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Throughout the novel, “Their Eyes Were Watching God”, Zora Neale Hurston uses colors and other symbols to describe the state of relationships, feelings, and even show a certain point of view. As Janie goes through relationships, she encounters different colors. Hurston also shows us Janie’s feelings within those relationships as well as the common view of the world on Janie. Next to the colors, Hurston uses other symbols to show the reader even more specific meanings. This is first seen in her first marriage. After being forced to bond with Logan Killicks by her Nanny, Janie is upset at her situation. She sees “the world with red daggers” and “shadows [that] were gray and solid-looking around the barn”. Janie sees the world in many ways; …show more content…
The yellow mule and Janie share many similarities. Both the mule and Janie were lighter in color than the others of other kind to show their difference. Yellow mules are not rare, but they are not common either like biracial people. Both the mule and Janie were deprived of a source needed in life. The mule is said to be “skinny” in the book and people tease the owner for not feeding him. Likewise, Janie was deprived of love in her relationship with Janie making her almost lifeless like a starving mule. With a starving heart and belly, they both work to the days end, not seeing much fun. Hurston write in the book, “see the devil plowing Matt Bonner all day long in a hell-hot sun and laying the rawhide to his back.” According to this quote, the reader could infer that the mule was work in a similar way and that this way caused the mule pain and suffering. Janie was also not allowed to leave the shop. Jody never let her go to outside the town, give speeches, join conversations on the porch, or let down her hair. Even when the mule, died and the whole town went to have a funeral. Jody told Janie to stay at the store. They shared a similar oppression by a man that was given power over them by the world. Out of all the resemblances between Janie and the yellow mule, the way the mule died was the most significant. The mules end was just like Janie’s beginning. The mule died under a tree, lying on its back as it to look up at the tree or the sky. Janie laid on her back under a tree in the beginning of the book as well. Hurston describes Janie’s feeling under the tree as “a flute song forgotten in another existence and remembered again”. Janie comes to a realization when under the tree in the beginning, just how the mule realizes his death under the tree. The mule turned on his back because he knew death was coming, otherwise he would have been on his side as one of the characters described it. In the same way,
Janie sees Logan Killicks' perception of marriage. In the beginning, it seems like that Logan is a very nice man, who is always treating her well. “Janie felt glad of the thought, fo...
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
Their Eyes Were Watching God, written by Zora Neale Hurston, revolves around the small town world of Janie, a vibrant yet oppressed woman. The reader is taken through Janie’s experiences, which elicit tremendous emotional growth in the heroine. Their Eyes Were Watching God is teeming with symbols; however, one of the most prevalent symbols is Janie’s hair. Her hair conveys far deeper themes that the novel is imbued with. Described as long and flowing, Janie’s hair symbolizes her vivacity and free will; however, it also conveys the theme of being ostracized from a community you belong in. Janie’s hair, although lauded, gives her an appearance that is of stark contrast to the rest of her community.
The character Janie in Zora Neale Hurston’s novel Their Eyes Were Watching God is portrayed as a woman who has a modern mindset that is much too advanced for her thinking. Janie does things that raise much controversy with the community and endures situations that would be deemed inhumane in today’s society. Examining the abuse, oppression and criticism Janie undergoes in Zora Neale Hurston's Their Eyes Were Watching God from both a contemporary woman's viewpoint and an early twentieth century woman's viewpoint reveals differences, as well as similarities in the way people respond to events.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Matt Bonner’s yellow mule was the talk of the town, Eatonville. Janie enjoyed the conversations and wished to participate but, “Joe had forbidden her to indulge.” (Hurston 53) Here Jody is try to silence Janie. She had no say in the conversation. This shows she wasn’t allowed to do the things men were allowed to do. He found alternative ways to keep her busy. . As Karla Holloway states, “He [Jody] sets out to curb what he sees as the “wildness” in Janie’s spirit. (Holloway 65) The mule talk turned into “mule-baiting.” Janie expressed her disapproval, “They oughta be shamed uh theyselves! Teasin’ dat poor brute beast lak they is! Done been worked tuh death; done had his disposition ruint wid mistreatment, and now they got tuh finish devilin’ ‘im tuh death.” (Hurston 56) Here Janie is sympathizing with the mule because she identifies with it. Janie feels like objectified by society, especially in her marriage. Though Jody buys the mule from Bonner, it was just another way to declare his power. He “buys the animal and pastures him just outside his store, as a gesture of largesse, but we realize this ironically creates more of a display of power. (Lowe 170-171) Jody has the power to free the mule and he could have freed Janie but instead enslaved his wife. Add concluding
Janie's first marriage was to Logan Killicks when she was just a young girl at the age of seventeen. Janie?s wardrobe mainly consisted of aprons and work clothes. Logan was very demanding and controlling over Janie, he made her work in the field and cook all day. Most of her time was spent cooking and she almost always wore her apron. ?That made her feel the apron tied around her waist. She untied it and flung it on a low bush beside the road an walked on??(page 32). Janie threw off her apron while she was leaving Logan, symbolizing how she was no longer under his control and she was now back on her journey for love.
