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Sociological analysis of film
Films and the moral standards of society
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The film I’m discussing is Star Trek: The Motion Picture. The film, which takes place in the 23rd century, is about the newly appointed Admiral Kirk and his crew taking back the Enterprise in order to stop a force that is threatening Earth. Although problematic with regards to gender issues, Star Trek: The Motion Picture, along with the original television show and the other movies, used aliens and the futuristic as a tool to examine race and sexuality issues in a way that hadn’t really been explored before in such a mainstream way. I’m going to discuss race, gender, and sexuality issues one at a time, first just discussing it in general in regards to the original television series and the films, and then I’m going to relate them specifically to Star Trek: The Motion Picture.
The way Star Trek dealt with race was especially revolutionary in that day in age. In fact, in its third season, Star Trek: The Original Series has the first ever on-screen interracial kiss in an episode called “Plato's Stepchildren.” The kiss was not romantic in any way because the characters were literally being forced to kiss, and there is even doubt as to whether Shatner and Nichols were actually kissing in the scene, but to most it was really more about the moment, the pure fact that Captain Kirk kissed a black woman (Shock! Horror!) and what that signified, than it was about the actual kiss. The series also progressed the racial dialogue in less overt ways; the series often had aliens that were representative of certain race issues going on in that time period. In one alien species, each person had half of a black face and half a white face, and some members had complications and discrimination based on which side was white or black (Bernardi, ...
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...made huge strides forward in creating an interesting and unique outlook on race and relationship/sexuality issues, for the most part, but was severely lacking when it came to gender issues even though it attempted to become more progressive on that front as well. I discussed all of these issues in the context of Trek franchise as a whole as well as specifically in the context of Star Trek: The Motion Picture.
Works Cited
Bernardi, Daniel. ""Star Trek" in the 1960s: Liberal-Humanism and the Production of Race." Science Fiction Studies 24.2 (1997): 209-25. JSTOR. Web.
Greven, David. Gender and Sexuality in Star Trek: Allegories of Desire in the Television Series and Films. Jefferson, NC: McFarland &, 2009. Print.
Hassler, Donald M., and Clyde Wilcox. "Gender Identity in Star Trek." Political Science Fiction. Columbia, SC: University of South Carolina, 1997. Print.
In the first 20 minutes of 2001: A Space Odyssey you see a group of monkeys going through evolution. The first change you see is that of a leader. In the beginning, each monkey did their own thing, and was not bound to any organization whatsoever. The monkeys did what they want when they wanted. Then the change begins. A single monkey, by himself, rises to the top of a cliff. He stands and screams. The other monkeys notice him screaming and began dancing and rejoicing. They scream and jump around, in what appears to be reverence for their new leader. Stanley Kubrick shows the change very simply, yet its message is still very clear. The monkeys had never shouted as loud or danced as much as they had previously in the film. Their actions confirm that something in fact had changed.
Overall the film was a very informative film for a more homophobic audience. The content was relatable and connected well with the information and discussions that have been within our society for a long time. It was a well-done film that really questions the homophobic opinions and while this is still a very real debate in today’s society the film does a great job at arguing the homophobic opinions.
Blum, Deborah. “The Gender Blur: Where Does Biology End and Society Take Over?” Signs of Life in the USA: Readings on Popular Culture for Writers. 6th Edition. Sonia Maasik and Jack Solomon. Boston: Bedford/St. Martin’s, 2009. 573-580. Print.
The most important events of this film all revolve around the female characters. While there are some male charac...
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In the thirty years since its release, Alien has become a film of various debates amongst film theorists. Academic analyses of the film draw attention to many differing themes, most popularly with feminism. Most critiques, academic and otherwise, ultimately conclude that Alien is a feminist film because of its representation of the workplace as a home to equality and a place where traditional gender roles have been obliterated. What is ultimately revealed by Alien is the anxiety of men during the era of second-wave feminism in which the film was produced. This film provides a step forward for feminists, but imagines men taking two steps back in equality.
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His name was Shaq, captain of the Check Mate. He claimed to be a Romulan
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