Struggles of African Americans in Langston Hughes’ Poems, Mother to Son and Lenox Avenue: Midnight
The experiences, lessons, and conditions of one’s life provide a wellspring of inspiration for one’s creative expressions and ideas. Throughout life people encounter situations and circumstances that consequently help to mold them into individualized spirits. An individual’s personality is a reflection of his or her life. Langston Hughes, a world-renowned African American poet and self-professed defender of African American heritage, boldly defies the stereotypical and accepted form of poetry at his own discretion. Although Langston Hughes is a successful African American poet, he, like many other Harlemites, faces obstacles and opposition along his journey through life; however, Hughes embraces his hardships and infuses his life experiences into poetical works that his fellow African Americans can relate to on some level. In both his poems “Mother to Son” and “Lenox Avenue: Midnight” Hughes reveals the constant struggle of a typical African American living during the 1920’s. In “Mother to Son” Hughes expresses the desperation of a mother who is anxious for her son to succeed. In the poem the mother hopes to offer her son encouraging words and impart to him the wisdom and knowledge she gains through persevering. While in the latter poem, “Lenox Avenue: Midnight,” Hughes reveals the cultural aspects of a city during the Harlem Renaissance and conveys the emotions of a quintessential African American Harlemite based on his own his experiences as an African American poet living in Harlem, NY. Hughes exposes in both poems the true nature, as he perceives it, of life as an African American in 1920’s white America.
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Works Cited
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Hughes, Langston. “Lenox Avenue: Midnight.” Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Dana Gioia. 3rd Compact ed. New York: Longman 2003. 760.
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Langston Hughes wrote during a very critical time in American History, the Harlem Renaissance. Hughes wrote many poems, but most of his most captivating works centered around women and power that they hold. They also targeted light and darkness and strength. The Negro Speaks of Rivers and Mother to Son, both explain the importance of the woman, light and darkness and strength in the African-American community. They both go about it in different ways.
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
1920’s Harlem was a time of contrast and contradiction, on one hand it was a hotbed of crime and vice and on the other it was a time of creativity and rebirth of literature and at this movement’s head was Langston Hughes. Hughes was a torchbearer for the Harlem Renaissance, a literary and musical movement that began in Harlem during the Roaring 20’s that promoted not only African-American culture in the mainstream, but gave African-Americans a sense of identity and pride.
The author of “Mother to Son”, Langston Hughes, displays the attitude of hopefulness in the poem to show that life will not be easy for the son, but he should never give up because the mother did not. The author uses literary devices like figurative language, imagery, and diction. By using these literary devices, Hughes creates a sympathetic mood in the poem in order to emotionally draw in the reader.
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The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
Emily Dickinson is one of the great visionary poets of nineteenth century America. In her lifetime, she composed more poems than most modern Americans will even read in their lifetimes. Dickinson is still praised today, and she continues to be taught in schools, read for pleasure, and studied for research and criticism. Since she stayed inside her house for most of her life, and many of her poems were not discovered until after her death, Dickinson was uninvolved in the publication process of her poetry. This means that every Dickinson poem in print today is just a guess—an assumption of what the author wanted on the page. As a result, Dickinson maintains an aura of mystery as a writer. However, this mystery is often overshadowed by a more prevalent notion of Dickinson as an eccentric recluse or a madwoman. Of course, it is difficult to give one label to Dickinson and expect that label to summarize her entire life. Certainly she was a complex woman who could not accurately be described with one sentence or phrase. Her poems are unique and quite interestingly composed—just looking at them on the page is pleasurable—and it may very well prove useful to examine the author when reading her poems. Understanding Dickinson may lead to a better interpretation of the poems, a better appreciation of her life’s work. What is not useful, however, is reading her poems while looking back at the one sentence summary of Dickinson’s life.
Hughes, Langston. "Harlem (A Dream Deferred)." Literature and the Writing Process. Elizabeth McMahan, Susan X. Day, and Robert Funk. 6th ed. Upper Saddle River. Prentice, 2002. 534.
Hughes, a.k.a. Langston, a.k.a. The "Harlem". The [1951] Literature. 5th ed.
The comparison between two poems are best analyzed through the form and meaning of the pieces. “Mother to Son” and “Harlem (A Dream Deferred)” both written by the profound poet Langston Hughes, depicts many similarities and differences between the poems. Between these two poems the reader can identify his flow of writing through analyzing the form and meaning of each line.
"Emily Dickinson: The Writing Years (1865-1886)." Emily Dickinson Museum . N.p.. Web. 4 Apr 2014. .
Shackford, Martha Hale. "The Poetry of Emily Dickinson." The Atlantic Monthly 3.1 (Jan. 1913): 93-97. Rpt. in Nineteenth-Century Literature Criticism. Ed. Janet Mullane and Robert Thomas Wilson. Vol. 21. Detroit: Gale Research, 1989. Literature Resource Center. Web. 16 May 2014.
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