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Effectiveness of color on Brand identity
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The time line shows the evolution of the Starbucks logo (by …) not only does its show from the 1971 to current day but it also takes a speculative view on how the logo will progress going according to its previous stages of reduction. The future stages of the logo gradually focus more on the mermaid character eventually removing it all together the tough is that as customers became more exposed to the previous logos that allowed for those stages of reduction in the future the colour alone will be enough to make the logo recognizable.
(reference this)
2.2. Mehmet Gozetlik
graphic designer Mehmet Gozetlik project entitled ‘Minimalist effect in the maximalist market’ experimented with the reduction of supermarket branded products likely to be in every household
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Colour, shapes, recognisability
Colour is said to be the biggest deciding factor when it comes to decision making. Studies have shown that nearly 90% of impulsive purchases can be due to colour alone (impact of colour in marketing)
Colour also plays other roles in regards to visual identity. The chosen brand colour has to be descriptive of the brand and product. for example, the frequent use of greens in gardening product automatically place the product and use, therefore green fits the brand values unlike a deep purple would.
Colour also plays a big role in brand perception. Visual identity can also be considered the personality of the brand and with colour being the most prominent component it has a heavy influence on how consumers perceive the brand and affects purchase.
Additional studies have revealed that our brains prefer recognizable brands, which makes color incredibly important when creating a brand identity. It has even been suggested in Color Research & Application that it is of paramount importance for new brands to specifically target logo colors that ensure differentiation from entrenched competitors (if the competition all uses blue, you 'll stand out by using
Companies realize what people need and they take it as sources to produce commodities. However, companies which have famous brands try to get people’s attention by developing their products. Because there are several options available of commodities, people might be in a dilemma to choose what product they looking for. In fact, that dilemma is not real, it is just what people want. That is what Steve McKevitt claims in his article “Everything Now”. When people go shopping there are limitless choices of one product made by different companies, all choices of this product basically do the same thing, but what makes them different is the brand’s name. Companies with brands are trying to get their consumers by presenting their commodities in ways which let people feel impressed, and that are some things they need to buy. This is what Anne Norton discussed in her article “The Signs of Shopping”. People are often deceived by some famous brands, which they will buy as useless commodities to feel they are distinctive.
Although today’s trends are evolving, marketing tactics are rolling back into a simpler style— minimalism. The understated art form was first expressed in New York, through paintings and large sculptures as a rebellion against artists’ expectations, such as a plethora of colors and an outburst in emotion. Hence, the controversial matter of large, symmetric, and bland sculptures composed of industrial supplies was scrutinized by the art community. But with gradual appeal to the masses and normalized inclusion in other art forms, the condescending undertones paired with minimalism has gone away. Today, minimalism is applied to fashion, plays, products, and lifestyles. However, the most prominent area affected by minimalism is the advertising
In every given business, the name itself portrays different meanings. This serves as the reference point and sometimes the basis of customers on what to expect within the company. Since personality affects product image (Langmeyer & Shank, 1994), the presence of brand helps in the realization of this concept. Traditionally, brand is a symbolic manifestation of all the information connected with a company, product, or service (Nilson, 2003; Olin, 2003). A brand is typically composed of a name, logo, and other visual elements such as images, colors, and icons (Gillooley & Varley, 2001; Laforet & Saunders, 1994)). It is believed that a brand puts an impression to the consumer on what to expect to the product or service being offered (Mere, 1995). In other application, brand may be referred as trademark, which is legally appropriate term. The brand is the most powerful weapon in the market (LePla & Parker, 1999). Brands possess personality in which people associate their experience. Oftentimes, they are related to the core values the company executes.
