Kurt Vonnegut's Slaughterhouse Five
Vs.
George Roy Hill's Movie Adaptation
For the most part, the movie adaptation of the Kurt Vonnegut novel Slaughterhouse Five is a faithfully adapted version that does not veer horribly far away from Vonnegut's own vision. It is no secret that Vonnegut displayed some extremely obsessive tendencies in this novel due to his own experiences as a prisoner of war. For this reason, I did not believe that the movie would be able to accurately display Vonnegut's own personal feelings regarding these issues. However, I felt that the film did a good job of keeping with what Vonnegut had intended to be seen and felt in his novel.
I was extremely surprised by the way in which Hill's movie managed to successfully portray the ideas of the novel which I believed would be nearly impossible to visualize on screen. I had a hard time imagining how it would be possible to show abstract topics such as "being unstuck in time" on a movie screen. However, I came away extremely impressed with the way that Billy managed to travel around different points in his life as seamlessly as he did in the novel. Throughout the novel I actually had a harder time following Billy's travel through time. I came away surprised by this as I imagined it to be much tougher to follow in the movie.
I think that Hill was able to make the time traveling easier to follow by incorporating an aspect that Vonnegut did not use in the novel. In the novel Billy's travels seemed to be completely at random, with him at the mercy of time itself. Hill's tactic for disguising what seemed to completely random and without any rhyme or reason was by making it so that whenever Billy traveled to a different portion of his life, it alwa...
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...hotic man, hell bent on making people thinking he is far superior to them, when in reality he is no better at all then even a chaplain's assistant as helpless as Billy.
Generally, the movie adaptation of the Kurt Vonnegut novel Slaughterhouse Five is a faithfully adapted version that does not veer horribly far away from Vonnegut's own vision. Both mediums tell the story of a teenager stuck in war in his past, in a zoo on a planet for aliens in his future, and of a hapless middle-aged optometrist in his present. I loved the novel, and therefore I was skeptical of the movie before watching, because I have never seen a movie adapted from a book that I have read that I felt did the novel justice. However, this case was different. Thanks to the director staying loyal to the novel which he based his movie on, I enjoyed seeing Billy, as much as reading about him.
Slaughterhouse-Five is a story of Billy Pilgrim 's capture by the Nazi Germans during the last years of World War II. Throughout the narrative, excerpts of Billy’s life are portrayed from his pre-war self to his post-war insanity. Billy is able to move both forward and backwards through his life in a random cycle of events. Living the dull life of a 1950s optometrist in Ilium, New York, he is the lover of a provocative woman on the planet Tralfamadore, and simultaneously an American prisoner of war in Nazi Germany. While I agree with Christopher Lehmann-Haupt that Slaughterhouse-Five effectively combines fact and fiction, I argue that the book is more centralized around coping.
Slaughterhouse-Five by Kurt Vonnegut is an anti-war novel. The reason it is an anti-war novel is because it was stated many times throughout the book. Also, Slaughterhouse-Five by Kurt Vonnegut Jr. is an anti-war novel because the way Billy Pilgrim has to cope with psychotic
In Kurt Vonnegut’s Slaughterhouse-Five, Billy Pilgrim becomes “unstuck” in time. The question here is, why? The fact of the matter is that he does not actually begin to time-travel. Billy “becomes unstuck” as a coping mechanism to deal with his traumatic experiences during the war. Billy attempts to reorganize his life’s events and cope with a disorder known as post traumatic stress (PTSD).
Billy Pilgrim is a chaplain’s assistant. A chaplain in the war’s job is to minister to military personnel, and families working for the military.. Billy Pilgrim’s past comes back for them to relive. As Billy is trying to “reinvent himself” he finds himself frolicking in his childhood at the Grand Canyon (Vonnegut 112). Billy was twelve years old when his mother and father took him on vacation to the Grand Canyon. Billy hated the Grand Canyon is was for certain that he would fall into the Bright Angel Point (Vonnegut 12). Approximately ten days after visiting the Grand Canyon, Billy visited Carlsbad Caverns. “The Caverns had been discovered by a cowboy who saw a huge cloud of bats come out of a hole in the ground” (Vonnegut 113). When
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe
will always end up with the same results- no matter what. Billy could have began to
Billy Pilgrim time travels to various moments in his life at random, which suggests he has no power over his mind and the memories that haunt him. He “is spastic in time, (and) has no control over where he is going next” (Vonnegut 43), as he struggles to make sense of his past. Billy’s ability to remember events in an erratic sequence, mirrors the happenings of war. War is sudden, fast paced, and filled with unexpected twists and turns. Billy cannot forget what he experienced during his time as a soldier, and in turn his mind subconsciously imitates this hectic quality of war. This behavior proves that although the war is over, “psychologically, Billy has never fully left” (Vees-Gulani). For many soldiers, especially those who were prisoners of war (POW), it is inevitable that their mind will not be like it once was (Vees-Gulani).
