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In Zora Neale Hurston’s “Their Eyes Were Watching God” and “Sweat,” Hurston uses the characters Janie Crawford and Delia Jones to symbolize African-American women as the mules of the world and their only alternative were through their words, in order to illustrate the conditions women suffered and the actions they had to take to maintain or establish their self-esteem. Hurston first introduced the mule in “Their Eyes Were Watching God,” to function as a symbol of the ongoing conflict women have faced with as they struggle with being worked hard, oppressed and mistreated. Janie’s grandmother, Nanny, grew up in slavery and the associated of bondage. She informs granddaughter, “So de white man throw down de load and tell de nigger man tuh …show more content…
Matt Bonner’s yellow mule was the talk of the town, Eatonville. Janie enjoyed the conversations and wished to participate but, “Joe had forbidden her to indulge.” (Hurston 53) Here Jody is try to silence Janie. She had no say in the conversation. This shows she wasn’t allowed to do the things men were allowed to do. He found alternative ways to keep her busy. . As Karla Holloway states, “He [Jody] sets out to curb what he sees as the “wildness” in Janie’s spirit. (Holloway 65) The mule talk turned into “mule-baiting.” Janie expressed her disapproval, “They oughta be shamed uh theyselves! Teasin’ dat poor brute beast lak they is! Done been worked tuh death; done had his disposition ruint wid mistreatment, and now they got tuh finish devilin’ ‘im tuh death.” (Hurston 56) Here Janie is sympathizing with the mule because she identifies with it. Janie feels like objectified by society, especially in her marriage. Though Jody buys the mule from Bonner, it was just another way to declare his power. He “buys the animal and pastures him just outside his store, as a gesture of largesse, but we realize this ironically creates more of a display of power. (Lowe 170-171) Jody has the power to free the mule and he could have freed Janie but instead enslaved his wife. Add concluding
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
Oprah Winfrey mutilated the classic novel, Their Eyes Were Watching God written by Zora Neale Hurston by turning the movie into a story with no resemblance to the book. Throughout Janie Crawford’s life, love is a dream she wished to achieve. Oprah makes changes to Janie’s character, her marriages, and the differences of symbolism, the change of themes, and the significance of Janie’s childhood which will alter the entire moral of the story. Another difference is the way the townspeople gossip. Oprah changes the point of Janie’s life journey to find herself to a love story.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
The main character in Zora Neale Hurston’s “Sweat” is a black woman who resides in the South that clutches on to her belief in God to help her get through the suffering that she endures from her abusive and adulterous husband, Sykes. “Sweat” is full of religious symbolism that demonstrates that Hurston was using the theme of good vs. evil in the short story.
Karl Lagerfeld stated, “Fashion is a language that creates itself in clothes to interpret reality.” In Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie wears several different types of clothing which signify the important moments in her life. Each article of clothing outlined in the book suggests Janie’s inner self and the feelings she has at those particular moments of her life. For Janie, when told to wear certain articles of clothing, whether a head rag, an apron, or white clothing six-months after Tea Cup dies, Janie’s confidence and inner self struggle because these are particular pieces of clothing she would rather not wear. All of Janie's clothes represent her search for love and describe each relationship. Janie
Early in the novel, Steinbeck presents a direct contrast to the Joads, Muley Graves. Muley Graves’ name and actions accurately portray Steinbeck’s idea of a man resistant to change and fearful of new challenges. The name of this character has a distinct significance. The first name Muley can be related to mule, and then linked to the saying “stubborn as a mule”. By analyzing this name further, the reader can determine that Graves also has a meaning. Grave is symbolic to grief or death, both of which this character endures. Meaningful actions could only follow a name of such significance, and this is true with this character. Even though Muley’s family has left him for “easy livin’ “ in California, he refuses to get off “his” land. By refusing to leave for pride reasons, Steinbeck tries to justify Muley’s stubbornness when he is really terrified of leaving his land and having to change his life style. Muley’s refusal to adapt results in him being transformed into an animal with hi...
