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The impact of Shakespeare on modern culture
The impact of Shakespeare on modern culture
The impact of Shakespeare on modern culture
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September 1st: Sociological versus psychological explanations In this entry, I will relate the concept of the “sociological imagination” to my personal experiences with the phenomenon of “culture shock” while studying abroad. The sociological imagination encourages researchers to consider the broader social and cultural forces that come into play when it comes to considering the behaviors of subjects, rather than the individual circumstances of each person’s reality. This can be difficult enough to keep in mind when in one’s own home state and country; I found this particularly challenging to immediately grasp during the summer of 2014, when I studied abroad for six week in Ireland and the United Kingdom. The commonality of language, I …show more content…
believe, beguiled my mind into thinking that the culture experience would not be far removed from my own; I would not, I imagine, have assumed the same of my journey had I been studying in Ghana or the Philippines, for instance. Upon arrival in Ireland, the culture shock was not immediate, but crept up on my awareness over the first few days as I further interacted with the native Irish. Coming from a family of loud and openly affectionate people, it was rather off-putting to experience the brusqueness the Irish display toward most strangers. Had I been equipped with knowledge of the sociological imagination, perhaps I would have more quickly realized that the lack of warmth I was experiencing was not necessarily a reflection of my own behavior; this gruff attitude was not, in fact, a reaction to me, but an overall cultural behavior. Looking back now, I can only speculate, but perhaps such an interpersonal front grew from the historical degrading of the Irish people as lesser, as they were often made to perform service duties and hard labor, being seen as less intelligent of competent. An initially less-welcoming demeanor could act as a defensive mechanism, allowing Irish people to more fully develop an opinion of an outsider before opening up to them on a personal level. September 3rd: Sociology and its research methods When I stop to reconsider the discussion of data framing that occurred during this particular class, I cannot call to mind a more applicable, timely, or more personally poignant example of just how disruptive the incorrect interpretation and/or presentation of data than the events of the past several months at Sweet Briar College. While data may have been collected through legitimate and methodical means, the way in which it was presented to and interpreted by the then-ruling Board of Directors somehow shaped the narrative of the College as a negative one, doomed and prevented from reaching success. After allowing this presentation of the data to influence their decision making, the members and representatives of the Board were then prepared to frame this “doomsday” set of data to members of the media in a manner meant to support their crestfallen narrative. As lifetime consumers of of media, members of the public were betrayed by their desire to easily believe the old Sweet Briar administrations calculations and conclusions. Many, unwilling to dig deeper, think more critically, or defy the easy route of thinking, perfectly embodied Dr. Shea’s belief that, “Bad data is worse than no data.” Due to the misinterpretation of a select few data sets, the BoD made drastic decisions that not only gave life to many monocausal interpretations of Sweet Briar’s plight (“Single-sex education is outdated,” “Liberal arts colleges are no longer relevant,” etc.), but also generated a ripple effect caused by their massive “whoops effect.” Students, faculty, and staff members were forced to uproot their lives, deviate from their educational and/or occupational paths, and make numerous other decisions that would impact not only themselves, but their contributions to their families, their physical and academic communities, and their impact on the economic and geographical environments in which they resided. This particular personal case is merely one example of how influential data can be, particularly if it is not gathered or presented in a manner that coincides with the pure intentions of sociology as a field of study. September 8th: Culture During this class, we primarily focused our discussion around the article “Cosmetic Surgery: Beauty as Commodity,” which I found to be a particularly engaging topic from my position as a Gender Studies minor and self-declared feminist of many years. What struck me as particularly interesting is the duality of the attitudes toward women paying for cosmetic surgery to alter their appearances. On one hand, the concept of a woman being able to shape her body however she personally wishes appears so relevant that one could argue that such ideology is practically a tenet of modern feminism. On the other side of the coin, the majority of feminists abhor conventional and mainstream beauty standards and therefore, one could argue, should be completely opposed to the concept of women putting themselves at bodily and financial risk in order to achieve a certain “look” that society has deemed more favorable and attractive. Personally, I find my views falling into congruence with my beliefs on other issues, such as abortion; while I personally would never opt for non-medically necessary cosmetic surgery, I fully support the women who choose to pursue such procedures. As with abortion, however, I feel it important that any individual, male or female, fully educates him or herself on any procedure meant to be performed on his or her body, as well as the potential side effects and financial requirements associated with any medical intervention. September 10th: Socialization During this class gathering, we discussed the impact of