Singkil
This dance takes its name from the bells worn on the ankles of the Muslim princess. Perhaps one of the oldest of truly Filipino dances, the Singkil recounts the epic legend of the "Darangan" of the Maranao people of Mindanao. This epic, written sometime in the 14th century, tells the fateful story of Princess Gandingan, who was caught in the middle of a forest during an earthquake caused by the diwatas, or fairies of the forest. The criscrossed bamboo poles represent the trees that were falling, which she gracefully avoids. Her slave loyally accompanies her throughout her ordeal. Finally, she is saved by the prince. Dancers skillfully manipulate apir, or fans which represent the winds that prove to be auspicious. Royal princesses to this day in the Sulu Archipelago are required to learn this most difficult and noble dance.
There are other versions of Singkil. Perhaps the version more widely performed by dance companies is the "Garden Singkil." The story goes that the princess goes into her garden, accompanied by her slave, and plays with the butterflies, which are represented by the fan dancers. The movements of the fans supposedly represent those of the butterflies, as opposed to the diwatas. In another popular version, the prince uses a scarf instead of a sword.
The Maranao legend of a princess skipping over falling
trees during an earthquake imbues Singkil with a mantle
of magic that this rousing dance scarcely needs.
For with crossed bamboo poles whose claps rhythmically
clash against the swirling of fans and swords and spears,
Singkil weaves a spell that is all its own.
--------------------------------------------------------------------------------
Different interpretations of Singkil invariably present
the regal boldness of a Muslim prince in counterpoint
to the stoic bearing of a princess. Agility, grace,
ardor, a resounding climax...magic!
SINGKIL, a dance originating from Lanao del Sur, Mindanao is said to be a dance of Muslim royalty.
To the rythmic clapping of bamboo poles, the dancers weave expertly through crisscrossed bamboos, the ladies dressed in elegant Muslim costumes waving great big fans, the men flipping brightly colored handkerchiefs right and left.
The dancers wearing solemn faces and maintaining a dignified pose being dancing at a slow pace which soon progresses to a faster tempo.
Legend has it that SINGKIL originated from the day the diwatas(some from of nymph or fairy)played a joke on Princess Gandingan as she was taking a walk in the woods. The diwatas caused an eathquake that made the trees tremble and the rocks to roll and knock against each other.
Further research although, allows us to understand more in depth the importance and history of the Tai-me Sun Dance doll. According to Kiowa Nation, the Tai-me is the most sacred possession of the tribe. The first Tai-me came from an Arapaho man who married into the tribe in the 1700’s. There once was three Tai-me figures which were, the “woman”, the “man”, and another figure, however Osgaes captured the figures but returned them in 1837 when the treaty was signed. Then the Utes captured two of the figures and they never returned. The Tai-me keeper has many important roles in the Sun Dance such as deciding whether the dance will be held and preparing for the dance. This historical context is important and connects with the chapter because it allows the reader to understand Tai-me’s past and importance to the
The dancers did not seem defeated, but slightly emotionally disconnected. I felt like this signified the exhaustion that comes while waiting for the rain. There were several positions that were held in the first part of the dance. I also noticed that flicking motions were a motif in the dance, whether that be from their wrists or their ankles. Morgan Moore first showed this motif as she held her leg up in a tilted position and stared down at the sheet below her. She began to flick her wrists which not only reminded me of one who is flicking the rain off their fingertips, but it looked like a begging
The story explores many vital concepts accompanied by beautiful illustrations. I felt a strong sense of cultural understanding, spirituality and connection to family and land as though I was on this journey too. I could sense an underlying meaning in each dance, holding great importance to Bertie’s family and a strong connection to their culture. Pryor has attempted to fuse the then and now, by speaking of changes in the land, from a once spiritual gathering place, to a now busy town street where through food, they keep the culture alive (Pryor, 2010).
The Folklorico group presentation I was honored to observed was the “Grupo Folklorico Juventud” from North Salinas High School. I decided to attend to this presentation because I use to be part of this Folklorico group. I also enjoy watching the dances for the reason that I believe they are beyond beautiful. It is amazing how a simple dance could transmit so much information while representing a region from Mexico. From my observation experienced, I noticed every region has different movements and customs for a reason. While observing the presentation I noticed most women used long skirts to create different shapes. They usually create the eight shape, half a circle or an entire circle which is created when the dancer does an entire spin while holding and moving their skirt. The skirt is also moved in different levels, such as high, medium, and low. The two levels that are used in most of the dances is the high and the medium level. While dancing the men and women usually do the same steps and movements. All the dances include “zapateados” which are known as foot dances or stomps. The “zapateados” are usually done with different parts of the feet such as the toe, heel and the sole of the feet. The dances include “zapateados” with different sections of the feet because every part creates a different sound. Most of the dances also include jumps and turns. It is extremely important for the
...effectively impersonate the Kachinas during the dancing ceremonies. (Page 340; Cultural Anthropology: 14th Edition; Ember).
