"My Papa 's Waltz," by Theodore Roethke 's, is a poem about a boy who expresses his affection for his father, but at the same time expresses a sense of danger that comes from the father. The poem appears to be a snapshot in time from a child’s memory. The uplifting experience is created through the father and son’s waltz while the father’s uncontrollable movements juxtaposes the menace of the drunken father. Roethke’s poem has a regular rhyme scheme that can be expressed as “abab”. The only exception to this scheme would be the first stanza as the words “dizzy” (2) and “easy” (4) are slant rhymes. Only the end syllables of the two words sound the same. As a result, the use of a consistent “abab” rhyme scheme allows the poem to reflect the …show more content…
This means that the poem contains unstressed followed by stressed syllables. In addition, each line contains three-stressed syllable, which makes it trimeter. For instance, “The whiskey on your breath” (1) can be used to identify the stressed syllables in that line. The syllable for “whisk”, “on” and “breath” are the three stressed syllable within that line of the poem. The use of an iambic trimeter allows the poem to become the waltz itself as it matches the three beats of the waltz. While this meter is used throughout the poem, there are certain lines that contain disruptions to the meter of this poem. For example, “slide from the kitchen shelf”(6) which is a trochaic. A trochee is a meter pattern that involves a stressed syllable flowed by an unstressed syllable. In this case, “slide” is a stressed syllable, while “from” is unstressed. These disruptions in meter mirror the father’s “missing steps” in line 11. This dance between the father and son is not smooth, but rather rough and clumsy due to the father’s drunkenness. Similarly, the first stanza also includes a simile, “But I hung on like death” (3), which portrays a sense of seriousness in tone of the speaker. In other words, there is a sense of play but also a sense of danger that characterizes the …show more content…
Notably, the denotation “romping” can mean, “to play roughly and energetically” (Google), but it can also have a connotation that the boy is hurt or in pain. Furthermore, stanza two also mentions the “mother’s countenance/ could not unfrown itself” (7- 8) which is unusual in the description of playing. While the father and son are playing, the mother is standing aside frowning. Her unhappiness contrasts the playful description of the waltz, which gives the poem its sense of seriousness. In other words, it tells the reader that there is much more happening here than the father and son playing. The drunkenness of the father has caused him to become careless and rough with the boy. The mother is clearly unhappy about the situation, but only watches as the two continue their
However, neither the setting of the poem nor its events can be linked to the ballrooms where people dance waltz. The opening lines of the poem portray the narrator’s father as a drunken person “The whiskey on your breath/ Could make a small boy dizzy”. The dancer is anything but elegant, he doesn’t waltz gracefully but romps “until the pans/Slid from the kitchen shelf”. The poem is set in a family home, most likely in the kitchen. Thus, the narrator is trying to downplay the social connotati...
The major themes of the poem reflect the poet's own inner life and his struggle with the loss of his father. Through this complicated and intricate poem the inner feelings of the poet are made manifest through the speaker's tone towards the father. The exchange between father and son represents a magical moment in the speaker's childhood: dancing the waltz with his father. In the second stanza, the poet comments “My mother's countenance / could not unfrown itself (Roethke 7-8).” Here the poet seems to regret the fact that he hoarded his father's time after a long day at work, when his father could have been s...
My Papa’s Waltz and Those Winter Sundays are similar because they use tone, imagery, and sounds and rhythms to prove these two boys in fact love their abusive father. In both of these poems there is a movement from a cold and serious tone to a warm and happy one. The use of imagery successfully accentuates the good things the father does while marginalizing the bad. And the sounds and rhythms also add to the theme of love by manipulating how the poem is read. Roethke and Hayden are two skilled poets that have much control over the techniques they use. It is interesting that these poems are so alike and perhaps it is due to the time at which they were written. In any case, these two poets made a lasting impression on American poetry and will continue to appear in poetry anthologies for years to come.
