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Critical analysis of Oedipus Rex as a tragic drama
Oedipus rex tragedy analysis
Aristotle poetics quizlet
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Sophocles’ Oedipus Rex Fulfills All of the Requirements of a Tragedy
Throughout Poetics, Aristotle describes what traits a tragedy must have to be successful. To support these choices, he makes use of a small analysis of many tragedies, including many of Sophocles’ plays; Oedipus Rex is one of the plays mentioned in Aristotle’s Poetics. Some of these traits include a successful plot structure, recognition scenes, and a correct choice for its hero. In Oedipus Rex, Sophocles fulfills all of these requirements.
According to Aristotle’s definition of tragedy, the plot of a tragedy is above all the most important element, and for one to write a successful tragedy, one must have an excellent plot. In his Poetics, Aristotle lists four characteristics that a good plot must have: order, amplitude, unity, and probable and necessary connection. The plot of Oedipus Rex contained all of these.
When Aristotle describes what he means by order, he states that a plot has “a beginning, a middle, and an end.” He continues by saying that by ‘beginning’, he means “that which is not necessarily the consequent of something else, but has some state or happening naturally consequent on it.” Oedipus Rex, for example, begins with Oedipus awaiting Creon’s return with the oracle’s advice on the issue of the plague overwhelming Thebes. The beginning of this play already describes why we have started this way and, as Aristotle put it, isn’t necessarily the consequence of something else. Although we, the readers, know that in fact it is, one hearing the story for the first time would understand the play just as well as a seasoned tragedian. The middle, which Aristotle says, “is consequent and has consequents,” depends on the beginning, ju...
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...y for him/her. What a character must be is a good person, as Oedipus is, with a few character flaws, as Oedipus has, thus making the audience able to pity him.
As all of these elements are essential to a good tragedy according to Aristotle, this play must obviously be a good tragedy. It has a successful plot, containing all four of the characteristics listed in Poetics, its hero has the essential character traits, and it has an excellent scene of recognition, containing both peripeteia and pathos. If all of these are what makes an essential plot, then this play, Oedipus Rex, ought to receive the highest praise from Aristotle.
Works Cited
Aristotle. Poetics. Trans. M. E. Hubbard. Oxford: Oxford University Press, 1972.
Dorsch, T. R., trans. and ed. Aristotle Horace Longinus: Classical Literary Criticism. New York: Penguin, 1965.
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Yea, you are ignorant. . " (Sophocles, 15). Understandably, Oedipus is enraged at the prophet's accusations and fatally insists on investigating the murder of King Laius. In Aristotle's Poetics, it is stated that a tragedy must be complete - having a beginning, middle and end. Of equal importance ".the sequence of events, according to the law of probability or necessity, will admit of a change from bad fortune to good or from good fortune to bad. "
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Irony used from beginning to end and with each statement made by Oedipus about finding the killer of Laius. Although the audience is familiar with the story they are fully invested in Oedipus. Because Sophocles uses irony in his play it makes the audience empathize with the protagonist. Oedipus becomes human, a tangible character that experiences the same emotions as everyday people. The thing that makes Oedipus even more human is that he is a victim of a fate assigned to him before he was born. He unknowingly carries out the prophecy destined for him which leads to the discovery that he was abandoned at birth by his biological parents; with this discovery a sense of his identity is taken from him. A character so arrogant normally does not receive empathy from the audience, however, he is still very much an innocent fragile human being punished for his father’s defiance. Sophocles used irony to bring a new twist to a familiar story. The use of irony keeps the audience ahead of the protagonist yet still eagerly awaiting his reaction to the obstacles before him; even though they know his fate the audience wants to see how he deals with his unfortunate
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.
Aristotle. Poetics. Trans. Gerald F. Else. Ann Arbor: U of Michigan P, 1967. Dorsch, T. R., trans. and ed. Aristotle Horace Longinus: Classical Literary Criticism. New York: Penguin, 1965. Ley, Graham. The Ancient Greek Theater. Chicago: U of Chicago P, 1991. Reinhold, Meyer. Classical Drama, Greek and Roman. New York: Barrons, 1959.