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Discuss the conflict between Antigone and Creon
Character comparison essay antigone and creon
Character comparison essay antigone and creon
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One of the most well-known ideas in science, and common sense, is that opposites attract. Electrons and protons pull towards each other, and magnets with opposite charges will always stick together. Although Creon and Antigone show quite a bit of hatred for each other throughout Antigone, a drama by Sophocles, they really are not all that different. Which, any scientist knows that it takes the power of the sun to force together particles with the same charge. Creon and Antigone both share a single characteristic: pride. This may seem like a shaky bridge to connect them with, but all of the similarities and differences in their pride are what make them such an interesting and ultimately tragic duo.
Creon is the King of Thebes and uncle
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of Antigone and her siblings. Antigone’s two brothers, Eteocles and Polyneices, are engaged in a fierce war before the story begins. Eteocles dies as a war hero; Polyneices dies as a disgrace. Eteocles is given a soldier’s funeral and all of the honors that go with it. For the other brother, Creon orders that no one shall mourn for him or bury him, and his body must lie in the fields for the birds and dogs to find. He also orders that anyone who breaks his command will be punished with a public stoning. At this point, Antigone’s pride takes charge, and she goes to give her brother a proper burial no matter what the penalty. Creon is very angry at Antigone’s disobedience. Because pride contributes to most of the actions of Creon and Antigone, it can be concluded that they are both too prideful for their own good.
Sophocles was Greek, and the Greeks were known to define many people’s pride as hubris, a fatal pride that ends up destroying those who have it. There are people who are prideful, but they are prideful because they stand strongly for what they believe. There are people who are too prideful to admit that they are in the wrong, which sometimes makes them appear foolish, arrogant, and conceited; these are the people who have hubris.. Antigone has “positive pride”; she is willing to pay the death penalty to do what she thinks is right. Creon, on the other hand, has hubris; although I believe that he knows he is not doing the right thing, his pride will not let him admit that he is in the …show more content…
wrong. Antigone shows her pride off when she says to Creon: It was not God’s proclamation. That Final Justice / That rules the world below makes no such laws. / Your edict, King, was strong, / But all your strength is weakness itself against / The immortal unrecorded laws of God. / They are not merely now: they were, and shall be, / Operative for ever, beyond man utterly. / I knew I must die, even without your decree: / I am only mortal. And if I must die / Now, before it is my time to die, / Surely this is no hardship: can anyone/ Living, as I live, with evil all about me. (1248) This speech justifies Antigone’s pride as the “positive” kind. She has reasonings to back herself, even if others might disagree. Creon shows his pride when Teiresias, a prophet who is known to be truthful in his claims, states, “But a good man yields when he knows his course is wrong, / And repairs the evil. The only crime is pride. (1250)” Creon’s prideful soul then retaliates when he says, “No, Teiresias:/ If your birds-if the great eagles of God himself / Should carry him stinking bit by bit to heaven, / I would not yield. I am not afraid of pollution: / No man can defile the gods (1250).” Creon lets his pride get in the way of listening to someone who is hardly ever wrong and very intelligent. This is another example of his pride, and it is hubris. Antigone and Creon both want all the glory.
Antigone asks her sister to help her bury her brother. Ismene refuses and tells her sister that she is crazy. However, once Creon finds out about Antigone’s actions, he orders that they both be put to death. Antigone argues that her sister should not have the honor of death when she has not done anything to help bury her brother. Antigone wants it to be known that she has done this all on her own, and she wants the glory for it. Creon also wants a lot of glory. Creon has many people in the village scared of him because he does radical things when he commands orders. Creon is “power hungry.” Both Antigone and Creon are willing to do whatever they have to do to get what they want, glory or otherwise. Antigone’s love is Creon’s son; Creon is willing to stone his son’s love, Antigone, just so he can show that when he says something he means it. Antigone is willing to break the law and the orders of Creon to bury her brother, even if it means being stoned to death in
public. Choragos says it best when he says, “Big words are always punished, / And proud men in old age learn to be wise (1256).” Creon learns that his pride makes him a fool. Creon knows that he should listen to Teiresias, but he lets his selfish pride get in the way. Creon also has to pay the consequences of his son’s death along with Antigone’s death. Antigone is proud of burying her brother and thinks it is wise. However, she does commit suicide. In order to bury her brother, she commits a crime. Because of pride, Antigone and Creon both have to pay a penalty. Consequently, throughout the entire play, pride is their downfall. Perhaps we can learn that positive pride and hubris are only ideas in essays, and we should strive to have more humility.
