The Madonna and Child with Book was on of the many images I looked at when I went to Norton Simon Museum. The title does help me interpret what I see because that is literally what it is. The subject matter is that Madonna is showing a motherly side in this painting which is why it makes it so iconic to remember. Raphael has depicted more than just a gorgeous image of the Madonna and Child; he has created a reflection piece. It is also depicted as narratives and vivid skills with stories and storylines of Christ’s birth in a cave or a stable surrounded by harsh shepherds or richly-dressed Magi and the Holy Family’s escape into Egypt. It is a medium size painting, and it is illustrated oil. In this painting, the balanced, composed figures are …show more content…
The value of the paint is amazing as well, it definitely shows a lot of value. The shape of the bodies are proportioned nicely, and nothing seems out of the ordinary. The form of the painting seems to show just like any other normal painting you would see. The spacing arrangements also help to tie everything together because it gives us as the viewer a feeling of depth and sense of where the piece was painted. In the center of the figure, Madonna has the child wrapped within her arms. Also, the space within the painting is shown equally, nothing is too big or too small, it is just about right. The color is shown within the painting are remarkable because they show the pigment in every single color. The texture seems to be just about perfect, the faces do not look like as if they are messed up in any sort of way. The painting to me seems a bit cartoon like and not so much realism, I mean there is some sort of realism but more abstract because there is not as much expression in the face or body language. The blue arch of the Madonna's shadows encloses the figure of the Child and the book, which emphasized by the touching hands that hold the
The Sistine Madonna in the Royal Gallery at Dresden, Saxony The most beautiful picture in the world is the Sistine Madonna in the Royal Gallery at Dresden, Saxony. It was painted by Raphael as an altar-piece for a church in Piacenza, Italy. In a far corner of the great Palace of Art it is now placed, probably to remain until the colors shall fade. It is the only picture in the room. The figures are of life size.
Madonna and child is one of the early Christian paintings. It shows “Madonna” as the virgin Marry and the “Child” as baby Jesus. The artist Berlinghiero did this great painting in the Greca period in the twelfth century. This painting was done on wood with two figures in front of a gold background. Madonna is wearing a dark blue cloak with golden decorations that cover most of her body; she is also wearing a reddish dress underneath her cloak that is only visible on her arms. To show here modesty the only thing that can be seen is here arms, neck and face. Her hand has and unrealistic look to them so as if they look long and skinny. According to the museum label “Berlinghiero was always open to Byzantine influence, and this Madonna
The mixed reaction I have towards the painting is because, first off, I still wouldn’t know what is really behind it or what it’s trying to tell us without looking at it from a distance. When I looked at it from a computer desktop I could see a shoe, a mountai...
The depiction of Madonna and Christ is among the most ancient and common in Christian iconography and has an extensive number of variations because apart from its symbolic religious functions, it allows one to interpret the link between mother and child in many aspects. (8)
The three basic prototypes for the “Beautiful Madonna”, Krumau, Thorn, and Breslau, are all very similar, with graceful postures, made of the same material, approximately the same height, and around the same time period. Of these, the Madonna of Krumau is considered the best and most famous. A stone sculpture, 4’3”, dating to approximately 1390-1400, it was created by a Bohemian artist who focused on Schone Madonna figures. This piece “embodies the beau ideal as the chaste princess of the Late Gothic age.” (p.31 textbook) Mary has a poised head on a long neck emerging from narrow shoulders, with a charming face and high forehead. Her long fingers gently, but firmly grasp her young son, while he makes eye contact with the viewer. The Madonna’s drapery is poetic in abstraction, a Schone Madonna style characteristic. The gentle “S” curve of her body allows for elegant cascades of draped cloth. (p. 31 textbook)
Raphael’s painting is arranged with the Madonna in the middle and the two infants placed in her arms and at her feet, allowing for them to capture the viewer’s attention as well. There is no one focal character, as each is placed to draw attention to all three of the characters as a whole, something that is not seen in Titian’s Venus of Urbino. In Titian’s, Venus of Urbino, Venus is clearly intended to be the main focal point, whereas the two other characters in the background are meant to support but not overpower Venus herself. The differentiation between these two character placements in each painting is extremely important when it comes to determining the overall meaning and understanding what the artist was trying to portray with their works of
“Until justice is blind to color, until education is unaware of race, until opportunity is unconcerned with the color of men's skins, emancipation will be a proclamation but not a fact.”(Lyndon Johnson). For generations in the United Stated, ethnic minorities have been discriminated against and denied fair opportunity and equal rights. In the beginning there was slavery, and thereafter came an era of racism which directly impacted millions of minorities lives. This period called Jim Crow was the name of the racial caste system up in till mid 1960s. Jim Crow was more than just a series of severe anti-Black laws, it became a way of life. Under Jim Crow, African Americans were positioned to the status of second class citizens. What Jim Crow did is represented the anti-Black racism. Further on, In 1970’s the term “War on Drugs” was coined by President Richard Nixon . Later President Ronald Reagan officially declared the current drug war. In reality the war had little to do with drug crime and a lot to do with racial politics. The drug war was part of a strategy of used by the government. The President identified drug abuse as national threat. Therefore, they called for a national anti-drug policy, the policy began pushing for the involvement of the police force and military in drug prohibition efforts. The government did believe that blacks or minorities were a cause of the drug problem. They concentrated on inner city poor neighborhoods, drug related violence, they wanted to publicize the drug war which lead Congress to devote millions of dollars in additional funding to it. The war on drugs targeted and criminalized disproportionably urban minorities. There for, “War on Drugs” results in the incarceration of one million Americans ...