Donald Hall describes the use of imagery in poetry as a device that "makes us more sensitive to [literature], as if we acquired eyes that could see through things"(p 530). Imagery creates vivid details that deal with one's sense of sight, sound, touch, smell, or taste. These details can be seen in Theodore Roethke's "My Papa's Waltz" because the senses of touch, sight, sound, and smell appeal to the reader in order to better explain the feelings of each character in the poem. Roethke's use of imagery creates a negative picture that is painted by the son of an abusive father.
Family bonds are very important which can determine the ability for a family to get along. They can be between a mother and son, a father and son, or even a whole entire family itself. To some people anything can happen between them and their family relationship and they will get over it, but to others they may hold resentment. Throughout the poems Those Winter Sundays, My Papa’s Waltz, and The Ballad of Birmingham family bonds are tested greatly. In Those Winter Sundays the relationship being shown is between the father and son, with the way the son treats his father. My Papa’s Waltz shows the relationship between a father and son as well, but the son is being beaten by his father. In The Ballad of Birmingham the relationship shown is between
In “My Papa’s Waltz” by Theodore Roethke, was a great poem that can mean many different things to many different people of this world. To me I think it was just a boy who just wanted to spend time with his dad before he has to go to bed. The boy probably does not get to spend time with his dad that much. The father probably works all day and all week and this is the only time the boy gets to spend with him. Roethke use of words in this poem is amazing. The use of the words in this story can mean different things to the reader. The first word to look at is the word waltz. In the dictionary the word waltz is a dance for a fast triple meter song. This is just what the father is doing with his son but his is drunk and dizzy. “But I hung on like death: Such waltzing was not easy (Roethke)” The word death is not what people usually think but nobody can shake or get away from death. So the boy was holding on to his father where his father could not get away from him like the boy did not want him to go. “We romped until the pans Slid from the kitchen shelf (Roethke)” another word to understand is romped. The word romped means to play or frolic in a lively or boisterous manner. To go deeper in the definition boisterous means rough and noisy. While the father and the son are playing around dancing they are also messing up the house as well. Messing up the kitchen will make any mother mad and that is what happens next. Of out any other place in the house the kitchen is the woman’s throne room. “The hand that held my wrist was battered on one knuckle; at every step you missed my right ear scraped a buckle (Roethke).” In lines 9-12 you can tell that the father has came back from a long day of work. The father’s job has to be doing something wi...
The tone of a poem can only by recognized when reading carefully and paying close attention to the words and what they might suggest. The rhyme scheme of My Papa’s Waltz is extremely relevant to the poem. For example, in the first stanza dizzy and easy create the rollicking rhythm, as does the following stanza’s with the same pattern. The structure of words create an almost "waltz" like melody. The phrase " we romped until the pans / Slid from the kitchen shelf" and " waltzed me off to bed" (Roethke 5-6, 15), convey a pleasant atmosphere to the reader. The title itself creates an affectionate attitude with the connection of Papa and waltz. The choice of words and details are used systematically to produce thoughts to the reader of happiness and affection, thus, establishing the tone of this poem.
For example, the first two lines of the poem read: "The whiskey on your breath/ Could make a small boy dizzy;" (Roethke 668). This excerpt appears to set a dark sort of mood for the entire rest of the poem. By the first two lines, the reader may already see how this man feels about his father's drunkenness. It seems as if Roethke has preceded his poem with this factor in order to demonstrate the resentment that he feels toward his father.
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
The poem, “My Papa’s Waltz” by Theodore Roethke, is about a boy reminiscing about an incidence with his father. From the beginning, this poem states the conflict between a father and son involved in a rambunctious dance, but as it continues, the story suggests the dance may actually be a physical altercation. Within the line, “Such waltzing was not easy,” is the proposal this is not a singular incident, but rather a routine ritual between the boy and his father (Line 4). The speaker is an adult recollecting, to himself as the audience, a childhood memory of an incident with his father. As the poem opens, the child recalls his father engaging in act of the drinking whiskey to the extent that the fumes of his breath made him dizzy or lightheaded, as if the adrenaline coursing through his veins from wrestling or struggling with his father wasn’t enough to make him unsteady. The child is hanging on to his father as a way of protecting himself from the assault being inflicted upon him. When the narrator states within the simile, “But I hung on like death,” death symbolizes a force inescapable and not able to release its grasp (3). As the poem continues, the speaker uses the term “romped” to describe the movement within the waltz. A waltz is an elegant, flowing type of dance and one does not “romp” through a waltz. The two participants are causing such a ruckus, the mother’s pans slide off a shelf in the kitchen. As the mother looks on, she is silent with only a frown as an expression of her disapproval. The speaker states his father’s hand “was battered on one knuckle,” suggesting the hand had been injured possibly from another violent incident in the past (10). As the commotion continues, the child is “waltzed” into his bedroom, the ...
