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South Africa and racial discrimination literary essays
The rape fantasies margaret atwood full text
Rape in literature
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J.M Coetzee’s, Disgrace translates David Lurie’s lack of compassion for women; some may say he cared about them. Consequently, he was only merely pacifying his conscience. What is evident in the novel was the power struggle David encountered throughout the book with mainly the female characters. This story touches on a few moments when different characters experience the disgrace. Moreover, what may catch one 's attention was the sexual violation, experienced by Melanie Isaacs and Lucy Lurie. Even though one latest for a couple of weeks and the other came and went in a blink of an eye, it resonates how two different situations are resulting in the same outcome. These two pivotal moments in the story, hold true to the definition of rape. The …show more content…
The setting was that of a light rainy afternoon, but not necessarily gloomy. Unknown to Melanie, David is captivated by her, he recognizes her as one of his students, it is at that moment that David decides he will seduce. As she questions his desire, Lurie is quick to tell her “Because a woman’s beauty does not belong to her alone (16).” Although, Coetzee does not directly state in the novel that Melanie Isaacs’ encounter with Lurie was rape, but of two consenting adults having sexual relations. One can just visualize the story written in Melanie’s point of view; interpreted as rape. Even though she did not aggressively fight him off her when they had sexual relations, Coetzee made her appear repulsive by the situation. M. Van Wyk Smith suggests: “His seduction of one student, Melanie Isaacs, could be construed as rape (14).” As new developments occur, the narrator does not acknowledge that the encounter David had with Melanie was rape. The last sexual encounter that they had, the girl described once, in the beginning, is no longer. Melanie Isaac is now a shy, depressed person due to the situation Lurie lured her to. With the help of a male friend, Melanie reported the inappropriate relationship. Therefore, the question arises of his morals as a person. David did not see himself as a predator, but a pulsating, decent, well-educated, vigorous man with needs. The steps taken upon …show more content…
Bringing readers to an understanding that, the dissolution of the apartheid law in South Africa was still too recent, and many were, or may still find it challenging to cope with the many struggles endured during the time that law was active. Bandici states that: “David’s affairs with non-white women are an indicative of white subjugation of non-whites (36).” One may dare to say, Coetzee is a racist, although he is not personally known to me nor have any researched done for this paper, found any personal quotes from him stating if that is a fact or not. Needless to say, he may have been just writing a fictional novel dealing with real world circumstances that he presumably, either experience himself or stumbled upon in his daily life. However, one thing is definite, rape defined in many different ways may seem a sexual relationship for one person, may not be for
In The Murder of Helen Jewett, Patricia Cohen uses one of the most trivial murders during the 1800’s to illustrate the sexiest society accommodations to the privileged, hypocritical tunneled views toward sexual behavior, and the exploitation of legal codes, use of tabloid journalism, and politics. Taking the fact that woman was made from taking a rib from man was more than biblical knowledge, but incorporated into the male belief that a woman’s place is determined by the man. Helen had the proper rearing a maid servant, but how did she fall so far from grace. Judge Weston properly takes credit for rearing her with the proper strictness and education. Was Helen seduced at an early age and introduced to sexual perversions that were more persuasive that the bible belt life that the Weston’s tried to live? Was Helen simply a woman who knew how to use what she had to get what she wanted? Through personal correspondence, legal documentation, census reports, paintings, and newspapers we are able to make our own determinations. Cohen provides more than enough background and history to allow any one to make their own opinion how the murder of a woman could be turned into a side show at a circus.
hooks, bell. "Seduction and Betrayal." Writing as Re-Vision: A Student's Anthology. Ed. Beth Alvarado and Barbara Cully. Needham Heights: Simon & Schuster Custom Publishing, 1998. 108-111.
"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were but the deeper meaning of why she acted the way she did is revealed throughout the story. Minot cleverly displayed these catalysts in between the listings of her relationships.
In the novel, the author proposes that the African American female slave’s need to overcome three obstacles was what unavoidably separated her from the rest of society; she was black, female, and a slave, in a white male dominating society. The novel “locates black women at the intersection of racial and sexual ideologies and politics (12).” White begins by illustrating the Europeans’ two major stereotypes o...
Although the struggle for equal rights, food, welfare and survival were all central themes in both narratives, through this essay one could see how similar but at the same time distinctive the injustices for race relations were in South Africa’s apartheid regime and in the Jim Crow South’s segregation era were. The value for education, the struggle to survive and racism were all dominant faces that Anne Moody and Mark Mathabane faced on a day to day basis while growing up that shaped they their incredible lives with.
The book then flows into the section of seduction. This chapter looks at how women were mistreated by their employers as well as other men. One example it examined would be the difficult times women had in trying to get guys to face up to their actions after pregnancy.