The story of Starbucks coffee history begins in Seattle in 1971 when the first Starbucks opened at Pike Place Market, which is Seattle's and the Nation's oldest Farmer's Market. At this time the company was a local coffee roasting facility. That remained their core business until 1982 when Howard Schulz joined the company. He was the new marketing executive and began right away to convince more and more local cafes, upscale restaurants, and hotels to buy Starbucks coffee. The turning point for the company and the beginning of coffee history should be one year later when Schulz traveled through Italy. He got inspired by the Italian coffee bar tradition to serve fresh brewed Espresso and Cappuccino. He convinced the Starbucks founders to give his idea a chance and in 1985 he opened the first coffee bar in Seattle, named Il Giornale. (Wilson)
A virtuoso of suspense and horror, Edgar Allan Poe is known for his Gothic writing style. His style is created through his use of punctuation, sentence structure, word choice, tone, and figurative language. Punctuation-wise; dashes, exclamation marks, semicolons, and commas are a favorite of Poe. His sentences vary greatly; their structures are influenced by punctuation. Much of his word choice set the tone of his works. Figurative language colors his writings with description. Such is observed in the similarities between two of his most well-known short stories, “The Cask of Amontillado” and “The Tell-Tale Heart”
When looking at different colors our brain thinks of different things. For example if we see a purple shirt our brain thinks of luxury or wealth. That is the same when you look at an advertisement. In my groups Nike ad we used the combination of orange, black, and grey in our shoes because all the colors can mean something. In this case we used the color orange to portray our tag like “explosive speed”. Our thought process was that orange reminds us of fire and fire is common in explosives so we thought to use the color orange to represent “explosive speed”. The other colors we used were black and grey and we chose those because both colors are commonly used to portray balance and the act of being calm. We thought that the sense of balance in your mind as you run through the streets is something most people desire. One of the other things we used in our image ads is word choice. Most image advertisements don't use many words and our stayed to that tradition. The only words we used were “explosive speed” and we chose those words because they are powerful and eye catching. Once we chose those words we knew they would be able to portray our product the
In Monisha Lewis article, she writes about why a brand’s distinctive assets are more valuable than branding. She starts with the association game in which she gives two examples: gecko and beer on a beach which should automatically make one thing of Geico and Corona. One comes up with these brands by using contextual situations because the company spends a plethora of time planning out ways to get their products to stick in the minds of their consumers. Lewis says “distinctive assets are all facets of your brands identity including colors/logos/patterns, packaging, characters, tone of voice, and context/environment”. A company needs to know their brand prior to their commitment to the product they are advertising.
The source of the brand features is in a connection between customers and companies that sell services or products. Consumers who choose a specific company fundamentally acknowledge to prefer that brand more than other brands rooted from the recognition of the brand’s worth.
This paper argues why both brand identity and packaging are vital to a successful marketing strategy, and that they are more powerful intertwined, than as two separate elements.
Brand identity really allows the company to flourish, and stay a strong reputable brand. The brand personality is a mix of young and fresh, while still remembering nostalgic aspects from the brand. The company appeals to emotions. They draw up feelings of nostalgia. The brand has a way of being classic and hip at the same time. They present this personality in their choice of advertisements and product. Everyone can recall what a classic Coke bottle looks like. The glass has a hint of green with sharp curves. It is all branding and brand personality.
Color of lining material also plays an crucial role and some branded companies incorporate their logo in the weave pattern of their linings.
The shifting of the consumer’s taste of simple products to high quality branded products is not sudden. It grew out in the middle of the 20th century and the companies selling various products needed a new way to differentiate their products from the others giving it a unique identity.
From the beginning Shultz was taking steps to make his concept diverse. He moved the company toward selling its brand of coffee in store fronts in 1987 under the name II Giornale, which he would later change to Starbucks Corporation. At this time there were seventeen store fronts (“Company Timeline”). The company expanded its reach even further in 1991, when the first airport store front opened (“Company Timeline”). I really can relate to the fact that airports as well as travel pit stops in general are a great place for a caffeine boost, so I admire this move. A couple of years later the first drive-through Starbucks opened, followed closely by the release of bottled Frappacinos in grocery stores. Instant coffee machines are in some cases compatible with small cups of coffee grounds that give the consumer a one cup at a time advantage to their morning brew. This was another opportunity for Starbucks to find a place on supermarket shelves (“Company
Brand could be anything a name, sign, term, symbol or a design that differentiate a company’s product and services it from the competitors. Brands directly affect the consumer’s purchase behavior (Erdem, et al., 2002). Furthermore, Branding is a mean for differentiation which leads to get competitive advantage over customers, brand equity helps in building a brand (pappu, et al., 2005).
In its simplest form, corporate identity is a function of design that includes the name of the organization, its logos, the interior of the buildings, and visual identification such as uniforms of the staff, vehicles and signage. For a long period, graphic designers have remained highly influential been hugely influential in two regards, in that they articulated the basic tenets of corporate identity formation and management and succeeded in keeping the subject on the agenda of senior managers. Currently, symbolism, or design, has assumed a greater role and has moved on from merely increasing organizational visibility, to a more serious position of communicating corporate strategy (Ollins, 1978). There were now three main types of visual identity such as Monolithic (single brand visual), Endorsed (parent brand endorsing a sub-brand) and Branded (a plethora