television on the socialization patterns/learning of children. While our interlude primarily focused on the entity of television, we also introduced the concept of symbolic interaction, or, the shared understandings of various symbols that help to create group cohesion and dynamics within a society. This, combined with some of our discussion relating to the gendering of children’s toys, made me stop to consider the influence of color. A seemingly insignificant attribute, the color of a product does have a great amount of influence on each consumer that stops to consider its purchase. Boys tend to be less likely to latch onto something pink or floral, and young girls are often discouraged from engaging with “masculine” toys such as trucks or superhero paraphernalia. The frustrating fact, at least for me, is that these gendered associations of color are not inherent in our biological make-up. It was not until post World War-II, when Hitler used the pink triangle to mark homosexual prisoners (seen as societal deviants), that pink began to be viewed negatively when associated with boys. Prior to this shift, pink was often seen with male children, as red clothing, when washed a considerable number of times, usually faded to some shade of pink. Little girls, on the other hand, were often dressed in items in shades of blue, due to the cultural and religious associations of the Virgin Mary often being depicted as wearing blue. Nowadays, people mock the school colors of Sweet Briar College, usually smirking and saying something along the lines of, “Well, duh. Of course it’s pink, it’s an all-girls’ school,” as if my biological gender inherently programs my favorite hues. This stigma is currently being addressed here at Sweet Briar with careful consideration as the Admissions team works to redesign the marketing materials used to display women, not girls, of intelligence who can definitely be taken seriously. September 15th: Deviance and Conformity This class meeting’s discussion of Durkheim’s views on egoistic suicide definitely reminded me of the plight of the title Danish prince of William Shakespeare’s Hamlet.
Although Prince Hamlet does not, in the end, actually commit the act of suicide, he definitely does consider committing the act during an earlier point of the play. The drama begins several months after the untimely and surprising death of Hamlet’s father, the king. This event begins the list of social connections (i.e. integrations) that are severed and taken from the young prince involuntarily. His mother, the queen, then marries his uncle Claudius, placing her social connection to her son at odds with his negative emotions towards his uncle/new father-in-law/king. Although she attempts to reach out to her troubled child, he does not seem capable of forgiving her for her seemingly incestuous behavior. Left without any meaningful parental connections, Hamlet is then placed in the troubling position of not knowing whom he is able to trust. His supposed friends from university, Rosencrantz and Guildenstern, are summoned by the king and sent to spy on the young prince, under the guise of friendship. This behavior subsequently causes Hamlet to question every relationship and interaction in which he participates, as well as cuts him off from the social integration offered by his life at university. This pervasive suspicion of betrayal brings Hamlet to violently cast aside one of his only remaining relationships of meaning: his budding romance with the gentle and naive Ophelia. Left without social support and integration from parental units, educational life, or a romantically significant other, plagued by doubt and supposed visions of his murdered father, the young Danish prince questions both his own sanity and the purpose of life in general, easily demonstrating Durkheim’s belief in the importance of social
integration. September 17th: Social Structure Unsurprisingly, yet another of our class discussion topics reminded me of the struggles the Sweet Briar community has experienced over the course of the last several months. A titter of repressed laughter circled the conference table at Dr. Shea’s mention of cult leader Jim Jones. Surely I was not the only student to make the connection between the (literal) kool-aid promoting leader and the pushing of the metaphoric, “insurmountable challenges” flavored kool-aid by former interim president of Sweet Briar, Dr. James “Jimmy” Jones. While the former was brought up in our discussion regarding the topic of altruistic suicide, I feel that there are enough similarities for the connection to remain relevant beyond the face level of similarly-named individuals. From my understanding of the Jonestown massacre (based largely on this article: , Jim Jones elevated himself to an untouchable level: everything he said was the utmost truth and any dissent was simply ludicrous. While, of course, James Jones of Sweet Briar infamy was not preaching that our community should commit literal suicide, he did maintain an attitude that lacked room for dissent and promoted a Doomsday mentality. I personally sat in an Honors seminar for three hours, every Monday, with that man. On numerous occasions, he cast his supposedly empathetic gaze around the table to each of my classmates and me and said, “This whole Saving Sweet Briar thing just isn’t going to work; it’s impossible.” The culturally-ingrained portion of my socialization that conditioned me to believe and follow powerful (usually male) figures of authority was constantly put at odds with the alternative data and viewpoints coming from our alumnae efforts. I truly believe that Jimmy Jones’ attitude of defeat greatly impacted the mental states of all Sweet Briar students in his last few months. His utter commitment to his decided narrative, and his tenacious desire to transmit that narrative to all the members of the press and our community, are what called to mind his name during our discussion of altruistic suicide and the mentalities surrounding such instances.
