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Transcendentalism literature and its impact
Transcendentalism literature and its impact
Transcendentalism literature and its impact
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The poem “Some keep the Sabbath going to Church” by Emily Dickinson is a bright example of a “transcendental” poem, it introduces the differences between the transcendental and puritan ways of worshiping God. By this poem the poetess places in question the idea of church membership. She argues an important message that there is nothing offered by the church that cannot be offered by the nature – “a Bobolink” serves as a “Chorister” and “an Orchard” as “a Dome” (lines #3 and 4). This comparison continues through the first two quatrains of a poem, showing that every important aspect of a church is provided by the nature. Dickinson not only shows that nature is just as good as the church, but also demonstrates that it is better – “I, just wear my Wings” (line #5) - nature presents wings that denote freedom, whereas the church puts one into a strict framework of laws, that should not be broken.
Another important idea is introduced in the first line of the third quatrain, “God preaches, a noted Clergyman” (line # 9). Here the speaker implies that when there are no needless mediators in the act of worship, the interaction with God becomes much stronger, as He becomes the direct Clergyman.
It is noteworthy that the rhyme scheme for each verse is ABCB which is a “Simple 4-line” rhyme. The choice of such a comparatively simple
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rhyme scheme underlines that the goal of the poem is not to exercise poetry skills, but to get out the important message. This goal is also achieved by the poetesses attempt to unite the speaker of the poem and the reader by using a pronoun “Our” in the line #8, thus making it easier for the reader to accept “their” idea. The poem ends with a strong statement that is based on the beginning of the third quatrain, which implies that in the transcendental way of worshiping, the Clergyman is the God himself.
But if the Clergyman is the God, then where are we if not in Heaven? It’s important to notice that the speaker does not say that her way of worshiping is the only right way. She believes that if one follows some other way, it will end in Heaven as well – “Instead of getting to Heaven, at last/I’m going all along.” (lines #11 and 12). It just makes no sense for the speaker why would one want to put off the heavenly experience if it is achievable during the
lifetime?
The alliteration used is to emphasize rhythm in the poem. On the other hand, the poet also depicts a certain rhyme scheme across each stanza. For example, the first stanza has a rhyme scheme of this manner a, b, c, d, e, a. With this, the rhyme scheme depicted is an irregular manner. Hence, the poem does not have a regular rhythm. Moreover, the poet uses a specific deign of consonance, which is present in the poem (Ahmed & Ayesha, p. 11). The poet also uses the assonance style depicted in the seventh stanza, “Seven whole days I have not seen my beloved.” The letter ‘o’ has been repeated to create rhythm and to show despair in the poem. On the second last line of the seventh stanza, the poet uses the style of consonance, “If I hug her, she’ll drive illness from me. By this, the letter ‘l’ is repeated across the line. The poet’s aim of using this style of Consonance is to establish rhythm in the poem and add aural
Yet the Reverend also uses the word 'beautiful' and appreciates the wonders of the natural world. Certainly, a sense of something beyond the pragmatic permeates Maclean?s story. This ?something? is incarnated in Paul, who obviously does not conform to a narrowly-defined description of a ?good Christian.? He is a rabblerouser adrift in the world, a sophisticated ladies? man and gambler who squanders what is seemingly ample journalistic talent. Paul, however, is also effortlessly artistic, able to break free of his father?s strict fishing instructions to create his own poetry with a rod. Surely, something holy must reside in the sheer, effortless beaut...
Emily Dickinson, a transcendentalist author, demonstrates how settings away from society and technology are representations for virtue and individuality. In her poem Some Keep the Sabbath Going to Church she writes about how she stays home on Sundays saying, “I keep it, staying at Home/–With a Bobolink for a Chorister/–And an Orchard, for a Dome” (Some Keep the Sabbath going to Church). Dickinson uses objects of nature such as birds and flowers to convey that she loves nature so much she stays away from society. She basks in her natural haven far from a massive stone cathedral and an orthodox way of life. She is at peace in nature but more importantly she follows her own beliefs and ideas, exhibiting her independence. In Ken Kesey’s writing, one such example of a character who prospers greatly in nature is Billy Bibbit, the stuttering patient from Nurse Ratched’s ward. Throughout the first half of One Flew Over the Cuckoo’s Nest, Bibbit fails to show any genuine feelings other than fear due to the immense control the nurse has over his life. However, he finds courage on the expansive open ocean. When on the boat trip there is “a fuss as to who'd be the three that braved that [storm] without [life]jackets... Everybody was kind of surprised [when] Billy...volunteered...and helped the girl right into [his]” (252). Bibbit acts like a hero on the stormy seas, a far different
... is playing favorites in whom he wants to grant salvation to while they are alive on Earth, there is no incentive for anyone to care. If God is so merciful, then these Calvinistic Puritan doctrines should not exist and everyone should be granted spiritual salvation and grace while they are alive on earth at all times. Edward Taylor’s arguments and symbolic imagery of the beauty of God and how gracious he is are highly questionable and shoddy – similar to God and Puritan theology.
