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Qualities of comedy genre
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If someone is incredibly nostalgic and wishes that they could experience the craziness of any decade, the movie Space Jam (1996), effectively captures the quintessential explosion that was the decade of the 1990s. The movie, starring Michael Jordan and the Looney Tunes characters, has so many elements that it fails to classify into a single genre. The entirety of the movie revolves around Michael Jordan, who is not only struggling with his transition to a baseball career, but also helping out the Looney Tunes beat extraterrestrials in a basketball game. This plot is demonstrated to its fullest extent definitely through its challenge of genre and its unconventional cinematography.
Part of the film’s comedic qualities is due in part to not only
the goofy plot line, but also its menagerie of real-life/live-action cinematography and animated style. One minute, the story is taking place in the real world, with Michael Jordan strolling up to bat and talking with his agent about the reluctance he has to pursue baseball. After several scenes, we are emerged into the animated world- one filled with aliens inhabiting a planet dictated by amusement parks. While this may be confusing at first, especially since it challenges the audience’s long-held expectations of animation and real-life cinematography as being separate categories. However, as the movie progresses, these two worlds intertwine when the Looney Tunes drag Michael Jordan into an intergalactic basketball tournament. Even though one might think it incredibly unconventional, the movie does not manages the transition quite well by creating a circumstance that makes it easy for the animated and real world to collide and coexist. In fact, Michael Jordan’s initial confusion makes it relatable for the audience because by this point in the film they probably related with Jordan, by asking themselves: “why am I even here?” One of the best parts about the movie is the fact that it is an easy watch for anyone of any age. It breaks the fourth-wall a little bit with the Looney Tunes trying to garner the opinion from the audience about the opponents they initially underestimate. Michael Jordan’s children even interact with the animated characters who break into their dad’s trophy room, and part of our long-gone childhood is reminisced upon. Characters are flattened against the basketball court in the familiar style that we all connotate with the Looney Tunes. The movie is not trying to achieve anything, and embraces its own stupidity. In an odd sort of way, it is kind of humbling and teaches even the most serious and cynical to just get off their high horses. After watching the movie Space Jam, I probably won’t watch it again. In fact, for people who love meaningful plots and dynamic, round characters, this is not the movie for them at all. It is not a movie where one can gain a whole lot of perspective, and does not go out if its way to stylistically craft a story through cinematographic language. Therefore, I would not recommend it in that sense. If one just wants a movie where they don’t have to read too much into anything, yet still gain a laugh at, then this movie is for them.
In conclusion this is how these two allstars are beyond incredible and this is how they show their talents in different ways. This also shows how American culture has changed a lot. We see how Michael Jordan talent differs from Lebron James talent but they are compared too as both “The best to ever play the game of basketball”.
Good morning class. Today I will be discussing the film Satellite Boy. The Australian film directed by Catriona McKenzie sincere drama film focuses on Pete (Cameron Wallaby), a young confused boy the age of 11, who is trapped in a situation where he has been abandoned by his mother and is been left with his grandfather Jubi (David Gulpilil).
Chicanos and Chicanas are often stereotyped by people based on crude and unfair assumptions but at the same time, these stereotypes are often based on the truth. Movie directors are no exception as they attempt to understand and give representation to entire Chicano/a and Latino/a culture in society. The trailer of the film, La Mission, Che seems to be happy with his life until he realizes his son, Jes, is gay. Che then finds himself in a struggle to accept the homosexuality of his son while at the same time, Jes is struggling to find his own identity and to fit into society. The trailer has distinct ways in how it represents and shows the intersection and issues of gender and sexuality, race and ethics, as well as class. The trailer represents
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
As the decade moved along Hollywood continued to build upon these “pick me up” movies with hits like “Back to the Future”, “Three Men and a Baby”, and “Driving Miss Daisy”. As the decade came to a close, the top grossing movie of 1989 brought back a different kind of American hero – Batman. Clearly, that really bad day called the 1970’s had been replaced by a night at the candy store called the 1980’s.
In the film, Flight, William “Whip” Whitaker is an airline pilot. Whitaker is depicted as having a substance use disorder (SUD) and more specifically, an alcohol use disorder (AUD). This paper discusses: the film, AUDs, the way Flight depicts Whitaker’s AUDs, an interpretation of the film’s depiction, and possible treatment for Whitaker.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
As a fan of cinema, I was excited to do this project on what I had remembered as a touching portrait on racism in our modern society. Writer/Director Paul Haggis deliberately depicts his characters in Crash within the context of many typical ethnic stereotypes that exist in our world today -- a "gangbanger" Latino with a shaved head and tattoos, an upper-class white woman who is discomforted by the sight of two young Black kids, and so on -- and causes them to rethink their own prejudices during their "crash moment" when they realize the racism that exists within themselves.