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
Choosing to follow authority and the law is admirable and important in order to have a stable society; however, prioritizing family over all is imbedded in humanity. Family is part of one’s identity and greatly affects one's morals and opinions. If a person solely lives a rigid life, following authority over family, then compassion and the ability to be flexible is lost. Sophocles poses if authority or family is superior through the characters Antigone and Creon as their actions and opinions drastically contrast. Creon puts more importance on his rule and the law, while Antigone emphasizes the devotion to her bloodline and the gods. Antigone, although depicting that authority and the king’s rule is important, puts more importance
Creon is in a position of great power, influence and responsibility. The extent of his power is quite clear when he sentenced Antigone to death for disobeying his order. Antigone's reasons for burying her brother were simply the fact that she was demonstrating her love, honor, and loyalty to her family. However, the reason Creon is furious is that he feels insulted that Antigone openly and publicly disobeyed him. He was also inflamed that she was his niece and his son Haemon fiancé. It is known that in ancient times when a man's authority is threatened, especially by a woman, his ego is irreparably damaged.
Jodi Picoult once said “Some lessons can’t be taught. They simply have to be learned.”; in life what defines a person is what they become after they go through a series of trials and tribulations. Oedipus The King tells the story of a king who tries to outrun his fate and in the end self-banishes himself out of guilt leaving the kingdom of Thebes to Creon. The play starts with King Laius, who appoints Creon to rule in his kingdom while he consults the oracle at Delphi. Enraged by the death of King Laius, the gods cast a plague upon Thebes, which is the Sphinx, who starts to destroy the city. Terrified by the destruction of the kingdom, Creon states that anyone who might solve this riddle,
“There are two kinds of pride, both good and bad. ‘Good pride’ represents our dignity and self-respect. ‘Bad pride’ is the deadly sin of superiority that reeks of conceit and arrogance”-John C. Maxwell, American author. In Antigone by Sophocles, Creon, the king of Thebes, typifies the tragic hero and Maxwell’s quote. Initially, he makes a huge error in judgment that eventually leads to his downfall. Also, his pure arrogance caused to go against the will of the Gods. After he gets over his self-pride, his view shifts away from that of ignorance.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
In the play, Creon and Antigone can be seen as good or bad characters. Both of them show traits of justice. Antigone wanted to save her brother, Polyneices, by giving him a soldier’s funeral with military honors. Creon realized his mistake of putting Antigone in a cave to die for burying Polyneices, and he tried to fix it. Unfortunately, he was a little too late. Antigone and Creon also showed immoral acts. Antigone went against Creon’s law even if it was unfair. Creon made the morally wrong law of not letting anyone bury Polyneice’s body.
The main source of conflict between Antigone and Creon is the issue of the burial of Antigone’s dead brother. Both of her brothers were killed in battle, however one brother fought against their home city and was considered a traitor. Creon issued a law that whoever tries to bury this man will be put to death. Antigone is very upset because her one brother is graced with all the rites of a hero while the other is disgraced.
Extreme pride is the core theme in both of the plays. For example, in Antigone, Creon decides not obey the god's wish and decline to give a proper funeral to Antigone’s brother. Since Creon is too fulfilled to accept his fault and also he wants to keep the appearance before the people he decides to execute Antigone. He is very self-satisfied when he established a new law that is the opposite of holy values because no one should establish any law that is equivalent to the God’s commandment. When Teiresias tells Creon of his fate, Creon refuses to believe this; thus Creon must suffer the loss of his family.
Aristotle once said, “A man cannot become a hero until he can see the root of his own downfall.” A tragic hero is defined as a literary character who makes a judgement error that inevitably leads to his or her own destruction. In the play Antigone, King Creon was perceived as a powerful, respectable, and confident king; inadvertently his confidence and arrogance had led him to the termination of his reign. Creon was confronted with a difficult situation in which he must chose to abide the law or support his niece, Antigone. While being entangled with his pride, he had not given Antigone a chance to persuade him. He had done what he deemed appropriate as king by abolishing his own niece, unaware of the consequences that the future held for him. The interactions between Antigone and Creon in this play had exploited Creon’s flaws and had influenced his decisions which eventually
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.