In hula dancing, the hands are very important: they tell a story. However, more important are the chants. Chanting is an extension of speaking that started as a means of communicating to the gods. The hula can be performed with or without music, but not without the chant. Bamboo sticks, drums, and gourds, are some of the instruments that are played to support the chanting. The chants are very poetic and have many levels of meaning. They believe chanting is a very personal way of expressing feelings and thoughts on a higher level of communication. The topics of the chants may include warfare, death, sex, birth, chiefs, gods, the beauty of the island and water, or even surfing.
At some points the dancers would move fast and quick with swift motions but in the
The men of the tribe then join in the preparations for the dance by construct sweat lodges, which are used in the ceremony. They also collect other necessities, which are needed for the dance. The first day before the Sun Dance is a very significant day. In the early morning hours a group of men “known for their eminence in their tribe were chosen to look for a (cottonwood) tree with a fork in the top” (“Dance”). Along with this select group went a chosen woman.
The performance sets up the scene with the female dancers dressed as prominent women throughout history such as Rosie the Riveter, Nillie Bly, Mother Teresa, Amelia Earhart, and Florence Nightingale. The women take turns in the spotlight, using their movements to tell their story and significance in history. The story of Amelia Earhart was told symbolically through the performer’s actions. The audience are introduced to Earhart’s love of flying and her aspirations to be a renown female pilot through the performer’s imitation as a graceful plane flying across the stage with glee. However, her story takes a dark turn when she embarks on a quest to prove herself as a capable pilot in spite of being a woman. We see her downfall when her character, as a plane, struggles to stay in flight and eventually tumbles and falls, exiting the stage soon after to show her mysterious disappearance during her quest. The performer playing as Earhart succeeded in portraying her story and her downfall. The dancer’s performance as Earhart was followed by another significant performance which was the dance of Mother Teresa, who took the spotlight with her reserved yet expressive dances. During her dance, Mother Teresa made a notable move where she wanders the stage and places a hand on each of the women in a caring way, like a mother would do to her child. This action she performed in her dance
This summer my family and I visited Branson Missouri, where we witnessed the Acrobats of China. Acrobatics have held a large presence in Chinese culture for centuries now. Several mythological and religious stories performed through acrobatic shows while managing to capture their past history, and still providing a jaw dropping experience.
Andonia, B. (2013, October 23). Dabke – Folklore Dance of the Levant. . Retrieved , from http://www.travelujah.com/blogs/entry/Dabke-Folklore-Dance-of-the-Levant
Different dances came from different cultures in this performance. As I had said before, “Oshun, Goddess of Love”, came from Africa. It arrived in America during the slave trade and has been here ever since. “Paper Moon” came from Japan. The text from the dance came from an adaptation from “Omoiyari”, which is an ancient Japanese dance ritual.
After I began to learn to dance ballet, I found out that these elegant movements actually require a lot of strength, flexibility of the bodies and brain’s participation to make it looked elegant. The dancers’ movements in the performance were so fluent and elegant and it is not hard to imagine how hard they had practiced, stretched and use the strengths to do all the ballet poses with their bodies look longer and longer. Their expressions also impressed me a lot. By looking at their expressions, the audience can easily understand the scenes and blend into the story. The performers actually not only are required to have good dancing skills but also are required to have some talents to be actors. Moreover, they also have to be good at expressing their feelings on the
Also, the performers are constituted with same number of men and women. They imply the importance of equality through the performance. The female and male dancers use the same movements to show that they are equal. The message being conveyed here is important, on the grounds of its social influence and giving the whole performance a deeper meaning. The thing makes dancing different and odd to other occupations is the fact that most famous and well known dancers are mostly females, since on other social circumstances males tend to dominate more realms. Here, besides all the female masters, the male dancers appear as much as the female artists do and they also showcase what they are capable of. As I watched more of the performance, the interactions between dancers and the LED lights became more appealing to me. Dancers use their bodies to interpret the connections between human beings and technology. Moreover, the background music also plays a vital role in the production of this whole piece of art. The tempo of the music, the dance movements, as well as the frequency of the lights going on and off together appeared to the audience as a desirable combination. I love how the dancers do every movements according to the rhythm of the music and how they two fit perfectly. All of those things together made a great show to watch and
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By