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Recommended: Free will vs fate
When dogs are taken outdoors to walk, they become very eager and want to keep going to find a fire hydrant, a tree , another dog, a squirrel, or something else going on in the neighbourhood. It is true that human beings have this same quality of wanting to find out what will happen. Sometimes, we know what will happen; however, other times we do not. Sometimes it can be pleasant, like falling in love at first sight, getting married, and living happily ever after - or it can be unpleasant, for example, falling in love at first sight and getting thrown into an arena to get punished. At times, it can be easy for one to wish they could avoid those unpleasant events - and even wish to avoid fate altogether. However, as it is shown in the short …show more content…
This story takes place in late medieval Europe during the Spanish Inquisition. The narrator, a heretic is sentenced in a cell with a large pit in the center of it and a pendulum that swings closer and closer to his body with every minute that passes. The heretic tries everything to avoid his death. This includes an escape from the board he is strapped down to, with the help of the several rats that live in the pit and are emerging from it, that eat through the bandages that tie him down. This is obviously the narrator’s attempt to avoid fate. But, later on in the story, the reader learns that fate is inevitable, and so does the heretic. He basks in his freedom for a few moments, before noticing that the floor is detached from the walls around it, and there is light shining through. He notices, “[This light] had now assumed, and [was] momentarily assuming, a startling and most intense brilliancy, that gave to the spectral and fiendish portraitures an aspect that might have thrilled even firmer nerves than my own. Demon eyes, of a wild and ghastly vivacity, glared upon me in a thousand directions…” The “demon eyes,” the devils between the walls and the floor, are fate. They are creeping up on him to teach him a lesson in its inevitability. However, the lesson does not stop there. The room begins to close in on him as fate creeps closer: “The …show more content…
They may believe that it is avoidable in certain cases. However, this is untrue; fate cannot be avoided no matter how hard one tries. The 1950s television sitcom “I Love Lucy” shows this very well. The show revolves around the crazy antics of housewife Lucy Ricardo and her Cuban bandleader husband, Ricky, and their neighbors who are both their landlords and their best friends, Fred and Ethel Mertz. Lucy often finds herself in sticky situations, but she has the brain to weasel out with them. For instance, in the Season 6 episode “Lucy Does the Tango,” Ricky explains that, if the Ricardos’ chickens do not lay eggs, he will have to sell them. Lucy doesn’t want the chickens to be sold, and so she buys eggs at the local supermarket. But just as she is about to set them outside with the chickens, Fred comes in and she ends up having to hide the eggs in her blouse. Then, Ricky enters the room and wants to practice a dance number with Lucy that they will perform together for their son’s school PTA. The end of the dance number involves a twirl in which Lucy comes into full physical contact with Ricky while twirling back in after twirling outward. Lucy is very hesitant and slowly walks toward Ricky, obviously trying to avoid her fate. She takes the avoidance a step further by gently pushing Ricky away from her and saying, “Honey, if we’re going to be dancing for the PTA, we should be dignified -we should stand two feet
Seated in his fire-filled chair, the devil dominates the bottom-center of the painting. With the very dark lighting the mood towards this half of the painting is dark, gloomy, lonely, and unpleasing. Frankcen illustrates the true biblical message of hell. What is very interesting about this painting is how hell is extremely large, filled with a mass of people, and takes up about half of the painting. However, some of the people are babies. This alludes to the fact that some people are could possibly be born evil and that their fate is inevitable. A majority of the people set in hell are still looking up worshiping heaven while regretting their mistakes. The painter is trying to illustrate how many people do not make the right choices and end up miserable. The way Fans paints hell in this picture is very similar to the way Dante describes hell in this book The Inferno. Even though there are not nine layers of hell in this painting the descriptions are quite similar. The people standing in line waiting for their punishments, the dark gloomy vibe, and a mixture of young and old souls, are represented in the painting and in Dante’s story (1614-1702). Francken’s goal when interpreting hell is to not only make his viewers fear it, but come to the realization that is where a majority of people end
The Romantic Period in American literature seems to be anything but romantic. That is, unless you love death and the devil. Edgar Allen Poe, Nathaniel Hawthorne, and Washington Irving wrote short stories about the devil and dying during this time. These writers do write about them in slightly different ways. Edgar Allen Poe's famous short story, "The Pit and the Pendulum," is about a man and "the dread sentence of death." As he is before the judges, the "thought of what sweet rest there must be in the grave" comes to his mind. The man passes out and then wakes up in a dungeon. He tries to figure out how large the dungeon is and finally gets brave enough to try to go across the room, but in the middle of the dungeon, he finds a well. At the well,
In final conclusion, one could confidently argue that Fate is unjustifiable, but Fate is in no sense impossible to defeat. To break the bonds and limitations of Life, the handiest tool is the courage among the stragglers. In Reality, there are factors that are outside the physical variances; and that is the strength within our minds, which aims not to those material benefits, but the refinement of our Bravery through the journeys. And this goal should be the highest pursue of a wise person, who must care little of the difficulties posted by external forces, and conquer those difficulties with high spirits and become a stronger being.
