Another week passes by and this time around we go deeper into ideas of Oral traditions, we read Las Casas' Devastation of the Indies, Couvade" by Wilson Harris, and "The Amerindian Legacy" by Wilson Harris. In these pieces, we went over the “nature of the development of the arts in Caribbean Society” and how their program is designed to inform students about their heritage and spark discussions. Then we talk about Bartolomé de las Casas story about the slaughterer of the Indie. The story is told from a priest point of view who talks down about the Indians and call the Spaniard's savages for killing without a second thought and holding gold above God. “Are still acting like the ravening beast, killing, terrorizing, afflicting, torturing, and
destroying the native people.” While these words are true, he is also a Spaniard, but the priest most likely does this to show how they have stayed away from God. And the final writing we read and conversed over the different topics in Harris, Wilson, “The sleepers of Roraima: a Carib trilogy.” In this collection of myths, fables and fragments of history of the Amerindian peoples of Guyana and the Caribbean we read about which is about the “custom in some cultures in which a man takes to his bed and goes through certain rituals when his child is being born, as though he were physically affected by the birth.”
Anais Nin once said that “we write to taste life twice: in the moment and in retrospection.” In his book, Seven Myths of Spanish Conquest, Matthew Restall tries to change our perception of the past in other to open our eyes to what life was really like during the colonial period. As Restall puts it, the main propose of the book is to “illustrate the degree to which the Conquest was a far more complex and protracted affair” (p.154) than what was supposed in the latters and chronicles left by the conquistadores. Each one of Restall’s chapters examines one of seven myths regarding the mystery behind the conquest. By doing so, Matthew Restall forces us to look back at the Spanish conquest and question
Thomas More’s “Utopia”, Bartolomé de Las Casas’s “Destruction of the Indies”, and Michel de Montaigne’s “Of Cannibals” have the commonality of discussing mysterious territories which have certain conditions in several aspects of life which their present audience is unaware. The three authors describe foreign places with vastly different values and social standards, but they all describe the treatments or relations of the indigenous people by Europeans and outsiders, as well as the natives’ reaction to these treatments. More, Las Casas, and Montaigne reveal their personal views through descriptions of the different groups of indigenous people, and all suggest that their “advanced” societies are not necessarily better than those with different
Professor and poet Deborah A. Miranda, pieces together the past and uncovers and presents us with a story--a Californian story--in her memoir, “Bad Indians.” Her use of the Christian Novena, “Novena to Bad Indians,” illustrates the irony of using the form of her oppressors as a call out for help, not to God, but to her past ancestors. We tend to think of religion as a form of salvation and redemption of our lives here on Earth, in which we bare down and ask for forgiveness. But by challenging this common discourse using theological allegories and satirical terminology, Miranda turns her attention away from a Deity to call the reader out for help. It is crucial to recognize the struggles that the Native community currently face. Californian Indians are often not given recognition for their identity and their heritage, and are also repeatedly stereotyped as abusive, alcoholic, uncivilized, and “freeloaders” of the United States government. Such generalizations root back from European colonization, nevertheless still linger in our contemporary society. Miranda has taken the first step forward in characterizing few of these stereotypes in her Novena, but she’s given her story. Now what are we going to do with ours? It’s up to us to create our
On June 17, 1527, Cabeza de Vaca set sail on the order to conquer and govern the lands from the Rio Grande to the cape of Florida. However, during his journey he encountered much devastation such as the wrecking of his ship which resulted in his separation from the majority of his Christian companions. Praying to God after every ordeal, Cabeza routinely sought after his Christian religion to guide him through his unexpected journey. While traveling through the interior of America, he also encountered many native tribes which inhabited the land. While most of the Spanish conquistadors in the sixteenth century spread their religion through warlike ways and rearranged societies for the sole purpose of their own economic gain, Cabeza thought that kindness was the only way to win the hearts of the natives and without clothes or any material possessions, he upheld his promise and beliefs. After being enslaved by the natives Cabeza moved from tribe to tribe with the hope of finding his fellow Christians while praising and thanking God that his life was spared. Moving from tribe to tribe as a medicine man Cabeza still lived by his Christian teachings and implemented them into the way that he communicated with the natives, ultimately converting many tribes into Christianity. The religion of Christianity directly influenced the way in which Cabeza de Vaca interacted and felt toward the natives, thus throughout the duration of his time traveling across the interior of America, Cabeza was able to continually practice his religious beliefs while also being able to convert many Indians to his religion at the same time.
Danticat begins her essay with a tragic and bitter tone. She tells of the first people who were murdered when the Spaniards came to Haiti including Queen Anacaona, an Arawak Indian who ruled over the western part of the island. With bitterness she states, “Anacaona was one of their first victims. She was raped and killed and her village pillaged” (137).
of the native tongue is lost , certain holidays may not be celebrated the same , and American born generations feel that they might have lost their identity , making it hard to fit in either cultures . Was is significant about this book is the fact it’s like telling a story to someone about something that happened when they were kid . Anyone can relate because we all have stories from when we were kids . Alvarez presents this method of writing by making it so that it doesn’t feel like it’s a story about Latin Americans , when
In A Short Account of the Destruction of the Indies, Bartolomé de Las Casas vividly describes the brutality wrought on the natives in the Americas by the Europeans primarily for the purpose of proclaiming and spreading the Christian faith. Las Casas originally intended this account to reach the royal administration of Spain; however, it soon found its way into the hands of many international readers, especially after translation. Bartolomé de Las Casas illustrates an extremely graphic and grim reality to his readers using literary methods such as characterization, imagery, amplification, authorial intrusion and the invocation of providence while trying to appeal to the sympathies of his audience about such atrocities.
