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Nathaniel hawthorne literary criticism
Nathaniel hawthorne literary criticism
Nathaniel hawthorne literary criticism
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Diction The novel in general is written in formal language because of its complex wording and sophisticated style. Hawthorne uses imagery as well as metaphors and irony. The language is flowery at instances and plain in others. His use of diction does not indicate his social status, education or region. Dialogue makes up about half of the novel. The dialogue from character to character is a bit distinct but the language is pretty similar even little Pearls language is very sophisticated. Select two passages “Thou art crushed under this seven years' weight of misery," replied Hester, fervently resolved to buoy him up with her own energy. "But thou shalt leave it all behind thee! It shall not cumber thy steps, as thou treadest along the forest-path: …show more content…
Then, perhaps--for there was no foreseeing how it might affect her--Pearl would frown, and clench her little fist, and harden her small features into a stern, unsympathizing look of discontent. Not seldom she would laugh anew, and louder than before, like a thing incapable and unintelligent of human sorrow. Or--but this more rarely happened--she would be convulsed with rage of grief and sob out her love for her mother in broken words, and seem intent on proving that she had a heart by breaking it. Yet Hester was hardly safe in confiding herself to that gusty tenderness: it passed as suddenly as it came. Brooding over all these matters, the mother felt like one who has evoked a spirit, but, by some irregularity in the process of conjuration, has failed to win the master-word that should control this new and incomprehensible intelligence. Her only real comfort was when the child lay in the placidity of sleep. Then she was sure of her, and tasted hours of quiet, sad, delicious happiness; until--perhaps with that perverse expression glimmering from beneath her opening lids--little Pearl awoke (Hawthorne
In The Scarlet Letter, author Nathaniel Hawthorne efficiently conveys his purpose to the audience through the use of numerous rhetorical devices in his novel. Two such rhetorical strategies Hawthorne establishes to convey his purpose of informing the audience of valuable life lessons in The Scarlet Letter are characterization and the theme of duality.
Pearl is an example of the innocent result of sin. All the kids make fun of Pearl and they disclude her from everything. She never did anything wrong, but everyone treats her like she committed the sin also. Pearl acts out against the children that make fun of her and acts like a crazy child. She cannot control the sins that her parents committed.
The two of them, after Dimmesdale dies, continue with their plans to go back to England where they hope for a better life. Once in England, the two are able to change their lives around for the better. Pearl is even found to have a family of her own: “Mr. Surveyor Pue, who made investigations a century later, … Pearl was not only alive, but married, and happy, and mindful of her mother; and that she would most joyfully have entertained that sad and lonely mother at her fireside” ( Hawthorne 392). Pearl was able to overcome her old life and create a new one, a better one, one that was just for her. Even though her mother was no longer around she tried her best to kept in touch with her. She also kept her and her mother’s experience in mind never to let herself go back to that life. After spending many years in England, Hester finally returns to New England. When she returns she is full of sorrow and regret; however, she continues to wear her A on upon her chest as a reminder of her pain. With returning to the land of sin, people came to Hester, mostly women, with problems of their own. They hope by talking to someone who has been through so much will help them, or give them insight on what life is like to be on the outside: “And, as Hester Prynne had no selfish ends, nor lived in any measure for her own profit and enjoyment, people brought all their sorrows and perplexities, and besought her counsel, as one who had herself gone through a mighty trouble. Women, more especially,—in the continually recurring trials of wounded, wasted, wronged, misplaced, or erring and sinful passion,—or with the dreary burden of a heart unyielded, because unvalued and unsought,—came to Hester’s cottage, demanding why they were so wretched, and what the remedy! Hester comforted and counseled them, as best she might” (Hawthorne 392-393). Even though Hester was miserable and thought that no
Hawthorne seems to take a stance removing himself as a narrator from religious or moral partiality. As Hawthorne pursues the idea of a morally oblivious phycology, he creates Pearl. Perhaps Pearl is symbolic of truly raw human nature. Pearl is an unaltered version of mankind; factors of emotional and mortal influence are lost on her. Pearl is like the “control group” in the experiment of the human condition. This is demonstrated when Hawthorne speaks through the guise of Governor Bellingham, “There is no law, nor reverence for authority, no regard for human ordinances or opinions, right or wrong, mixed up with that child’s composition.” (92) Pearl attempts to connect with Hester as she “sob[s] out her love for her mother in broken words, and seem[ed] intent on proving that she had a heart by breaking it,” but she could not imitate human compassion because she had been shown so little herself. Because of the lasting trauma of Hester’s ordeal and her inexperience as a mother, Hester is inattentive and emotionally unavailable during Pearl’s childhood. Primarily because of her mother’s negligence, Pearl is “like a thing incapable and unintelligent of human sorrow” (64) but can still sense how other’s perceive her as strange. Taking into account her lack of remorse and incapability to express genuine sympathy, one might contend
Syntax is simply described by the arrangement of words; more complexly it is also made up of the Primary and Secondary structures of language. Primary Structures often consist of “an initial noun phrase, a verb phrase, and a final noun phrase”; while secondary structures consist of basically everything else in the sentence (all of the extra words used to make language more vivid and colorful). While looking at the second sentence of this passage Hawthorne writes, “It was carelessly, at first, like a man chiefly accustomed to look inward, and to whom external matters are of little value and import unless they bear relation to something within his mind.”
Hester is a youthful, beautiful, proud woman who has committed an awful sin and a scandal that changes her life in a major way. She commits adultery with a man known as Arthur Dimmesdale, leader of the local Puritan church and Hester’s minister. The adultery committed results in a baby girl named Pearl. This child she clutches to her chest is the proof of her sin. This behavior is unacceptable. Hester is sent to prison and then punished. Hester is the only one who gets punished for this horrendous act, because no one knows who the man is that Hester has this scandalous affair with. Hester’s sin is confessed, and she lives with two constant reminders of that sin: the scarlet letter itself, and Pearl, the child conceived with Dimmesdale. Her punishment is that she must stand upon a scaffold receiving public humiliation for several hours each day, wearing the scarlet letter “A” on her chest, represe...