There are many topics deeply hidden in the works of William Shakespeare. One of his greatest pieces of works is the story of Hamlet, Prince of Denmark. Not only are the words of Shakespeare meaningful, but there are also many follow up pieces of literature that contain important interpretations of the events in this play. These works about Hamlet are extremely beneficial to the reader. I have found four of these works and will use them as sources throughout this essay. The first source is “The Case of Hamlet’s Conscience,” by Catherine Belsey, and it focuses on the topic of Hamlet’s revenge in the play. The second source is “’Never Doubt I Love’: Misreading Hamlet,” by Imtiaz Habib, and it explains a lot of information about Hamlet’s “love” for Ophelia. The third source is “Shakespeare’s Hamlet, III.i.56—88,” by Horst Breuer, and it talks in depth about the issue of suicide in Hamlet. The fourth and final source is “Shakespeare’s Hamlet 1.2.35-38,” by Kathryn Walls, and it describes the significance of the role the Ghost plays throughout Hamlet. There are many different confusing parts in Hamlet and the best way to fully understand the play is to understand all of these parts. By understanding every miniscule detail in the play, it creates a different outlook on the play for the reader. In this essay, I will explain these confusing topics, as well as explain why the sources are helpful and what insight they can bring. At the end is this essay, the reader will have a complete understanding and appreciation of the play Hamlet, Prince of Denmark.
While Hamlet may still be feeling depressed Hamlet moves into the stage of denial and isolation. Hamlet feels the effects of denial and isolation mostly due to his love, Ophelia. Both Hamlet’s grief and his task constrain him from realizing this love, but Ophelia’s own behavior clearly intensifies his frustration and anguish. By keeping the worldly and disbelieving advice of her brother and father as “watchmen” to her “heart” (I.iii.46), she denies the heart’s affection not only in Hamlet, but in herself; and both denials add immeasurably to Hamlet’s sense of loneliness and loss—and anger. Her rejection of him echoes his mother’s inconstancy and denies him the possibility even of imagining the experience of loving an...
They decided to invite some of his college friends to watch over him. The Queen offered many thanks for their decision to watch him. “For the supply and profit of our hope, / Your visitation shall receive such thanks / As fits a king’s remembrance.” (2.2.24-26). Claudius asked Rosencrantz and Guildenstern to get answers out of him, making them seem more like spies than helpful friends. When Hamlet shows up to Ophelia’s house, seemingly mentally disturbed, Ophelia tells her father. Polonius decides to tell the King of Hamlet and Ophelia’s relationship that he thinks that may be the source of his problems. The King and Polonius set up a meeting between the two. Seeming to know he is being watched, Hamlet acts very wildly, leading them to believe Ophelia was not the cause of his insanity. The King is not impressed at Polonius. “Love! His affections do not that way tend, / Nor what he spake, though it lacked form a little, / Was not like madness. There’s something in his soul” (3.1.170-72). At this point, Hamlet has started his drastic decline in his mental stability. When he is called by the Queen for a talk, he over hears something behind the draped curtains and stabs through it, killing Polonius. His reaction is not what one would expect, as he does not feel any remorse. Hamlet simply states it was for the best and his bad luck. “Thou wretched, rash, intruding fool, farewell. / I took thee for thy
During the Elizabethan era, the philosophy that established social order was known as the “Concept of Order”, stating that everything had its own place and contributed to a certain position. Elizabethans believed that establishing order was the only way for a civilization to function and progress. This philosophy that governed the minds of many individuals seems to have been a prevalent thought in Shakespeare’s mind, the evidence being the recurring theme of the disorganization in social order. The disruption of social order, as described by the Great Chain of Being, was to be avoided, because the consequences would be destructive. The conflicts that arise throughout “Hamlet” are due to a disturbance in the Concept of Order, resulting in a disrupted social hierarchy.
In the beginning of Hamlet, the Prince behaves as any normal person would following the death of a loved one. Not only is this a loved one, but an extra special someone; it is his loving father whom he adored. Hamlet is grief stricken, depressed, and even angry that his mother remarried so soon after his father’s death. Having witnessed how his father had treated his mother with great love and respect, Hamlet cannot understand how his mother could shorten the grieving period so greatly to marry someone like Uncle Claudius. He is incapable of rationalizing her deeds and he is obsessed by her actions.