The wording of the poem is general. It does not state exactly what is happening at times so all the readers can do is interpret what the poem is saying based on what the poem does say. One of the few things that is clear in the poem is that in the start of the poem, the father was drunk “The whiskey on your breath / Could make a small boy dizzy” (1-2) and that the father grabbed his son and was waltzing with him. This could either mean that the father was getting physical with his son in a violent manner simply because he was under the influence, or was dancing with him. If they were just dancing, one can just imagine that the son just got on his father’s shoes, and the father was the one dancing. This is unclear simply because when one is drinking, the way they act is unpredictable. The wording of the poem makes it seem like the son is either using the word waltz to make the readers know that his drunken father was not being violent but showing affection in an uncommon way or to hide the violence that may have been happening.
This poem has a kept form. Even at a glance, it has a set form. It consists of four quatrains, each line being an iambic tritameter. The poem is about a young boy waltzing with his father. One can assume that the speaker is a young boy, or perhaps the poet reminiscing his youth. The father dances around in a haphazard manner, knocking over pans in the kitchen. Upon first glance, the tone is humorous. The picture one immediately forms is rather comical with the boy clinging on for dear life as his chuckling father spins him round and round, making a mess in the kitchen while the mother looks on discontentedly. However, the line, "whiskey on your breath could make a small boy dizzy" suggests the father's drunkedness and "at every step you missed my right ear scraped buckle" suggests the dance was not an altogether joyful one. Lines such as "hung on like death", and "beat time on my head" are might even lead the reader to think the father is abusive of the boy.
...ration, onomatopoeia, rhyme etc. One of the sound types I will be looking at is Full or perfect rhyme. This sound type is significant as in Dulce Et Decorum Est at the end of each sentence rhymes with the one before the last. This is significant as when reading this poem you notice this rhyming scheme and take more time to stop and ponder over the significance of the language it is based around and what connotations that word has: “Bent double, like old beggars under sacks” and “Till on the haunting flares we turned our backs”. This is one of the most effective rhyming schemes in the poem. Due to every second line rhyming this makes your remember what the poet was trying to put across in the previous lines as all the different lines have a way of tying in with one another.
This poem is written in eleven quatrains. All of these quatrains follow an abcb rhyme scheme. An example of this from lines 1-4 are “toune” being a, “wine” being b, “salior” being c, and “mine” being b. This means that the poem was written in closed form. It also follows a meter with four beats in the a and c lines and three beats in the b lines. An example of the four beats from line 5 is “Up and spak an eldern I Knicht”. The example of three beats from line 6 is “Sat at the kings richt kne”.
Each of these poems is written in different form and with different style. Each form represents the time period of my life I am representing. “Daddy’s Girl” was inspired by “My Papa’s Waltz” by Theodore Roethke. The two share the perspective of a young child desiring a close relationship with their fathers, due to their lack of involvement. “Daddy’s Girl,” is structured in three stanzas, each representing a different part of the scenario. The first stanza offers my desire to spend time with my dad. The parenthetical statement that “(I don’t actually like baseball)” (l. 2) shows that the activity I desired had nothing to do with the activity and everything to do with him. The second stanza is more in line with the time spent at the ballpark. My father always worked, but I didn’t mind as long as I got to be with him. My comment that, “Mr. Heller seems nice” (l. 8) relayed a desire to converse with my father about things he was interested in. I didn’t have the mental capacity to talk about the actual work, so the business partners involved would have to suffice. The third stanza displays the ever present fact that my father would leave, and I had to cope with that. I would take every opportunity I had to spend time with him. Furthermore the short stanzas and