Button sizes The size of the button varies depending on its usage. Shirt buttons are normally small, and spaced close together, but coat buttons are comparatively larger and spaced apart. Button sizes are normally expressed in ‘lignes’ with 40 lignes equal to 1 inch. For example, some standard sizes of buttons are 16 lignes (10.16 mm, standard button of men's shirts) and 32 lignes (20.32 mm, typical button on suit jackets). 13.1.2.3 Buttonholes Both button loops and buttonholes may be found individually and in sets. Button loops normally extend beyond the edge of the fabric, while buttonholes are cut in the fabric panel itself. There are three standard buttonhole shapes such as rectangular, oval, and keyhole. Normally, there is an exact match …show more content…
A layer of lining material between the body of the wearer and the top cloth will rectify this problem. d) Linings are frequently used to aid in the development of design features on garments. Consumer appeal: The luster and surface characteristics of the lining materials have a significant influence on the consumer appeal. The main characteristics for linings most commonly used are: i. Taffeta: A crisp fabric woven with a faint warp pattern which produces a shiny surface. ii. Crepe: Made from specially processed yarns, typically viscose acetate, the finished surface of this lining material has a uniformly crinkled form. iii. Satin (sateen): This lining is distinguished by the highly lustrous and smooth face surface and a dull back surface. Color of lining material also plays an crucial role and some branded companies incorporate their logo in the weave pattern of their linings. 13.2.1.3 Selection of linings There are diverse mixtures of fabrics appropriate for use as a lining. The deciding factors for the selection of lining include: Type of fashion fabric Style of garment Type of lining; whether it is partial or
Different chemistries and production methods of these fibers give them certain advantages. as viscose’s ability to combine with other fibers to create new fabrics easily) and disadvantages. such as nylon’s quickly weakening fibers or natural silk’s difficulty of production. other that make them more or less suitable for certain purposes. For this reason, when? considering silk and artificial silk, it is illogical to pick one fiber that is superior to the others.
THE TEXTURE: It can be soft but sticky when its been in the heat for a long period of time
She captured herself in beautiful low-cut blue satin dress and the students in working dresses. The dress was painted in great detail and captured both the sheen and fluidity of satin. This was achieved by using shading and li...
This dress features trimming with a silk polychrome fly fringe. It compares to the size of an adolescent. It is quite small in size and has sharp angles among the waist, hips, and shoulder areas. The structure of the gown is what some may consider traditional. While the front of the dress has a dip near the chest area the back has a long cape that extends to the ground. The fabric is rather thick and matte. There is various pleating that adorns the ends of the sleeves, the cape, and the hips. At the front of the gown there is cross-hatching in the stitching at the waist. The gown features one main fabric with various colors and patterns. The fabric has a light blue background with cream-colored leaf shapes. There are also olive-green leafs and maroon (white) flowers printed on the
The piece is entirely made up of visible and heavy brush strokes as the artist intermingles his opaque colors. The impasto strokes alternate between creamy thick and thicker as the paint collects on top of the canvas. The artist switches between short quick daubs and long strokes, which is shown on the fabric hanging in the back and the far right wall. The texture is rough because it has dense drips of paint and has minor scratches that allow the colors underneath to bleed through. The texture in the painting supports and enhances the rushed brush strokes because it balances the layers. The balance of layers from the colors gives the painting an abstract touch and draws the eyes down to the foreground where most of the texture is found on the ground and cover. The artist does a terrific job of introducing texture in concentrated areas of the painting. The choppy brush strokes on the fabric hanging tie the lumpier ground
texture is light and airy. The first violins then enter, high on the E string,
It is molded with faience, which is a paste made of grounded quartz or sand with a high percentage of quartz (Stevens). Egyptian faience is a sintered-quartz ceramic displaying surface nitrification, which creates a bright luster of various colors, with blue-green being the most common.
This oil on canvas has a cottonwood panel as the surface. The dark colors of the
Also, the color that is the weavers weave in the cloth and different fabrics have various colors, some broken colors, the grays have the most vibrant colors that balance each other out into a harmonious palette from a distance.
A person can acquire a variety of yarns and threads that are used to make a crochet product. There are different textures and colors he may choose depending on the type of pattern or design that he will create. There are basic types of yarns that are in the market nowadays. He may find baby/fingering, worsted weight, chunky, sport/baby, and the bulky types of yarns, which are commonly used in crocheting and knitting.
Not only would emphasise on the variety of colours but also the packaging of the product.
Weaving is a common thread among cultures around the world. Weaving is a way of producing cloth or textile. Today we have machines that weave large-scale textiles at cheap prices. Production of cloth by hand is rarely engaged in today’s Westernized societies. Not many people are thinking about how the fibers are actually constructed to make their clothes. However, in other cultures across the world the tradition of weaving still exists. By comparing three cultures that continue weaving as a part of their tradition we can see similarities and the differences between them. The reasons that each culture still weaves vary, as do the methods and materials. The desired characteristics of the cloth also vary around the world as each culture values different aesthetics.
feels like a jacket. I slide it up to my neck. I feel fabric: it's a
Needles are most commonly made from metal, wood, bamboo, or plastic (McIntosh 43). Needles also come in various sizes, including length and diameter. The diameter determines the size of the stitch and the length is important for the size of the project (McIntosh 43). McIntosh provides the example that you use a larger diameter needle for larger stitches and longer needles for large projects, like shawls (43). Furthermore, needles are available in three different styles and the style that you use is normally based on personal preference. The first two styles are very similar in that they have slender shafts intended to “hold the stitches that are not yet woven into the knitted fabric to prevent them from unraveling” (McIntosh 43). The only difference between these two is that the first, and most popular, style are pointed at one end and have knobs on the other, whereas the second are pointed on both ends. The third style of needles – known as circular knitting needles – have two pointed ends “connected by a flexible cord that holds the unworked stitches” (McIntosh 43). The knob on the first style of needles is meant to keep stiches from sneaking off the needle. The purpose of the pointed end is to create new stitches, which is why it can be found on all three styles. In order to create new stitches, the knitter “insert[s] the tapered end of one needle through
shape, color, or form that pleases the aesthetic senses, especially the sight.” Beauty can be found