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Relationship between fathers and sons
Mother - son relationships
Relationship between fathers and sons
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The relationship between a mother and son is vital to the emotional growth of a child. Insufficient ties between the two may result in a multitude of emotional complications ranging from behavioral problems to attachment issues. In Sorrows of a Young Werther by Johann Wolfgang von Goethe, the relationship between the main character, Werther, and his mother is strained at best. The instability of their relationship prompts Werther to look outside his family for the emotional, fulfilling bonds he desires. Lotte, along with her siblings, provides Werther with a picture of the idyllic family he has dreamed of having, but, at the end of the novel, Werther is forced to learn that the ideal can never be attained. Werther’s mother is scarcely mentioned throughout the novel. In fact, we never discover her name nor anything exceedingly substantial about her. At no point does Werther directly contact his mother; instead, he relies on Walheim to pass on any information he deems necessary for her to know. He is not remotely interested in what is going on in his mother’s life, nor does he care to provide many details pertaining to what is occurring in his own. In the majority of the sections his mother is mentioned, Werther merely sounds bitter and resentful. While this may seem to indicate that she is a character insignificant to the story, her very absence from the novel makes her a critical instrument in understanding Werther's actions. The first mention of Werther’s mother references a situation pertaining to a disagreement his mother has with his aunt. He has obviously been taking care of this issue for her, but he does not write the news of the situation to her directly, going through Walheim as usual instead. “"Be kind enough to ... ... middle of paper ... ...he needs, he has no choice but to kill himself. Werther’s relationship with his mother discreetly influences many of the crucial events in The Sorrows of Young Werther. If Werther had a strong relationship with his mother, the outcome of the book might have changed quite drastically. As he failed to keep a strong relationship with her, he had to fill her role in his life elsewhere. Lotte provided the perfect example of a mother for him to connect with, but it is eventually apparent that his idealized view of her fails to connect with the real Lotte. The novel proves how tempestuous emotional bonds can be and how imperfect relationships between a mother and son can lead to unfortunate results. Works Cited Goethe, Johann Wolfgang von. The Sorrows of Young Werther. Ed. Nathan Haskell Doyle. Trans. R. D. Boylan. Project Gutenberg, 2 Jan. 2009. Web. 9 Oct. 2011.
All through the times of the intense expectation, overwhelming sadness, and inspiring hope in this novel comes a feeling of relief in knowing that this family will make it through the wearisome times with triumph in their faces. The relationships that the mother shares with her children and parents are what save her from despair and ruin, and these relationships are the key to any and all families emerging from the depths of darkness into the fresh air of hope and happiness.
The major characters in the story up to and including the protagonist in the story are individuals who are relatively ill behaved and considered as being outcasts not worthy being part of the whole society. The case is however totally different when these key characters are faced by an aspect or a feature that threatens them, “The Duchess, more cheerful than she had been, assumed the care of Piney. Only Mother Shipton--once the strongest of the party--seemed to sicken and fade”. The kind treatment that these characters show towards the two people who approach them illustrate the kindness in them. An important and characteristic aspect of the characters is their ability to live with each other tolerably and encourage each other irrespective of the intensity of the challenges that they are faced with. The death of the characters is noble and illustrates or indicates a great deal of courage in them (Harte, Olivier, & Clark,
Wolff’s sombre memoir This Boy’s Life explores and challenges the relationship between a mother and son, displaced and forced to flee during the turbulent post-war America. Chased by power-hungry and controlling partners while seeking freedom and a change in “fortune”, Rosemary and Toby soon discover that not all is as easy as it seems. Despite many hardships, whether they may be being abandoned by Toby’s father, refusal to punish Toby or a dangerous but promising potential husband Rosemary shows true determination in finding them a happy future highlighting the unbreakable bond the two share.
Parental influences can negatively impact a child’s life. An example of this is in the novel
Heilbrun, Carolyn G. (2002). Hamlet's Mother and Other Women. 2nd ed. West Sussex: Columbia University Press.