So many people in modern society have lost their voices. Laryngitis is not the cause of this sad situation-- they silence themselves, and have been doing so for decades. For many, not having a voice is acceptable socially and internally, because it frees them from the responsibility of having to maintain opinions. For Janie Crawford, it was not: she finds her voice among those lost within the pages of Zora Neale Hurston’s famed novel, Their Eyes Were Watching God. This dynamic character’s natural intelligence, talent for speaking, and uncommon insights made her the perfect candidate to develop into the outspoken, individual woman she has wanted to be all along.
In the short story, “Sweat”, Zora Neale Hurston demonstrates the harsh life of a religious, African American woman named Delia, who withstands the continuous mistreatment of her abusive husband, Sykes, and finally, after several
Beneath the lies a hidden history of unorganized, everyday conflict waged by African-American working people. Once we explore in greater detail those daily conflicts and the social and cultural spaces where ordinary people felt free to articulate their opposition and power in African-American "folk" communities. Folklore's function as an everyday form of resistance in the Jim Crow South. Zora Hurston, narrative frame is far more supple than has previously been acknowledged. She gave the title Mules and Men a depiction of comparison of African Americans in the South(niggers) to mules. The mule is a work horse that is not used for speed, but known for eats weak minds and strong back. Hurston brings a clear view of the strong minds that enable this culture to thrive.
Our society expects women to generally serve men, to please men with their beauty, to be that innocent mind that depends men tremendously depend on, to be the helpmate any men would wish to have, and to be the girly woman we men dream of having. That said, when looking at “Sweat” through the feminist and historical lens, Hurston explains the idea of a sexist society full of men exploiting and breaking down women until they dispose them.
Shortly after in 1935 the second book of the collection “Mules and Men.” “In writing Mules and Men, Hurston not only found a way to make a crucial bridge between her anthropological and literary ambitions but also created a lasting treasure of stories that captured the authentic voices of southern black storytellers in the late 1920’s.” (Magill). The book is broken into two parts. The first part is...
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
Power dynamics control the way that our lives work. In Their Eyes Were Watching God, Janie experiences marital relationships with power hungry men. As Janie moves from relationship she slowly gains more power and discovers the importance of the power she is receiving. Janie longs to be freed from her controlling partners as she learns of the benefits of freedom, like decision making. When Janie first grows up she begins to fantasize of what lies beyond her grandmother’s gate, specifically marriage. Janie’s lack of knowledge of marriages, cause her to struggle through her relationships with Logan, Jody, and Tea Cake, allowing Janie to have a self-revelation, [and discover marriage is not easy and the perfect fairytale she thinks it is].
But soon she is off, true to her free-minded self. It is interesting to note that Hurston does not dwell on the socio-economic situations (i.e., slavery, poverty) that bring about the two rapes, as another black author (perhaps Richard Wright?) might have done. Hurston instead focuses on Janie’s very real, very necessary search for self-fulfillment. This kind of focus was not common in Black literature at the time of the writing (early 1930’s), and Hurston drew much criticism for what was seen as a refusal to address the social, economic and political issues that preoccupied her contemporaries such as Wright and Ralph Ellison. However, it can be argued that what Hurston was attempting, a portrayal of a culturally “self-sufficient” black community, was just as necessary for a full realization of Black consciousness as was the “protest” literature of the Harlem Renaissance.
Zora Neale Hurston’s short story Sweat is a visceral reminder of the acute oppression and sexism women have always faced in American society. The protagonist of the story, Delia, is married to a cruel and angry man named Sykes. Through a depiction of their married life, this short story shows that despite patriarchal oppression, women have exercised their agency and resisted in a myriad of ways. The story begins with Delia, a working Black woman in Florida, who is a white woman. It is a warm spring day and she is sorting and soaking the clothing she washes for the white residents of her town.