not have to worry about his enemy anymore. However, if he was to kill him than he would have other people mad at him which might only make the situation worse. Leaving him with a tough decision to make involving life and death.
In certain types of children’s literature the child is asked to use their imagination to travel to a different time, or a different place. Throughout history, and more recently, fantasy stories as well as science fiction have grown in popularity. The idea of being able to visit these different places and meet new characters, think of book like Harry Potter, that was later made into several movies, or The Chronicles of Narnia. In these types of books, the character is relatable as well as other parts of the tale. The author will then twist reality as we know it and take the reader in a new direction. This form of storytelling is used not only for children’s literature but also in those meant for adults, adding mystery, suspense , and common