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Assess the achievements and legacy of hatshepsut
Egyptian art forms
AP Art History Outline Ancient Egypt
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Sphinx of Hatshepsut
The first form of art that I will talk about that the ancient Egyptians are known for are sculptures. An example of this is the Sphinx of Hatshepsut. I just want to say a few things about King Hatshepsut since we all know a bit more about her from the lectures. Hatshepsut is known to be a successful female Pharaoh. She declared herself as the king when Thutmose III, the one next in line, was too young to rule. She ruled for about 20 years. Her reign was full of building projects and the most recognized building under her rule was the Deir el-Bahari. Like most Pharaohs, her tomb contained statues of her as well as gods to honour them and help her transcend into the afterlife.
Now, more about sculptures and the Egyptians. Sculptures in Ancient Egypt often depict powerful individuals, such as Pharaohs and Gods. The use of granite, alabaster, limestone and even mud were popular. This particular statue of Hatshepsut used granite and paint. Hatshepsut is depicted here having a lions body and a head with a nemes headdress as well as a beard. Despite the masculinity the statue depicts her, with the beard and headdress, her face still has the facial features of a female.
Wooden Chest of Tutankhamun
Another form of art that the Egyptians used back then was painting. The Wooden Chest of Tutankhamun is a great example. Again,
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The carving of Akhenaten Worshipping Aten is a perfect example. The king began his rule with the name of Amenhotep IV. The city of Akhetaten was build under his reign, named after Aten. After a decade of his rule, he declares Aten as the ultimate god, and it was only through him that Aten would be connected to the Egyptian people. He then changed his name from Amenhotep IV to Akhenaten. Unfortunately for the new religion, the period of Aten as the ultimate god did not last long and died shortly after the king
In “Hatshepsut: His Majesty, Herself”, by Catherine Andronik, she informs the reader about Hatshepsut and her role as an effective female pharaoh in ancient Egypt. One supporting detail proving her leadership was when she acted as a regent, an adult who can take control of the country. Another detail that supports the fact that Hatshepsut was an effective leader is in paragraph 11 where the text states, “ She appointed officials and advisors, dealt with the priests; appeared in public ceremonies first behind, then beside, and eventually in front of her nephew.” this quote explains that because Hatshepsut’s nephew, Tuthmosis III, was too young to be a powerful ruler, Hatshepsut, who was second in command, ended up doing everything for him. Hatshepsut
Ancient Egypt is home to one of the greatest female pharaoh. Queen Hatshepsut. She was the first female pharaoh and did great things.
...nt through the women. The power to rule was passed from wife to husband. Kha-merer-nebty II is shown here presenting her husband, Mycerinus, as the pharaoh. Unlike the sculpture of Augustus, this sculpture also has a religious purpose. The Egyptians believed that in order for the “ka” (spirit) to live forever, the body had to be preserved which is why they mummified their bodies. As an extra precaution, sculptures like these were made to serve as a “replacement body” for the ka should something happen to their body.
The Ancient Egyptian era is divided into six time periods and thirty dynasties. The art and architecture of ancient Egypt was rooted in religious beliefs, traditional rituals and practices and this ‘trend’ appeared to be common throughout the time periods and amongst the dynasties. This may have resulted because most of the art work and architectural structures that had endured the test of time, were discovered mainly from tombs and temples. The Metropolitan Museum of Art has a thirty-nine room, curatorial department that is dedicated to Egyptian art. The collection contains over twenty-seven thousand pieces, which spans from the Paleolithic to the Roman period (ca. 300,000 B.C.–A.D. 4th century) 1 and includes jewelry, mummies, sphinxes,
Today what they viewed back then could be depicted the same or different. Both representing either a god or king of their time. Both pieces made with easy material that the Egyptians had at their disposal. Carved limestone and carved wood was an easy access to make these divine pieces of art. The time to make for these pieces were drastically different. The Great Sphinx obviously took longer to build with how big it is and with the material they had to carve. Many had to work to construct and finish this monument to their king. This construction took many years and with plenty of workers the Egyptians had it will stand around for hundreds of years. Just as they felt their gods and kings would
The statue of King Khafre Seated , from the fourth dynasty of the Old Kingdom, 2520 - 2492 BCE, was created by an unknown artist in the smooth permanence of graywacke stone. Although the statue is currently at the Metropolitan Museum of Art as number 56 in the Special Egyptian Exhibition, its true home is at the Egyptian Museum, in Cairo. The man being portrayed, King Khafre, ruled Egypt for approximately thirty years, during which he commissioned the single most recognizable monuments of Egypt, the a fore mentioned Pyramids at Giza and the Sphinx. These monuments of symmetry and solidity characterize the focus of popular architecture and sculpture from the Old Kingdom in Egypt.