With Hamlet having to emotionally deal with his fathers’ death and the stigma of incest in his family, could be his undoing. Hamlet shares how dispirited he genuinely is. Hamlet expounds his heart-ache, but it is virtually like he does not want to kill himself. Towards the cessation of the passage Hamlet seems homogeneous to he has verbalized himself out of committing suicide. Ophelia and the love he has for her seems to be the only thing that is keeping Hamlet from killing himself.
Troubled by royal treason, ruthless scheming, and a ghost, Denmark is on the verge of destruction. Directly following King Hamlet's death, the widowed Queen Gertrude remarried Claudius, the King's brother. Prince Hamlet sees the union of his mother and uncle as a "hasty and incestuous" act (Charles Boyce, 232). He then finds out that Claudius is responsible for his father's treacherous murder. His father's ghost asks Hamlet to avenge his death and Hamlet agrees. He plans very carefully, making sure that he doesn't kill Claudius when in he has already been forgiven for his sins. Hamlet accidentally kills Polonius, the King's advisor, thinking that it was Claudius hiding behind a curtain spying on Hamlet and his mother. This drives Ophelia, Polonius' daughter and Hamlet's love interest, insane. She then drowns in a suspected suicide when she falls from a tree into a river. Laertes, Ophelia's brother, teams up with Claudius and plot revenge on the strained prince.
Hamlet, a young prince preparing to become King of Denmark, cannot understand or cope with the catastrophes in his life. After his father dies, Hamlet is filled with confusion. However, when his father's ghost appears, the ghost explains that his brother, Hamlet's Uncle Claudius, murdered him. In awe of the supposed truth, Hamlet decides he must seek revenge and kill his uncle. This becomes his goal and sole purpose in life. However, it is more awkward for Hamlet because his uncle has now become his stepfather. He is in shock by his mother's hurried remarriage and is very confused and hurt by these circumstances. Along with these familial dysfunctions, Hamlet's love life is diminishing. It is an "emotional overload" for Hamlet (Fallon 40). The encounter with the ghost also understandably causes Hamlet great distress. From then on, his behavior is extremely out of context (Fallon 39). In Hamlet's first scene of the play, he does not like his mother's remarriage and even mentions his loss of interest in l...
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
The play, Hamlet, by William Shakespeare, shows human nature to be greedy, self-involved and vengeful. Claudius is driven by his greed to commit murder. Polonius is always looking out for himself, currying favor at the expense of anyone in his way. Hamlet thinks only of vengeance from the moment he finds out about Claudius murdering his father. Human nature has been all of these things, but it has also evolved through the ages. We can be base and cruel, but we can also show great compassion and kindness.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
In Shakespeare’s Hamlet, the influence of Hamlet’s psychological and social states display his dread of death as well as his need to avenge his father’s death. In turn, these influences illuminate the meaning of the play by revealing Hamlet’s innermost thoughts on life, death and the effect of religion. Despite the fact that Hamlet’s first instincts were reluctance and hesitation, he knows that he must avenge his father’s death. While Hamlet is conscious of avenging his father’s death, he is contemplating all the aspects of death itself. Hamlet’s decision to avenge his father is affected by social, psychological and religious influences.
Most of the worlds cultures follow a patriarchal society and this dates back to the beginning of time. In Hamlet the patriarchal society is clearly depicted by the characters throughout the play. Hamlet is portrayed as an indecisive character when it comes to making a serious decision, for example when he contemplates on killing Claudius. This shows the masculinity and femininity aspect of his character, which offends the ideals in a patriarchal society. Claudius, Polonius, Laertes, Ophelia and Gertrude follow the usual gender roles in a patriarchal society, as for Hamlet, his characteristics come from both gender roles.
Keys to Interpretation of Hamlet & nbsp; William Shakespeare's Hamlet is, at heart, a play about suicide. Though it is surrounded by a fairly standard revenge plot, the play's core is an intense psychodrama about a prince gone mad from the pressures of his station and his unrequited love for Ophelia. He longs for the ultimate release of killing himself - but why? In this respect, Hamlet is equivocal - he gives several different motives depending on the situation. But we learn to trust his soliloquies - his thoughts - more than his actions.