Of all the 1980’s films, that can be described as “Eighties Teen Movies” (Thorburn, 1998) or “High School Movies” (Messner, 1998), those written and (with the exception of “Pretty In Pink” (1986) and “Some Kind of Wonderful”(1987)) directed by John Hughes were often seen to define the genre, even leading to the tag “John Hughes rites de passage movies” as a genre definition used in 1990s popular culture (such as in “Wayne’s World 2” (1994 dir. Stephen Surjik)). This term refers to the half dozen films made between 1984 and 1987; chronologically, “Sixteen Candles” (1984), “The Breakfast Club” (1985), “Weird Science” (1985), “Ferris Bueller's Day Off” (1986), “Pretty In Pink” (1986) and “Some Kind Of Wonderful” (1987) (the latter two being directed by Howard Deutch). For the purpose of this study, “Weird Science” and “Some Kind of Wonderful” shall be excluded; “Weird Science” since, unlike the other films, it is grounded in science fiction rather than reality and “Some Kind of Wonderful” as its characters are fractionally older and have lost the “innocence” key to the previous movies: as Bernstein states “the youthful naivete was missing and the diamond earring motif [a significant gift within the film] was no substitute” (Bernstein, 1997, p.89). Bernstein suggests that the decadent 1980s were like the 1950s, “an AIDS-free adventure playground with the promise of prosperity around every corner … our last age of innocence” (Bernstein, 1997, p.1). The films were very much a product of the time in terms of their production (“suddenly adolescent spending power dictated that Hollywood direct all its energies to fleshing out the fantasies of our friend, Mr. Dumb Horny 14 Year Old” Bernstein, 1997, p.4), their repetition (with the growth of video cassette recorders, cable and satellite with time to fill, and also the likes of MTV promoting the film’s soundtracks) and their ideologies.
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
Glory Road is a sports film that could be described as the typical standard sports film. This meaning that the films story line follows the story line of most sport films that are produce by the major movie production companies. Of course this film has its own personal twist and turns that make it unique in itself. The film Glory Road follows a team that begins as the disadvantage underdogs that take way on a story line journey as the underdogs having to overcome multiple obstacles in a dream of being on top (Crosson, Pg. 71). In more detail to the movie it is based on a true story of the 1966 Texas Western College Basketball team coached by Don Haskins. The film portrays a story that in Don Haskins first year coaching the Miners of Texas Western he leads them to their first NCAA championship in men Division 1 basketball. The film becomes more interesting in the championship game by coach Don Haskins only playing his black players for the entire game. He did this to make a point to all the people out their that said an all black team was not good enough to compete with an all white team powerhouse like Kentucky. These key parts of the film make the
“The Mission” is based on a true story that occurred around the borderlands of Argentina, Paraguay and Brazil in the years 1750’s according to the film and history. The Treaty of Madrid of 1750 with the Spanish and Portuguese caused both havoc and death for the people of the Guarini and the members of the Jesuits. The Jesuits, members of the church, tried to bring Christianity and civilization to the natives while keeping at peace with Spain and Portugal. The Jesuits were the teachers for the natives; Teaching them not only the Christian religion but also civilization. Father Gabriel, a Jesuit, is first introduced in the film when he is showing his respects to a former Jesuit priest killed by the natives. He walks through the South American
District 9 is a film that takes us into a realm of a different world from the one that we know now. It combines extraterrestrial life with immense science fiction to illustrate a story we could only imagine to ever actually occur. Although it was created for entertainment purposes, the motion picture can be compared to many different types of individuals and situations. District 9 displays many underlying concepts throughout the movie about racism, prejudice and discrimination. While studying and analyzing the plot and characters, these concepts became more translucent to me, the viewer. This paper will discuss the treatment of District 9 residents and equate their treatment to people with disabilities.
Interstellar, directed by Christopher Nolan, was a very complex and interesting sci-fi movie. This movie in particular has a lot of factors playing into the movie. Everyone is able to find their favorite part about the movie, and various people can watch this movie and connect with it. This movie came out in 2014, and shocked millions of people by its intense ending. Interstellar was awarded for best visual effects, and then nominated for many other things including, best original score, best sound mixing, and best sound effects which played a huge role in making the movie. The image and sound complement each other, but I thought that image dominated over sound because there were so many silent moments throughout the movie. I thought the plot
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?