As the high priest’s son he himself wanted to become a good priest but to become one he had to look at the place of gods with his own eyes.
..., but still pleads for God to "take me in" (ll. 41), and promises to "pay...in happiness" for mercy. Once again, the speaker demonstrates the same desires for physical treasures that he expresses in the first stanza as he asks God to "give mine eye / A peephole there to see bright glory's chases" (ll. 39-40). Even in the God's kingdom, the speaker reveals his humanity as he focuses on ornamentation which starkly contrasts with God's divinity as He has the ability to show love even for sinners.
Exposing the Hypocrisy of Religion in Emily Dickinson’s Some Keep the Sabbath Going to Church
Roethke’s poem has a regular rhyme scheme that can be expressed as “abab”. The only exception to this scheme would be the first stanza as the words “dizzy” (2) and “easy” (4) are slant rhymes. Only the end syllables of the two words sound the same. As a result, the use of a consistent “abab” rhyme scheme allows the poem to reflect the
This movement was heavily inspired by Ralph Waldo Emerson. This man actually lead the transcendental brigade during the late 1820s characterized by spiritual association with nature and individualism. One core belief of this movement: nature is inherently good, separating from man made institutions; thus harboring the idea of self-reliance and individualism. Being close to nature was akin to becoming closer to God or the higher-self. The path to spiritual enlightenment should be discovered in nature; in the self. The Humble Bee , by Emerson, praises the honey bee in which attention is also directed towards learning its wisdom. Emerson writes here with a joyous account of loving the bee. The content of this essay will address the ideas,themes, devices and techniques of the three poems. The similarities of these poems incorporate a respect towards nature and its offerings. However, they exhibit their conclusions differently through divergent poetic devices. Also, each branches off into abstract ideas of either ethics or
In an age when culture continues to lower standards of intellect, Marva Dawn makes compelling observations and suggestions for the Church to rethink its’ strategy on impacting society. How do we evangelize without weakening the message of what we are communicating? The majority of her text focuses on the worship environment generally, but later she focuses on music, preaching, and liturgy specifically. According to Dawn, a gathering of believers should emphasize God as the subject and object of worship, challenge each individual to grow in godly character, and accentuate the community of believers (not only in the room, but throughout history as well). Through this grid, she encourages leaders and participants to evaluate each worship element. If these primary goals are accomplished, then worship will not be empty and simpleminded. Instead the worship atmosphere would be held to a higher standard and, she believes, both pleasing to God and attractive to those who do not know God.
It consists of four stanzas, each a bit longer than the preceding one. Each stanza has it's own
Metaphors are often used in order to further introduce and explain an idea. The speaker compares “And instead of tolling the Bell, for Church, / Our little Sexton – sings” to help the reader comprehend that she feels as if she is in church when in fact she can be with God in her own home. By comparing the church bells to her own sexton, which refers back to the Bobolink, the speaker explains that the lavish and ornate decorative items within a church are merely physical, and that true relationship with God comes from a relationship, not by attending church only because one believes that is the correct way to honor the Sabbath. Emily Dickinson also compares the clothing in which the speaker and the regular church attendance wears. The different dress between the church and the speaker is described as “Some keep the Sabbath in Surplice – / I, just wear my Wings”. A surplice is a long, white gown worn by church clergyman and the chorister. The church believes this outfit demonstrates respect towards God. The speaker knows that clothing does not matter to God or towards one relationship with him. This is why she only wears her wings. The wings in the poem seem to represent angel wings which would imply the closeness the speaker holds with God. The metaphors in this poem help Dickinson to further extend her point of different ways to honor the
The regular rhyme scheme -- A-B-C-C-B -- gives the poem a nursery-rhyme quality. In many places, the style seems to overpower the content: stanza 47 seems constructed solely to showcase the rhyme it contains: "Perhaps he's climbed into an oak / Where he will stay till he is dead" (ll. 233-234) is not really a worrisome fate, but it rhymes neatly with the last two lines of the stanza.
Jesus taught us to pray by going to worship in the temple on the day
This poem is a lyric poem since the speaker isn’t telling a story or an observation the this is a lyric poem. The speaker is expressing his or her feelings and emotions. The rhyme scheme in the first stanza is ABAAB, in the second stanza it is CDCCD, in the third stanza the rhyme scheme is EFEEF, and in the last stanza it is GHGGH. Knowing the rhyme scheme of the poem helps the reader be able to stress the syllables that make the poem flow and sound