Then, perhaps--for there was no foreseeing how it might affect her--Pearl would frown, and clench her little fist, and harden her small features into a stern, unsympathizing look of discontent. Not seldom she would laugh anew, and louder than before, like a thing incapable and unintelligent of human sorrow. Or--but this more rarely happened--she would be convulsed with rage of grief and sob out her love for her mother in broken words, and seem intent on proving that she had a heart by breaking it. Yet Hester was hardly safe in confiding herself to that gusty tenderness: it passed as suddenly as it came. Brooding over all these matters, the mother felt like one who has evoked a spirit, but, by some irregularity in the process of conjuration, has failed to win the master-word that should control this new and incomprehensible intelligence. Her only real comfort was when the child lay in the placidity of sleep. Then she was sure of her, and tasted hours of quiet, sad, delicious happiness; until--perhaps with that perverse expression glimmering from beneath her opening lids--little Pearl awoke (Hawthorne
Throughout the story, the narrator speaks of her mother’s grace and in moments when that grace was put under pressure,
On March 13, 1933, Joan Ruth Bader was born in Brooklyn, New York, to Celia Amster and Nathan Bader (Salokar & Volcansek, 1996). Ruth had an older sister, Marilyn, but she passed away at the age of six from meningitis; Ruth was one year old at the time. Cecilia, Ruth’s mother, stayed home and took care of Ruth while she grew up. Cecilia made sure that Ruth worked diligently in school and taught her the value of hard work. Cecilia was diagnosed with cancer while Ruth was in high school and the day before her daughter’s graduation she passed away (Salokar & Volcansek, 1996). One of the greatest influences on Ruth’s life was her mother and the values she instilled in her from a young age. Two of the greatest lessons that Ruth learned from her mother was to be independent and to be a lady, and by that she meant not to respond in anger but to remain calm in si...
The unspoken truths can drive a wedge between mother and son, especially when unable to express love. In Winesburg, Ohio, "Mother". Elizabeth Willard has been a delightful and imagining lady in her childhood, however now she has sunk into a dreary middle age, debilitated by ailment, dismissed by her significant other, and distant from her child. The shocking pointlessness of her life is introduced by the savage fights she is compelled to watch from her window, between the cook Abner Groff and a dim vagrant feline which tries to lurk in at the back of his store. Such things made her half - frantic. One night, she catches her better half encouraging their child, George to ' wake up ' and set out in a business profession. She is loaded with fierceness
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
In conclusion, The Sorrows of Werther opened the creatures eyes to the immediate world around him and the pains associated with life especially when one is rejected by the people they love.
Nonetheless, this really is a tale of compelling love between the boy and his father. The actions of the boy throughout the story indicate that he really does love his father and seems very torn between his mother expectations and his father’s light heartedness. Many adults and children know this family circumstance so well that one can easily see the characters’ identities without the author even giving the boy and his father a name. Even without other surrounding verification of their lives, the plot, characters, and narrative have meshed together quite well.
That afternoon when she got home, she went straight to her room. She didn’t have much time. In twenty minutes her mother would be pulling in the driveway, and begin nagging her about everything Wynter has done wrong. She knew she was the biggest disappointment in her parents’ lives. They would never say it, but she could see it in their eyes. And that was why she had to go. She couldn’t let them find out what she had done. About that horrible
Her character is portrayed as being anxious through the author’s choice of dialogue in the form of diction, which is “waves of her [the mother] anxiety sink down into my belly”. The effect of this is to allow the readers to establish the emotions of the narrator, as well as establish an the uneasy tone of the passage, and how stressful and important the event of selling tobacco bales for her family is. Additionally, the narrator is seen to be uncomfortable in the setting she is present in. This is seen through the many dashes and pauses within her thoughts because she has no dialogue within this passage, “wishing- we- weren’t- here”, the dashes show her discomfort because the thought is extended, and thus more intense and heavy, wishing they could be somewhere else. The effect of the narrator’s comfort establishes her role within the family, the reason she and her sister does not have dialogue symbolizes that she has no voice within the family, as well as establishing hierarchy. The authors use dictation and writing conventions to develop the character of the narrator herself, as well as the mother. The narrator’s focus on each of her parents is additionally highlighted through
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...