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Major themes in a streetcar named desire
Major themes in a streetcar named desire
Blanches personality in a streetcar named desire
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This passage has been taken from A Streetcar Named Desire, scene four, page 47. In the book, the night before the conversation in the given passage happens, Stanley and Stella has a conflict, which causes Stanley to hit Stella. What’s alluring is that at the end of the night, Stella runs back to Stanley which causes Blanche to be horrified from what she has seen and this leads to Blanche making this conversation. This extract is important since it shows how different the way of thinking of Blanche and Stella is, and how they personally feel about Stanley. Furthermore, Tennessee Williams tried to indicate the disparity of the relationship of Stella and Stanley with the relationship of Stella and her sister Blanche. The setting of the conversation is in Kowalski’s apartment in New Orleans. From this passage, the reader understands that Blanche is still in shock by the fact that Stella still desires Stanley even …show more content…
In order to place the idea of leaving Stanley, Blanche tries to compose a picture, depicting Stanley as an abusive and vulgar man, nevertheless this action of Blanche makes Stella realize that she actually feels more attracted to her husband when he becomes more aggressive. The two sisters disagreeing with each other and Blanche’s disapproval of Stanley show the tense atmosphere through the passage. At the beginning of the passage, glance compares Stanley to an ape, which is a wild animal, and the reason she compares Stanley to an ape is the fact that Stanley acts just as wild as a n ape and also uncultured. One of the themes of this passage might be “cruelty” since cruelty is considered to be the only unforgivable thing according to Blanche. In the beginning of the book, the first conversation of Stanley and Blanche shows the reader that there is a huge cultural difference between them and their living style so the
With Streetcar, Stella Kowalski tries to gain some more with from her husband Stanley. After Blanche arrived Stella started defending herself more and telling Stanley what to do. For example, in the poker night scene, Stella says “Drunk- drunk-animal think, you! All of you- please go home! If any of you have one spark of decency in you-” (Williams
He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeated Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity. Similarly opposites are found in "Cat on a Hot Tin Roof."
When Stanley beats Stella in Scene 3, the abusive side becomes noticed and readers come to the conclusion that it was not the first time that this act of violence has occurred. (Williams 40). But Stella ends up coming back to him after he cries out to her, and their relationship resumes as it did in the times prior. He is also the one who investigates the protagonists’ (Blanche’s) past; as he knows there are things she is hiding. This need to know about Blanche’s history is driven by his hatred for her aristocratic ways. Furthermore, Stanley makes his dominance apparent through the expression of his sexuality. At the end of the play, he rapes Blanche as a way to regain his dominance in the household. Throughout the play, Blanche slowly gains some control over Stella, and causes disruption to Stanley’s
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Blanche, in particular, is much more of an anachronism than Stella, who has, for the most part, adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters. Where Blanche's marriage, to a man whom she dearly loved (Miller 43), proved catastrophic to her, Stella's marriage seems to be fulfilling her as a woman. Blanche's marriage to a young homosexual, and the subsequent tragedy that resulted from her discovery of her husband's degeneracy and her inability to help him, has been responsible for much of the perversity in her life.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Stella Kowalski’s character, parallels to Stanley’s and represents the ego in the play. herself from her hometown and start a life in this vigorous world made by Stanley. she stands for the ego who wants to create a balance between desires and ideas, between body and soul, heart and mind to have a normal life. Blanche is the only one who wants to warn her of what she does. Loving Blanche, she also dislikes her and at the same time fears her. She hopes Blanche marry Mitch for her sister’s sake and for herself too. Actually she wants to get rid of
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
Blanche uses her fantasies as a shield; and her desires as her motivation to survive. Her fading beauty being her only asset and chance of finding stability. Stella’s relationship with Stanley also emphasis the theme Williams created in this book. They’re only bond is physical desire and nothing at all intellectual or deep rooted. Tennessee Williams exemplifies that their relationship which only springs from desire doesn’t make it any weaker. He also creates a social dichotomy of the relationship between death and desire.
She proceeds to break up the poker game that Stanley had going in the kitchen and he becomes enraged and beats Stella. She yells, “I want to go away, I want to go away!” (63). Blanche and Stella retreat to the upstairs apartment, however when Stanley cries for Stella to come back to him, she succumbs to his cries. The climax of tension between Stanley and Blanche is when he sexually assaults her. Stella refuses to believe Blanche’s accusations against Stanley stating, “I couldn’t believe her story and go on living with Stanley” (165). The play ends with Stanley and Stella admitting Blanche to a mental institution and Stella staying with Stanley. Throughout the play, Stella is presented with many opportunities to leave Stanley, however, she never considers leaving him. In scene one, Stella tells Blanche, “I can hardly stand it hen he is away for a night…When he’s away for a week I nearly go wild!...And when he comes back I cry on his lap like a baby…” (19). Blanche disapproves of Stanley and in scene four she states, “You can get out”
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?
Stella and Stanley’s relationship is one based purely on, as Blanche describes it, “brutal desire – just – Desire!” (81). They treat one another without respect, with Stella calling her husband offensive slurs like Pollack and him beating her. However, because of their deep desire for each other, Stella quickly forgives Stanley for his wrong doings, growing his power over her. When his desire for power builds and he is sure that Stella is dependent on him, he rapes Blanche. When Stella hears her sisters story she calls for Blanche to be institutionalized. While it is clear to the reader through her hesitation in sending Blanche away that Stella knows Stanley really did rape her sister, she cannot bring herself give up Stanley and acknowledge the truth. In this action, she has ruined any trust that Blanche had in her and forever destroyed their relationship because of her selfish desire for Stanley.