All the tragic events in war that he had to deal with, such as seeing people get killed and wondering why he got picked to live have tainted his life . For Billy, traveling in the Tralfamadorian world, makes him relief of his guilt, such as mentioned of what Billy wants to be written on his tombstone, "Everything was beautiful and nothing hurt"[p.122]. Billy’s trauma is so severe that he has to leave earth to heal. Tralfamadorian’s believe that time does not go forward and we cannot die. Billy believes that this can comfort those of the earth that are afraid of death. The other dimension that Billy had got his ideas of forth dimension and Trafamadorians are by the science fiction book of Kilgore Trout. One big evidence that came from Tout’s novel that demonstrates that Billy is lying is when he finds one of Trout’s books that he has never read before. "He got a few paragraphs into it, and then he realized that he had read it before-years ago, in the veteran’s hospital. It was about an Earthling ma and women who were kidnapped by extra-terrestrials. They were put on display in a zoo on a planet called Zircon212". [p.201] This Kilgore Trout book is the foundation of his imaginary world. As I have mentioned earlier, Billy starts time traveling after
Kurt Vonnegut, the author of Slaughterhouse-Five, provided a powerful first-hand account describing the horrific events of WWII. Vonnegut recounted the events and wrote about himself through the novels protagonists, Billy Pilgrim. He was pessimistic regarding the novel because he wrote, “It is so short and jumbled and jangled, because there is nothing intelligent to say about a massacre” (Vonnegut 22). However, on the other spectrum critics considered it to be “one of the worlds greatest antiwar books”(Vonnegut Back cover). The controversial novel was published in 1969, which was over two decades after WWII. The time it took Vonnegut to write the novel is an indication of how difficult it was for him to write about the bombings. Vonnegut does not write the novel to portray the narrator as, “John Wayne or some of those other glamorous, war loving, dirty old men” (Vonnegut 14). Instead, he writes about the true chaos’s the narrator endured during his time in Dresden. Vonnegut’s novel consisted of events that reflected major societal and political movements, such as civil rights movements, and antiwar movements, within the United States during the 1960s.
The book, Slaughter House-Five, written by Kurt Vonnegut, is based on the main character named Billy Pilgrim who is a little "lost" in the head. Billy is always traveling to different parts of his life and rarely in the present state. Throughout the book Billy mainly travels back and forth to three big times in his life. In each different time period of Billy's life he is in a different place; his present state is in a town called Illium and his "travels" are to Dresden and Tralfamadore. When Billy is in Illium he is suppose to have a "normal" life; he is married, has two children, and works as an optometrist. Then Billy travels back to Dresden where he was stationed in the last years of WWII and witnessed the horrible bombing. When Billy travels to Tralfamadore he is in an "imaginary" state, everything that happens to him is more like a dream. Through Billy's travels in time he shows that he is striving to find meaning in the events that happened in his life that he is afraid to acknowledge. As Billy says himself, "All moments, past, present and future, always have existed, always will exist," (1) this just proves even further that fact that Billy cannot ever forget any event in his life.
Billy is used to showing that everything happens because of fate. As a prisoner, Billy has no control over his day to day life. While Billy is in Dresden, the city is bombed, because of luck, only Billy and a few others survive the bombing in a slaughterhouse. The people of Tralfamadore tell Billy that humans do not understand time because everything they do is in singular progression.
In Slaughterhouse-Five, Kurt Vonnegut tries to make sense of a seemingly meaningless world by creating a novel whose narrative is more a conjunction of events instead of a linear story. Vonnegut beings his novel with a confession about why he wrote this book, he starts, “all this happened more or less” (Vonnegut 1). As a reader it is alarms are signaled when the author themselves makes an omission about the reality of the tale about to be told. He spends the first chapter giving an autobiographical view into what shaped his life and how this book needed to be written. Vonnegut says he thought he would have a lot to say about the bombing in Dresden that “all [he] would have to do would be to report what [he] had seen” (2). But instead “not many words about Dresden came from [his] mind then—not enough of them to make a book, anyway” (2). So here Vonnegut makes it clear this novel is not explicitly an anti-war book but rather an attempt at making sense of how life
Kurt Vonnegut uses a combination of dark humor and irony in Slaughterhouse-Five. As a result, the novel enables the reader to realize the horrors of war while simultaneously laughing at some of the absurd situations it can generate. Mostly, Vonnegut wants the reader to recognize the fact that one has to accept things as they happen because no one can change the inevitable.
Slaughterhouse Five is not a book that should be glanced over and discarded away like a dirty rag. Slaughterhouse Five is a book that should be carefully analyzed and be seen as an inspiration to further improve the well-being of mankind. Vonnegut makes it clear that an easy way to improve mankind is to see war not as a place where legends are born, but rather, an event to be avoided. Intelligent readers and critics alike should recognize Vonnegut’s work and see to it that they make an effort to understand the complexities behind the human condition that lead us to war.
In Slaughterhouse Five, written by Kurt Vonnegut, the plot focuses on a man who tends to regress back to his childhood, and earlier life, using three important themes. These important themes are the destructiveness of war, the illusion of free will, and the importance of sight. In this novel, Kurt Vonnegut reflects on his experiences in the war in 1945 as a prisoner of war. This man is named Billy Pilgrim. Billy Pilgrim is a former prisoner of war who tends to be stuck in the same mindset as before.