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During the mid-1960s many teenagers started to branch out of their comfort zone and started a path of rebellion with drinking, drugs, and sex. In the movie Smooth Talk takes place around the 1960s and talks about a fifteen-year-old girl name Connie, who spends the summer before her sophomore year fixating on getting male attention. While she is hounded by her mother, Katherine nags her about painting the house and favors her older sister, Connie spends her days going to the mall with her friends. One day, while the rest of her family is having a barbeque, Connie is confronted at home by a handsome, dangerous stranger, Arnold Friend who has been watching her. Throughout their confrontation Connie Learns that she is not prepared for the real …show more content…
world and is trying to grow up too fast. The director Joyce Chopra does a good job of using different cinematic techniques to portray the theme of this movie and the lessons that should be taken out of it. Based on the story Where are you going, where have you been and the uses of close up, lighting, and low angle Chopra are able to do a good job of delivering the message of Connie abandoning her child like fantasy and entering the reality of adulthood. The first cinematic technique that helped portray the message in the movie Smooth Talk is close up.
Close up tends to take up at least 80 percent of the frame and this helps get a feel for what a character is thinking. One example of this technique being used is when Connie and her friends were changing their clothes at the mall. The director did a good job of using this technique because it helped the audience get a sense of a coming of age moment for Connie as she dresses in very short clothing. Another example of this technique being used is the confrontation between Connie and Arnold where you can see Arnold is making Connie get into the car. The director decided to do this to show the innocence of Connie being taken away and consequently to show the audience her vulnerability. The last example that shows close takes place in the scene where Connie is making out with the guy in the car shows another situation of her losing her innocent. The close up shot on Connie shows the emotion of fear and sadness in Connie face. Connie has created an attractive adult persona through her clothing, hairstyle, and moreover her general behavior and nevertheless gets the attention she desires from boys. But Connie confuses her ability to command attention from the boys with her desire to have them pursue her in a sexual way. These close up shots are very useful in showing the detail and emotion of the
character. The second cinematic technique that helped portray the message of the movie was low angle. Low Angle shot, is a shot from a camera angle positioned low on the vertical axis, anywhere below the eye line, looking up. Psychologically, the effect of the low-angle shot is that it makes the subject look strong and powerful. In the movie Smooth Talk one example of the is the scene with Connie and her mom on the outside of the house painting. You can see that her mom is standing on top of the ladder and Connie is standing at the bottom. The director chose to do this because the audience are able to see the level of power Connie’s mom has on Connie and the type of authority she has on her.
In short, while Connie is going through a teenage phase of exploring sexuality, he comes to Connie’s house to
In Edward Scissorhands, a close-up is used on both Edward and Kim’s faces after Edward mistakenly drops a steak in Kim’s lap. This close-up allows for facial expressions to be seen clearly, in turn adding to the emotion of the scene. (In this case Edward’s apologetic embarrassment, and Kim’s annoyance.) As the characters display an obvious emotion, the mood syncs up with the emotions they feel. Similarly, in The Corpse Bride the camera tilts, sways, and bounces as Victor runs from Emily in the world of the dead. This creates a chaotic feel to the scene as tilted shots put the audience in Victor’s shoes as he panics. Finally, in Charlie and the Chocolate Factory a view is used to show Wonka and his tour group, as well as dancing Oompa Loompas while Augustus is stuck in the chocolate tube. Being able to see several different events taking place from above creates a chaotic atmosphere. Juxtaposed, however, by the “unprepared” order of the dance routine taking place below. These aspects work together to help create a suspicious, and chaotic mood to the
Upon the previous scene, Odd’s coworkers invite him over to celebrate his work and retirement. Everyone in this scene is dressed up in all white button up shirts, whereas Odd stays in his regular clothes that he normally wears. While sitting around the table, they all stand up to applaud Odd. The camera moves closely into Odd’s character who continues to sit without saying anything. This close up shows more of the character and the depth that the director is trying to reach within human lives.
This movie portrays the happier side of the 70s when bell bottoms and marijuana were the fashion and drinking and driving had yet to become unthinkable,. Dazed and Confused follows the lives of various groups of teenagers, during the last day of school in 1976, in their hometown. The movie is all about their philosophies on life, work, love and especially their futures, that we never hear about. Among the characters, there is Randall Floyd a young football player, pressured into choosing between being drug-free or authority-free. Then there is Mitch, an upcoming high school freshman trying to fit in, who spends the day running away from the senior hazing team, while attempting to hang out with the older crowd. It’s a time when everyone wastes their lives away in the carefree high school years. The message of the movie is to stand up for what you believe and resist all
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
"Her name was Connie. She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right" (1). This quote shows the reader an astonishing truth about Connie. It shows her true insecurity that is rarely demonstrated to the outside world. Although she does not necessarily show this to the average bystander, by taking a closer look at her premature idea of acceptance, it also shows her constant yearn for approval from others to help boost her ego. At only the young age of fifteen, she is already attempting to prove her maturity and show that she can be independent. She does this by showing off her sexuality and strutting around. By showing off her
...ing Charlie's close-ups portrays a delicate glowing face, which appears frightened and angelic, an obvious contrast to the shadowy right side of her Uncle's face. The lighting scheme on the Uncle's face is a classic cinematic device revealing the duality of his personality. And again we are brought back to duality, one of the most popular themes among this director's films.