Richard Gregory in ‘Shame’ described incidences of his childhood when he was made shameful every time by his ethnicity or by the fact that he did not have a dad. He describes a his childhood where he was humiliated in front of the whole class by his teacher and also loved helene . The teacher pointed out that he lived on the relief money collected by the class and had no dad which got him a scar in his memory as a shameful event . He could not forget how he was being on the side and everybody felt sorry for him, it was something that made him feel weak and guilty for no reason. Both of the essays portrayed the protagonists very strongly and had some of their weaknesses revealed which has notions connected with the perception of the people and society.
The meaning and penalties of rape have progressed throughout the history of America to ensemble the mindset of the time. Records show that a man in the seventeenth century was convicted of attempted rape if "he used enticement and then force toward a woman, driven by the sinful lusts that raged within him...and he allowed her...to scare or fight him off" (Dayton 238). Unfortunately, this definition was not always taken at face value. The leading men of the seventeenth century, likely white men, reformed this definition in a variation of ways to work in their favor when suspected of rape. It can be determined from study of historical information that the reason there are fewer reported rapes against white males in the seventeenth century and more against non-white males was because women gave in to a society driven by the influence and governance of white males in the legal system. This concept is demonstrated through a look into the outcome of a number of rape cases against both white men and non-white men, through an understanding of the helpless station of women, and through a view at the basis of the white man's resentment toward the non-white male: their view of the non-white male as the "other."
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
She tells the girl to “walk like a lady” (320), “hem a dress when you see the hem coming down”, and “behave in front of boys you don’t know very well” (321), so as not to “become the slut you are so bent on becoming” (320). The repetition of the word “slut” and the multitude of rules that must be obeyed so as not to be perceived as such, indicates that the suppression of sexual desire is a particularly important aspect of being a proper woman in a patriarchal society. The young girl in this poem must deny her sexual desires, a quality intrinsic to human nature, or she will be reprimanded for being a loose woman. These restrictions do not allow her to experience the freedom that her male counterparts
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
David Lurie was one of the most contrasting characters I’ve ever read about. He’s been through so many rough obstacles in his life. In the novel, “Disgrace”, by J.M Coetzee, Lurie goes from prostitutes to sexual charges to nearly dying and finding out his daughter's been raped. It's safe to say he has been through hell and back. He experiences drastic changes when adjusting to different environments throughout the novel. Does this mean he changes as a person? I do believe David Lurie does change when it comes to his personal character. By looking at quotations from the novel, you can get an idea of the change of character that occurred to Lurie.
The young man’s predicaments all revolve around his need to satisfy those that will judge him and he becomes trapped between the apartheid rule and humanity’s desire for equality and respect towards others. This is purely a personal issue that can be resolved solely by him, but should take into the consideration of those involved. We see glimpses of this coming through the young man, but being raised in an era of apartheid it overpowers his common understanding of respect.
Her text, “Who Is That Masked Woman? Or, the Role of Gender in Fanon’s Black Skin, White Masks” critically assesses Fanon’s treatment of gender in his first book. She focuses primarily on his psychoanalytical approach and challenges the supposed discrepancy between psychoanalysis and the politics of racialization so common in the interpretation of Fanon’s work (75). For Bergner, “race and gender are mutually constitutive” as the “white gaze produces multiple subject positions.” She provides a comprehensive summary of Fanon’s contribution to psychoanalysis and shows how he reinterpreted some of Freud’s central assumptions to include race as an analytical category. She contends that Fanon’s approach largely excludes women, acknowledges their subjectivity only in their sexual relationships to men, who use the female body as a mediating object in their struggle for power (80). She contends that Fanon merely replicates Freud’s misogynistic model, with the difference that he assigns the feminine role to black men, thus creating a white men-black men binary, a male-centered model of liberation, which reinforces the colonial structure Fanon wants to overcome, at least with regard to gender (84). Bergner suggest that a synthesis of postcolonial and feminist psychoanalysis could remedy the shortcomings in Fanon’s approach
King Leopold II of Belgium is known for being one of the most brutal racists in history. His inhumane treatment of Africans in the Congo was revealed in photographs that surfaced and that were taken to emphasize his cruel behavior over the Africans in the Congo. His motive for this inhumanity was pure greed. Joseph Conrad’s Heart of Darkness, although does not embody the vicious behavior of King Leopold II, contributes to the racism of that period in other ways. Because of this, the novel can be interpreted in different ways from a racism standpoint. In my opinion, I both agree and disagree with Chinua Achebe’s statements concerning Joseph Conrad’s Heart of Darkness, and feel that it can be viewed in some ways as both racist or not racist.