“The Met’s very own Mona Lisa” (Tomkins 9). That is what Duccio di Buoninsegna’s Madonna and Child painting is known as today. “The Metropolitan Museum of Art bought the Madonna and Child for forty-five to fifty million dollars” (Tomkins 1). However, the painting was not always in public hands; in fact, the Met purchased the last known work of Duccio in private hands. Originally, the painting was held in the private hands of Adolphe Stoclet and his wife. When the couple died, their house and their collection went to their son, Jacques who held onto the painting, and passed it down to his daughters who lent it to an exhibition in Siena of Duccio and his school. The painting was eventually withdrawn from the exhibition and sold (Tomkins 2). Madonna and Child painting dated 1300 and was painted by Duccio di Buoninsegna a Sienese painter, who is considered the founder of modern Italian painting. I chose to research this painting because the subject matter of religious imagery and symbols interests me. Also because when I looked at the painting the emotion on the Madonna’s face almost jumped out at me. It is as if, she is looking at her newborn child with this deep sadness, which almost makes you think that the painting is foreshadowing the death of Jesus Christ. In addition, the burns of the side of the frame peaked my interest, as to why they were there. Art critics were also interested in this work they even consider Madonna and Child one of Duccio’s perfect works, and it said to be worth all the other paintings exhibited under the name of Duccio (Christiansen 14). The Madonna and Child painting’s iconography, imagery, emotional appeal to the viewers, and meaning all make this painting still a great work of art today.
The Painting Martha and Mary Magdalene is one of the many masterpieces in the DIA’s collection in Detroit. Although there is much more to understanding a work of art then just looking at it. In order to understand a piece, you have to understand the Artist, the time period, and the symbols in that painting that may have very different meaning today.
In Giotto’s Madonna and Child Enthroned I see an older renaissance painting of a woman and her child. The child is sitting on the lap of his mother who is sitting on a large burgundy throne in the middle of the painting. The woman is dressed in a navy cloak while her child is clothed in a pink robe. Above the child’s head there is a yellow circle. This circle is a renaissance symbol for religious leadership or importance. Surrounding this throne are a gathering of angels. There are exactly seven angels on each side worshiping this mother and child. The background consists of a yellow brick pattern.
I decided to examine your painting because it stood out the most. The first thing that caught my attention was the choice of colors you used in your painting. The colors seemed very bright, I didn’t see many dark colors in the painting and by dark colors I mean black, something that shows sadness. The clarity in your painting was absolutely fabulous. I have seen many painting where the artist seems to hide images. A lot of paintings seem to open up more when you see them more then once, but your painting seemed very clear.
One of Piero della Francesca’s well known paintings known as, Madonna and Child with Two Angels (Senigallia Madonna), is a piece that caught my eye while browsing The Metropolitan Museum of Art located on the Upper East side of Manhattan. This piece, created circa 1478 was done in Sansepolcro, Italy and was executed with oil paint on wood sized at 24 in. x 21 1/16 in.. Piero della Francesca’s biblical portrait of the Virgin, Christ, and angels is a central icon in the Catholic church specifically of the Renaissance (rebirth) in Italy. Throughout this piece, there is an underlying theme of the Virgin Mary’s son, Jesus Christ as he is intimately represented. It is an iconic scene that has been depicted by many different artists of the Renaissance but the way that Piero della Francesca represents his iconic piece differs in that it is more than a portrait, it is a scene of the Virgin Mary and her child being blessed.
Leonardo is one of the few people who has the ability to make these qualities seem so perfect under his hands. His artworks are by far the most popular pieces of art that are in museums to this day. Recently a popular painting “Salvator Mundi”, painted between 1490-1500, has been placed up for auction and is estimated that the painting will sale for at least $100 million. This is just one of 16 surviving paintings that have made it through the years and it’s not even the most popular one. The Mona Lisa is the most popular painting by anyone to this very day. It was painted in the year 1503 and is famous for multiple reasons. One being that da Vinci didn’t just paint this ordinarily, but in a technique called sfumato and it was painted in atmospheric perspective as seen in the background. The technique sfumato is the blending of oil paints to blur the lines between colors. Atmospheric perspective was a new painting style where things far away in paintings looked blurry and this style was used in the background of the Mona Lisa. The word mysterious is associated with this painting and others that have come from his works. The smile that is presented in the Mona Lisa is somewhat puzzling in its own way and the person depicted in the painting is still not 100% known to experts to this day. The eyes that are on the Mona Lisa seem to watch and follow you when you look at the painting. One of the weird myths that
During the Renaissance, the Virgin Mary was prevalent theme throughout this period where artists such as: Fra Angelico, Leonardo da Vinci, Raphael, Bothicellical and Perugino were inspired to paint the Virgin Mary. The paintings show a motherly pleasant looking women holding or caring for her child. The paints are capturing the Mary as a human but giving her a divine appearance. The child being Christ shows her power by giving birth to him and by caring for the Son of God. In essence providing love, caring, and protection for the young child of God. For example, plate 15 and frame 23, these plates show a compassionate caring mother that is humanistic in depiction but larger or more encompassing of the painting than the Christ child. This is implying her importance in the early life of Christ. This also shows the power or her earthly influence over the child even though she is a human and not a deity. This gives her a special place in the church as the earthly Mother that is the most perfect of humans, other than Christ.
John the Baptist, the main figures of Madonna, child and young St. John have strikingly unrealistic “perfection in the art of painting as a richness of invention, absolute familiarity with anatomy, and the reduction of difficulty to facility”. Every feature, especially in the faces of the child and St. John are abnormally pronounced for young children. The eyes of all three seem empty and sunken in, due to the heavy shading around the eyes. All their facial features are that of a human, but not quite: noses more elongated, lips fuller, chins rounded and eyebrows perfectly crescent moon shaped. The figures proportions in general have a muscular yet, rounded quality to them, symbolic to the human figure almost like a masking of artificiality.