followed by close. The film is mostly shot with a closed frame, but there ar...
There is a brilliant use of diagonal dimensions in this scene in the railing behind the hearse, again sending a message of disorganization and anxiety. There is also the use of movement here as a gentle breeze ruffles the hair of the character, almost as a caress, and it is a stark contrast to the underlying sense of danger. The brightly colored almost cartoon-like use of the graffiti hearse and the colorful signs as dominate contrasts suggest that there is bit of hope for the characters in this film. At second 5 the scene changes to a center framed shot with the main character shot at a quarter turn. The subsidiary focus is the characters in the background who also are at a quarter turn. The shot is with a hazy lens to depict their secondary significance to the main character. The lighting used here is both high and low key with the emphasis in high key lighting on the center foreground character to draw the viewer’s eye to him. He also appears taller than the subsidiary characters to reinforce his status as the
For example, in the scene where Margot gets attacked and her hand stumbles on the scissors, the scissors are deliberately kept towards the camera that is right in front of her head. By placing the scissors right in front of the camera, Alfred Hitchcock has tried to create a sense of foreground in the movie as well, and placed the weapon of murder, which is an important object from the story’s point of view, there.
There are many techniques used in films that help to strengthn the plot and rmphasize a certain theme. Usually, to most viewers, these camera techniques go seemingly unnoticed. Yet, this ability to fly under the radar ensures the success of the style, as smooth transitions and clear storytelling are hallmarks of the editing process known as continuity editing. One approach of continuity editing is known as point of view editing. Basically, the viewer is able to see a scene from a character’s perspective. Notably, point of view editing plays a significant role in the film Notorious. With the repetition of point of view throughout the film, Notorious utilizes point of view as a vital aspect of the film, as it provides clues to the viewer, heightens
The first element is Camera distance; it is used in every scene and in every shot. It refers to how far away the camera is to the characters in the scene. Camera distance was developed in order to provide more to the mise-en-scene of a certain scene. “Mise-en-scene encompasses of variety of categories related to the staging of an action”(Belton 47). Camera distance is one of these important factors in making the scene and giving a sense of what you are supposed to be experiencing during the film. Without using camera distance to its fullest the scene or shot may not come across to the viewer as what the director or writer intended. An example of camera distance being used to its potential is in the opening sequence at ricks café. The first shot that we see at ricks is of ricks sign on the ca...
It was a bone-chilling winter morning in Bavaria. My alarm clock rang, and I slapped it to snooze. Oh no, I was not getting up that day. I had just finished the worst school week of my life. If we zoom back to that time two years ago, I was a 14 year old foreign exchange student in southern Germany. Bullying from the kids in school had made my homesickness unbearable. But that’s not all. I eventually became so anxious throughout my exchange that I chewed all the skin around my nails, gained 15 pounds, and finally, had to book my flight back home January 1st.
Connie, a stereotypical fifteen year old girl, views her life and her family with dissatisfaction. Jealous around her twenty-four year old sister, June, despite June’s outward plainness, and tense around her irksome mother, Connie escapes to the mall with her friends. She and her clique of friends feel like they own the place, and the rest of the world: “Everything about her had two sides to it, one for home and one for anywhere that was not home…” (1-2). The sense of freedom intoxicates them.
One popular camera technique used in films is panning. Camera panning can emphasize emotion in films. According to a writer on camera techniques, "Following the subject's gaze down to the floor may symbolize rejection or desperation and loss. The moves work because they are related to your story" (Stevenson). In the movie Requiemfor a Dream, panning came into play in a particularly important scene. Marion, a main character, was walking down a hallway. She just had sex with someone she didn't like to get some money for drugs. The camera was right in front of her face, and portrayed the emptiness in her eyes. She was glancing towards the floor and looked like she was going to throw up. The camera also followed her face so closely, that you could tell how fast she was walking. The panning portrayed her feelings and actions so well, that it made the scene more interesting. It was a lot better than just seeing a view of someone head-on.