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Theme for english B by Langston Hughes analysis
THEME FOR ENGLISH B By Langston Hughes
THEME FOR ENGLISH B By Langston Hughes
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Langston Hughes “Theme for English B” and Gerald Graff’s essay “Hidden Intellectualism” portray racial separation and intellectual isolation, respectively. Hughes’ essay is poetic justice, and Graff’s is a call to arms. Hughes’ is short and to the point and is simply what it is, no arguing or convincing, just raw thought. Graff’s is highly intellectual; offering examples and reasoning, and it could even be seen as a not-quite-finished plea to the nation to reevaluate our education system. But the many differences in these articles are not what they seem. These so-called “differences” are really just distractions we choose to see on the surface, but in fact, the essays work together quite well. When examined closely, looking past the obvious surface differences, Hughes and Graff are essentially speaking about the same thing: social separation.
One major difference between the two papers is the manner of which elements are presented due to the authors being, of course, different. This affects the method of delivery in the two essays, although they both still come to a similar emotional portrayal. In Hughes’ poem, he has a very raw and at times cynical approach to conveying his message. He uses black and white terms and is obvious in his attempt to demonstrate the separation he feels others place between black and white people. Consider the following lines “So will my page be colored that I write? / Being me, it will not be white,” (Hughes 800). Hughes feels this separation and states it outright between black and white, not of educational boundaries or anything else except racial bias. Then, in Graff’s essay, he goes much more in depth on the topic, talking about educational boundaries and how a teacher could actually get results f...
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...of social construction and really are about some negative sides of the human experience. Whether black or white, lower-class or upper-class, separation exists. It’s evident by these authors own experiences, no matter what method they use to convey it, whether that method be intellectual or emotional. Social separation, no matter what the cause, can be very damaging, and is felt by all kinds of people. Not just the black or the white, or the intellectuals or the “hoods.”
REFERENCES
Hughes, Langston. “Theme for English B” The Norton Field Guide to Writing with Readings. Richard Bullock, Maureen Daly Goggin, eds. New York: W. W. Norton & Compant, 2010. 799-800. Print.
Graff, Gerald. “Hidden Intellectualism”They Say, I Say: The Moves that Matter in Academic Writing. Gerald Graff, Cathy Birkenstein and Russel Durst, eds. New York: Norton, 2009. 297-303. Print.
Graff, G. "Hidden Intellectualism." Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 1.1 (2001): 786-90. Print.
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
Meyer, Michael, ed. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Boston: Bedford/St. Martin's, 1999.
Meyer, Michael, ed. Thinking and Writing About Literature. Second Edition. New York: Bedford/St. Martin's, 2001.
George Schuyler’s article “The Negro Art Hokum” argues that the notion of African-American culture as separate from national American culture is nonsense. To Schuyler, all seemingly distinct elements of African-American culture and artistic endeavors from such are influenced by the dominant white American culture, and therefore, only American. The merit of Schuyler’s argument stems from the fact that it is practically impossible for one culture to exist within the confines of another without absorbing certain characteristics. The problem with Schuyler’s argument that Langston Hughes notes in his response article, “The Negro Artist and the Racial Mountain,” is that it assumes complete assimilation of African-Americans by a singular national culture. Fundamental to Hughes’ rebuttal is the allowance of a unique African-American culture extant of the standards of a singular American cultural identity. For Hughes, this unique culture lies within the working-class, out of sight of the American national culture. This culture, while neither completely African nor American, maintains the vibrant and unique roots of the African-American experience. Schuyler advocates cultural assimilation, while Hughes promotes cultural pluralism, in which minority cultures maintain their distinctive qualities in the face of a dominant national identity.
The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.
Graff, G., Birkenstein, C., & Durst, R. K. (2009). The Growing College Gap. "They say/I say": the moves that matter in academic writing : with readings (p. 379). New York: W.W. Norton & Co.
Poetry, Drama, and the Essay. Ed. Joseph Terry. New York: Addison-Wesley Educational Publishers Inc, 2001. 123-154.
Graff, Gerald, Cathy Birkenstein, and Russel K. Durst. "They Say/I Say": The Moves That Matter in Academic Writing: With Readings. Vol. 2e. New York: W.W. Norton &, 2012. Print.
During the early to mid-twentieth century Langston Hughes contributed vastly to a very significant cultural movement later to be named the “Harlem Renaissance.” At the time it was named the “New Negro Movement,” which involved African Americans in creating and expressing their words through literature and art. Hughes contributed in a variety of different aspects including plays, poems, short stories, novels and even jazz. He was even different from other notable black poets at the time in the way that he shared personal experiences rather than the ordinary everyday experiences of black America. His racial pride helped mold American politics and literature into what it is today.
... a recurring theme of the dream of equality. Hughes composed many poems and plays during the Harlem Renaissance and the Civil Rights Era, and his legacy continues to be evident throughout American culture. His words inspired many, and showcased the plight of African-Americans in that era. Hughes’ impact was memorable because he lead African-Americans into writing, much like other distinguished African-American authors of the Harlem Renaissance period. His voice was heard above most other authors of the 1920’s and 30’s, and he expressed his wishes for improved treatment of the black race and the eradication of segregation in the United States with lyrical, thought-provoking poetry and symbolic dramas. Hughes inspired many writers and social activists after him, and continues to be a prominent figure in the general and literary achievements in African-American history.
Langston Hughes and Richard Wright both address the idea of race in America. Like most African American writers, these two authors mainly wrote about racial themes. They were concerned with the struggles of African Americans during the late nineteenth to mid twentieth centuries. Hughes used humor and sometimes irony, to portray the indication of racism. Myriad writings published by Langston Hughes have also captured the struggl...
Graff, Gerald. “Hidden Intellectualism”. They Say/I Say: The Moves That Matter in Academic Writing. Comp. Graff, Gerald, Cathy Birkenstein, and Russell Durst. New York W.W. Norton & Company, 2006.
Through the lens of Readers-Response theory, “Theme for English B” by Langston Hughes can be seen as an a students’ protest against racism in his country, but, more specifically, in an educational setting. Having only read a few of Hughes works, I assumed after just reading the title that it would take a shot or two at his English professor. Although, Hughes is coming off annoyed and aggravated because of the professor came off as condescending when assigning the paper. Upon my first read, I related with the poet a bit because I have often felt belittled by professors assumptions and questioning and assumptions. Upon my further readings I became empathetic with the poet. The more I read the poem the more empowered and at one I feel with the
“You are white-/ yet a part of me, as I am a part of you./… As I learn from you, I guess you learn from me-/ although you’re older-and white-/ and somewhat more free” (Hughes 31-32, 37-40). At this point of the poem the speaker speaks with a solemn tone, because his/ her white instructor gets more freedom because of their race. The speaker is also saying that he/ she teaches the instructor at times. That the instructor isn’t the only one teaching in class. In the poem Hughes uses terms and phrases like “white”, “colored”, and “more free”. In this way the speaker suggests racial inequality through these terms/ phrases while comparing himself/ herself to the instructor. The speaker also uses these terms/ phrases to compare himself/ herself to the instructor, implying who is more free.