The first way the author uses symbolism to show the overall theme is with color. Numerous times in the novel Janie is wearing a different color ostentatiously depending on what is taking place. Although the message is oblique, most can find meaning behind it. Starting in the first chapter the color Blue is mentioned. “ … Where's dat blue satin dress she left here in?” (pg.2) This is the beginning where Janie is coming back with nothing and the towns women are gossiping about her status and appearance. Even later the author shows that she wears blue because of Tea Cake, “Wait till you see de new blue satin Tea Cake done picked out for me tuh stand up with him in.” (pg. 115) Traditionally the color blue represents 2 depth and stability. It can also symbolizes trust, loyalty, wisdom, confidence, intelligence, faith, truth, and heaven. From early on Hurston is indicating that Janie will be some of those traits and through out the novel the reader realizes that Janie is actually loyal, stable,wise, and confident after she is introduced to Tea Cake.
Zora Neale Hurston an early twentieth century Afro-American feminist author, was raised in a predominately black community which gave her an unique perspective on race relations, evident in her novel, Their Eyes Were Watching God. Hurston drew on her on experiences as a feminist Afro-American female to create a story about the magical transformation of Janie, from a young unconfident girl to a thriving woman. Janie experiences many things that make her a compelling character who takes readers along as her companion, on her voyage to discover the mysteries and rewards life has to offer.
This represents the positive effects of Joe’s death because Jamie finally feels safe and secure and most importantly, free. All though, she conceals her true feelings and thoughts from the town in fear of becoming socially un-accepted. At the funeral, Janie becomes “a wall of stone and steel”, where she shows no emotions, a gray face covering up the colorful feelings going on inside. In addition, Janie tries to rid herself of the objects that remind her of the things that represent the control people have over her. The narrator says, "Before she slept that night she burnt up every one of her head rags and went about the house the next morning with her hair in one thick braid swinging well below her waist" (89)....
In Their Eyes Were Watching God, Zora Neale Hurston portrays the journey of Janie Crawford as an African American woman who grows and matures through the hardships and struggles of three different marriages. Although Janie is an African American, the main themes of the novel discusses the oppression of women by men, disregarding race. Janie gets married to three different men, aging from a young and naive girl to a mature and hardened women near the age of 40. Throughout the novel, Janie suffers through these relationships and learns to cope with life by blaming others and escaping her past by running away from it. These relationships are a result of Janie chasing her dreams of finding and experiencing true love, which she ultimately does in the end. Even through the suffering and happiness, Janie’s journey is a mixture of ups and downs, and at the end, she is ultimately content. Zora Neale Hurston utilizes Janie’s metaphorical thoughts and responses of blame and escape, as well as her actions towards success and fulfillment with her relationship with Tea Cake, to suggest that her journey
In Zora Hurston’s, Their Eyes Were Watching God Janie Crawford was an attractive, confident, middle-aged black woman. Janie defied gender stereotypes and realized others cruelty toward her throughout the novel. Behind her defiance was curiosity and confidence that drove her to experience the world and become conscious of her relation to it. Janie’s idealized definition of love stemmed from her experience under a pear tree, an experience that was highly romanticized and glamorized in her sixteen year old eyes. Janie’s ability to free herself from the confining, understood, stereotypical roles enforced upon her allowed her to not only find true love but define true love as well.
...w behind Joe in his shadow, Janie experiences a loss of identity because, like Logan, her husband treats her as an object—a thing no smarter than livestock that only serves to make the life of its owner easier. He commands that she tie up her beautiful hair in an old rag, showing that no matter how many times Janie attempts to assert her opinion, Joe will always have power over her. Joe perpetuates his wife’s submission until he becomes decrepit and sick. His death brings Janie’s independence, and she lets down her hair to demonstrate her regained liberation. No longer willing to “run off down a back road after things,” the empowered Janie will only settle for her horizon (Hurston 89). Janie’s oppressive marriages to Logan Killicks and Joe Starks take away her freedom of expression, but her unrestrained voice returns after she escapes these poisonous relationships.