In the acclaimed novel, The Scarlet Letter, Hawthorne uses juxtaposition, as well as parallel structure, to illustrate the negative effects of Puritan’s religious traditions, and the harmfully suppressive nature of Puritan culture as a whole.
In his novel The Scarlet Letter, Nathaniel Hawthorne uses the storyline of Hester Prynne’s adultery as a means of criticizing the values of Puritan society. Hester and her daughter Pearl, whom she conceives out of wedlock, are ostracized from their community and forced to live in a house away from town. The reflections of Pearl in different mirrored surfaces represent the contrast between the way Puritans view her and who she actually is. In the fancy mirrored armor of the society’s elite class, Pearl is depicted harshly as a devilish and evil spawn, unable to live up to the expectations of such a pristine society. However, in the natural reflections of the earth’s surface, Pearl’s beauty and innocence is much more celebrated. The discrepancies between these positive depictions of Pearl as an angelic figure and the Puritans’ harsh judgment of her character suggest that Puritans inflated her oddities and strange habits in order to place her and Hester in a place of inferiority within the community. Hawthorne employs reflection and mirrors in his novel to convey the Puritans’ misconstrual of Pearl as an elfish, evil child and to critique the severity of early Puritan moral codes.
In Nathaniel Hawthorne’s well known novel, The Scarlet Letter, extensive diction and intense imagery are used to portray the overall tone of the characters. In particular, Hester Prynne, the wearer of the Scarlet Letter, receives plentiful positive characterization throughout the novel. Hester’s character most notably develops through the town’s peoples ever-changing views on the scarlet letter, the copious mentions of her bravery, and her ability to take care of herself, Pearl, and others, even when she reaches the point where most would give up and wallow in their suffering.
From the moment she is born in the cold, heartless prison, Pearl is placed under scrutiny. The townspeople see her as a visible reminder of sin, and it isn't long until even her own mother searches for evil in her. The girl is described as "the scarlet letter in another form; the scarlet letter endowed with life!"(Hawthorne 103). With her fascination from an early age with the scarlet letter, Hester believes that Pearl's very reason for existence is to torment her mother. Hester fails to realize that the letter is just something bright and significant to which Pearl reacts; instead, she sees every glance, every word aimed at the letter, every touch of Pearl's tiny fingers to her bosom as an added torture resulting from her adultery. Hester, considering Pearl's very existence, goes so far as to question if the impish child is even her own. "Thou art not my child! Thou art no Pearl of mine!"(Hawthorne 99) she tells Pearl, only half-jokingly. In her own way, she wonders whether Pearl was sent to her by God or by a demon wishing to cause her pain. She is not alone in this speculation; many of the town's citizens believe there is something of the Devil in Pearl.
The narrator of the Scarlet Letter uses devices such as hyperbole, paradox, satire, and allusion to describe Dimmesdale’s internal conflicts as they begin to reveal themselves within chapter eleven. To illustrate the narrator uses hyperbole in lines twenty-two to twenty-five using the town's people's belief of Dimmesdale being a pure, humble, and godly young man that is incapable of sin. The usage of hyperbole in one townsperson claimed, "The saint on earth! Alas, if he discerns such sinfulness in his own white soul, what horrid spectacle would he behold in thine or mine!” Emphasizes the strong, naive belief of the townsperson towards the sin Dimmesdale had committed. For they believed that it could not have been as bad as their own if not
As a living reminder of Hester’s extreme sin, Pearl is her constant companion. From the beginning Pearl has always been considered as an evil child. For Hester to take care of such a demanding child, put lots of stress onto her life. Hester at times was in a state of uncontrollable pressure. “Gazing at Pearl, Hester Prynne often dropped her work upon her knees, and cried out with an agony which she would fain have hidden, but which made utterance for itself, betwixt speech and a groan, ‘O Father in heaven- if Thou art still my Father- what is this being which I have brought into the world!’” (Hawthorne, 77).
Pearl lived a different life than any of the other puritan children. She is a free spirited child. Hester lets her blossom intointo the brilliant child she blooms into through the story. Pearl is not afraid to speak her mind. “She could recognize her wild, desperate, defiant mood, the flightiness of her temper, and even some of the very cloud-shapes of gloom and despondency that had brooded in her heart” (Hawthorne 93). Hester saw the light in her child and embraced it. The other Puritan children are confused by Pearls behavior. They have never been around a child li...
Hawthorne manages to create many metaphors within his novel The Scarlet Letter. The rose bush outside the prison door, the black man, and the scaffold are three metaphors. Perhaps the most important metaphor would be the scaffold, which plays a great role throughout the entire story. The three scaffold scenes which Hawthorne incorporated into The Scarlet Letter contain a great deal of significance and importance the plot. Each scene brings a different aspect of the main characters, the crowd or more minor characters, and what truth or punishment is being brought forth.
The naivete of a child is often the most easily subjected to influence, and Pearl of the Scarlet Letter is no exception. Throughout the writing by Nathaniel Hawthorne, she observes as Dimmesdale and the rest of the Puritan society interact with the scarlet letter that Hester, her mother, wears. Hawthorne tries to use Pearl’s youth to teach the reader that sometimes it’s the most harmless characters that are the most impactful overall. In the novel, The Scarlet Letter, Pearl has learned the greatest lesson from the scarlet letter through her innocence as a youth and her realization of the identity of both herself and her mother.