It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.
The Great Sphinx of Egypt has represented the spirit and the presence of the Egyptians. The head is of a god or king and it has the body of a lion. It has become a symbol of strength and wisdom, since it was mostly built to protect the Giza Pyramids in the belief of their lion goddess, Sekhmet. When a pharaoh marched into battle, a tamed lion was at his side. This was believed that this was a living representation of the goddess. Sekhmet was worshiped as a hunter with a head of a lion and the body of a woman. She was regarded as a fierce hunter with no equal. The Sphinx itself has been carved from the Giza plateau. The Great Sphinx is proof of the Egyptians Spirit and heart. It symbolizes Egypt in the modern world. There is no equal to the Sphinx.
Let’s begin with what was going on during the time period for each sculpture. During the 2458-2446 BCE. Userkaf was thriving over his brother Sahure, and he became the new ruler of Egypt. In the start of 2446 BCE, Neferirkare beings his dominant over Egypt. King Sahure and Nome God is a high relief it is still attached to a surface of a stone. The Pharaoh sitting on his thorn wearing a Nemes headdress (it is usually blue and gold striped), fake beard. The king has an emotionless facial expression. It was made for a decoration for the king pyramid complex. The symbol behind this statue could be the gathering of the Nome gods form Upper and Lower Egypt around t...
The ancient Egyptian culture is actually revolves around two major elements: Pharaohs and religion. Therefore, when they carved out images from stones or use other materials these elements seems to be significant. In the later periods i.e. twenty sixth dynasty this statue was created that exhibits the intransience of these elements. Therefore, through a formal analysis of the statue and historical background the Statue of Isis' connection to the beliefs of Egyptian mythology and their inclinations toward the pharaohs will become unmistakable. Altogether, this statue demonstrates the mother goddess (mother of all Pharaohs), Isis.
“Egyptian art comes almost exclusively from tombs and temples. Such art was not intended as decoration; rather, it was created to replicate the living world, to benefit or honor the dead. Perhaps for that reason, the Egyptians found a unique
Egyptian art has come a long way and will continue for the rest of modern civilization. It cannot be denied, ignored, or forgotten, for it is too precious and too important to let go. Egyptian art must therefore be embraced and continued.
Figure paintings and sculptures from the thirteenth century BC were all created to appear generally the same with hardly any distinct features. It was not important to the Egyptians to record exactly what the Pharaoh looked like, but to declare their god-like power through their faultless appearance. The early images of royalty
Art played a significant role in almost everything the Egyptians did, from the worship of their gods to the funeral of their dead. Symmtry, patterns, colors and symbolism were significant aspects of their art and many cultures learned to adapt these to their own forms of creative work. Through these various art forms they were able to adapt their cultural view that their religious beliefs were central to their existence, which brought them unity and prosperity. Ancient Egypt brought the world many wonders whose impact on history can still be seen today and those that best represent their cultural ideas are found in the art of their jewelry, sarcophagi and paintings.
The Egyptians had many different varieties of art. They made statues mostly with stone, but they used many different materials, from lapiz lazuli, to schist (calvert). The Egyptians used harder rock to carve, such as bronze and copper, and they made them to tools like saws and picks (Sanders, 2017). To polish, they used abrasive sand and a smooth rubbing stone. Even though you may not see it anymore, many of the egyptian statues were actually painted life like (calvert).