Have you ever watched a movie and been dissatisfied, because it was not similar to its book? There are multiple movies that seem as if they are their own story, for they don't resemble their book at all. For example, “The Pit and the Pendulum.” by Edgar Allen Poe. He, himself would not approve of the film that follows his story. For one thing, the storyline was no where near to being like his book. Another reasoning is that he wrote based of one man not multiple people. And finally, he wouldn’t of approved of the art on the walls in the room with the pit and pendulum. These are the reasonings of why Poe would not appreciate the film.
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
violent against neighbor, self, God, nature, and art; each with their own punishment. Although Ward's vision of hell draws much from the traditional thinking of Dante's version, perhaps only for the sake of painting a picture of hell on the screen, the major diff...
...ld such dangers have any significance to life? Jim Carroll tells the real story of his fear of the end and the mixed feelings of what matters, what doesn't. His fear is accompanied by confusion of how to live, today, with the possibility of being killed tomorrow.
...onjointly, Dante’s strategically used imagery shows the horrors are merely the hidden sins committed on Earth and that caused them to be punished in Hell to their sins’ equal severity. The crowning jewel of Dante’s illustrative text was the pilgrim’s development from a pure human being to one filled with evil and hatred after seeing Hell’s truths and how he changed negatively from his exposure. These clues left by Dante display show the reader the precise reason why the Church is debauched and how it affected its misguided people.
Fear prevents us from embracing the present moment. While fear does serve as a protective force, as individuals would not consider consequences without it, it also damages an individual’s ability to live mindfully. Fear prevents risk; it prevents individuals from taking risks that could move them from despair to fulfillment. We stand dissatisfied with the present, yet afraid of the unknown.
What is fear? Is it being in a prison so dark a person can not see in front of them? In this complete darkness the narrator finds himself eating and drinking, then passing out on a cold floor. When he wakes he is somewhere else in the dark cell. Or is it a cell? Could it be a tomb? Just when he thinks the cell is so big he finds himself almost falling into a pit. He eats and sleeps again. Where or how will he wake? Does he wake from his drugged food? In this story “The Pit and the Pendulum,” by Edgar Allan Poe, he tells the terrifying struggle of a man dealing with fear, torture, and confinement.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
In life, many things are taken for granted on a customary basis. For example, we wake up in the morning and routinely expect to see and hear from certain people. Most people live daily life with the unsighted notion that every important individual in their lives at the moment, will exist there tomorrow. However, in actuality, such is not the case. I too fell victim to the routine familiarity of expectation, until the day reality taught me otherwise.
I, like many others, could choose to look into a clear, crystal ball and see what the future holds. Instead I decide to look away and be adventurous. This way I get to have the exciting feeling of not knowing what is behind door number three or four. Yes, it is a scary feeling, but also one of hope.
Life is constantly throwing curveballs. They come from every angle, at differing speeds and all make diverse, lasting impacts. Yet, no matter how many are thrown in our direction, one may never be able to know when or from where the next is coming. Kierkegaard, a Danish philosopher, once said that “Life can only be understood backwards, but must be lived forward.” Meaning that, much like the curveballs, there is no way to understand what life will throw at us in the future, yet we must learn based on the experiences that have occurred in our past. For instance, when one becomes aware of the fact that a curveball is in their near future, and is ready to throw them off course, there is no time to think of what steps to take in order to get out of harm’s way. One must act solely on instinct, while simultaneously thinking through the process. We must then continue to think it over after the ac...
Life is not going to go that we want it to, but this fact should not keep us from overcoming fears or conquering any hardships. Family, fear, and a positive attitude can keep us going and assist us in triumphing over crosses that we might bare.