In order to evaluate the issue of Disney’s portrayal of Carib Indians in Pirates of the Caribbean: Dead Man’s Chest, the question of Carib cannibalism must first be addressed. The consensus seems to be that most ethnographic accounts of Carib cannibalism can be dismissed as justification for slavery and occupation (Moore 117, Myers 176); however, Neil L. Whitehead con...
What motivates one person to subject or dominate another? When people take it upon themselves to judge who has the right to be free or enslaved; who is superior or inferior; who is civilized or barbaric, the outcomes throughout history have been horrific. The actions imposed are foreign to those of us who are privileged and forever scarring to those who have been subjected. It is ironic that people have struggled so much through out time with the underlying quality that unites us as human beings: our humanity. By ignoring this universal quality among people, the stage is set to create a system where any judgment and its action are justifiable. The source of these justifications vary according to what one chooses to paint around the edges of the picture, whether the paint be religious beliefs or civilized ideals, the underlying motive is usually greed. There are many different ways to enslave someone through domination, oppression, and tyranny: all of these have a common theme in that they violate our human rights. The simple fact is as Jean-Jacques Rousseau states, "The words 'slavery' and 'right' are contradictory, they cancel each other out. Whether as between one man and another or one man and a whole people" (1). Webster's Dictionary defines slave as, " a bond servant divested of all freedom and personal rights, a human being who is owned by and wholly subject to the will of another, as by capture, purchase, or birth" (2).
During the era of maritime exploration and the discovery of the Americas, assumptions were made of the land likening it to not only a paradise, but one that was overrun with cannibalistic natives. These suppositions led to a desire to explore the lands and conquer the savages that posed a threat to man and civilization itself. The consequences of this mass colonization and dehumanization of the natives paved the way for literary pieces that pose as critiques of the era when viewed through a post-colonial lens. When looked at through a post-colonial perspective, a few common themes prevail amongst compared texts. Focusing on the theme of the journey, what it means, and what is at stake, Garcilaso de la Vega’s “The Story of Pedro Serrano” and Juan José Saer’s The Witness both touch on all these themes with great severity, dissecting the purpose of the journey and what it means to be a civilized man.
To the defense of the Spaniards, there was little knowledge that the diseases of the Columbian exchange had caused the widespread, mass deaths of the natives. Las Casas was pivotal in bringing to light the brutal treatment of the natives. The crown took this information seriously. If it hadn’t been for Las Casas stance on anti-brutality against the natives, change would not have come for a long
History is not made only by those in history textbooks. Historical fiction is unique in how sheds light on the day to day during important historical events and follows characters whose lives we can relate to on a personal level. Edwidge Danticat’s novel, The Farming of Bones, provides a realistic view of those often forgotten in history. The story surrounds the “El Corte” or “the cutting.” This was the eradication of Haitians ordered by Dominican President Rafael Trujillo in the 1930’s. According the tour guide in the citadel toward the end of the book, “Famous men never truly die, it is only those nameless and faceless who vanish like smoke into the early morning air.” (Danticat pg. 280) Danticat gives those who the textbooks may have passed over a voice and feelings. Historical fiction makes history human, not just a story in a book.
From Spain's early arrival in the Caribbean through their establishment of the Spanish empire indigenous people were exploited through cheap, slave like labor. One of the most incredible subjects raised by the documents presented in Colonial Spanish America is the topic of Labor Systems that were imposed on the indigenous people. Spain tried to excuse this exploitation by claiming to save these indigenous people by teaching them the ways of Christ but many of the Articles in Colonial Spanish America, Struggle & Survival, and The Limits of Racial Domination prove otherwise. Through letters, personal stories, and other documents these books present accounts that tell about the labor system used in this area. They tell of the Spanish labor systems such as the encomiendos and later rapartamientos and how these operations were run.
Hay, Eloise Knapp. The Political Novels of Joseph Conrad: a Critical Study. Chicago: University of Chicago, 1972. 120. Print.
As the Hispanic Caribbean has evolved it has managed to grow and thrive beyond belief, whether one is discussing art, music or just the culture alone the Hispanic Caribbean is truly reaping the benefits of allowing themselves to be influenced by many other cultures. While the Hispanic Caribbean is thriving they are still facing the many new found struggles that come along with the territory of becoming more affluent as well as more accepting to other cultures and their beliefs. Often with the growth of large proportions comes many problems, problems also can come about when incorporating of different cultures as a whole as well as just bringing in their beliefs and mannerisms. None the less it can be argued that the struggles being faced in