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Aristotle’s schema of the elements of tragedy
Aristotle’s schema of the elements of tragedy
Examine and evaluate aristotle's theory of tragedy
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Aristotle once said, “A man cannot become a hero until he can see the root of his own downfall.” A tragic hero is defined as a literary character who makes a judgement error that inevitably leads to his or her own destruction. In the play Antigone, King Creon was perceived as a powerful, respectable, and confident king; inadvertently his confidence and arrogance had led him to the termination of his reign. Creon was confronted with a difficult situation in which he must chose to abide the law or support his niece, Antigone. While being entangled with his pride, he had not given Antigone a chance to persuade him. He had done what he deemed appropriate as king by abolishing his own niece, unaware of the consequences that the future held for him. The interactions between Antigone and Creon in this play had exploited Creon’s flaws and had influenced his decisions which eventually …show more content…
led to the downfall of this tragic hero. “–At least we won’t be called inferior to any woman” (772-773), Creon stated. This statement accurately brought out Creon’s pride and his flaws. Creon believed that men, and more importantly himself, were above women. He did not view women as equals, but yet as an inferior group of people. Since Antigone was a woman, Creon allowed his ego to supersede the situation at hand. Seeing as if he was a firm believer of women being less dominant and authoritative than men, he choose to punish Antigone harshly to enunciate his powerful position as king. Creon, being the confident king he is, did not expect anyone to challenge his decree. “For quite a while some people in the town have secretly been muttering against me. They don’t agree with what I have decreed” (345-347). Although Creon was aware of the disagreements of his decision, he had not expected one to whole-heartedly go against his own law. As a king, one must have a respectable balance of pride and empathy in order to be a successful ruler; Creon defied those expectations and had let his pride dominate his character. He would never have expected anyone, especially a woman, to defy his decree. When Antigone buried Polyneices and was later exposed, Creon was astonished to say the least. He heard the news that someone defied him and shortly after he was informed that it was a woman, Antigone. Creon was furious that Antigone went against his edict and he was bound to punish her to maintain his pride and reputation of King. During the interaction between Antigone and Creon, Antigone explained that she desired to please the gods and to do what she believed in. When Creon heard this, he was absolutely outraged by the idea of putting one’s family above the law. This argument accurately depicted Creon’s conceitedness. Although she was a part of his family, he still chose to discipline her as an example for the rest of the people of Thebes. By punishing his own niece, he hoped to set the mentality that he will not hesitate to penalize anyone who betrays him. Antigone however, was not afraid of Creon and his power. She then stated, “So I did not mean to let a fear of any human will lead to my punishment among the gods” (516-518). This had only furthered Creon’s anger towards this situation, thus bringing out his flaw of arrogance. Creon was too arrogant to succumb to another’s decision. He put himself and his beliefs over everything else. Antigone was faithful in the gods and her beliefs and was considered loyal to her family.
Although it was against the law, her burying Polyneices proved just how loyal she was towards her brother. Her loyalty was what had justified her reasoning behind her actions. Antigone stated, “But my nature is to love. I cannot hate” (598). This depicts Antigone’s true nature. It shows that she is good at heart and what she had done was purely in her morals and not solely for defiance. When Antigone asked her sister Ismene to accompany her in her plan, Ismene refused with fear of defying the law. When Antigone was caught, Creon was quick to assume that Ismene was an ally to Antigone because of their relation to each other. Ismene was brought in during Antigone and Creon’s interaction and Ismene admitted and supported Antigone; she had no true part in Antigone’s actions. Antigone, being loyal and trustworthy, stated, “No, no - justice will not allow you to say that. You didn’t want to. I didn’t work with you” (616-617). Not only was her loyalty towards her brother, but towards everyone she cared
about. Antigone proclaimed, “Take me and kill me – what more do you want?” (565). Antigone was willing to accept death over abiding a law she disagreed in. The risk that she is taking by welcoming death shows the extent in which her stubbornness had led to. The stubbornness that Antigone portrayed made Creon’s stubbornness become more prominent. He noticed that Antigone was not backing down and she was not afraid of death. When she stood up to Creon and told him she would rather die than leave her brother unburied, Creon begun to get agitated by her stubbornness. As the King, he is used to people following his orders and not having people stand up to him. Having his own niece challenging him made him wearier of acceptance. Creon, needing a boost of confidence and pride decided to display his stubbornness as a rebuttal. His concept of law above family had stayed the same throughout their interactions; this defined him as a stubborn man. Creon’s stubbornness was revealed when he would not try to understand Antigone’s reason behind burying her own brother. Creon maintained his beliefs because of Antigone’s disagreement of the law. His loyalty and stubbornness matched with Antigone’s; this was a major factor that led to the downfall of Creon. Antigone was set to marry Haemon in the future. During their interaction, Creon stated, “I have no desire my son should have an evil wife” (653). His arrogance and stubbornness had gone so far as to refuse his son to marry Antigone. Instead of giving his son the choice of whom he will marry, Creon chose for him. Even when refusing this, he had not accepted the blame for his choices. Creon stated, “No, not me. Hades is the one who’ll stop the marriage” (658). Creon’s arrogance overpowers his character so much as to determine his own son’s marriage. Although he was making the decisions, he decides to leave it up to the gods to preserve his reputation. He is not willing to accept his decisions and his faults. However, Antigone is keen on accepting the consequences of her actions. When she was faced up against Creon, she accepted the blame and would not let anyone else, including her sister, take the blame for her. Creon’s characteristics and interactions with Antigone led him to his downfall. Creon made decisions for everyone around him, even if it was not his choice. While deciding his child’s marital life, he also refused to listen to a wise prophet. Teiresias stated, “Then understand this well- you will not see the sun race through its cycle many times before you lose a child of your own loins, a corpse in payment for those corpses. You’ve thrown down to hose below someone from up above- in your arrogance you’ve moved a living soul into a grave, leaving here a body owned by gods below-unburied, dispossessed, unsanctified” (1192-1200). This quote foreshadows how Creon’s actions will begin to affect him. It also shows how Creon’s pride overcame his ability to reason with others, especially Antigone. He had not bothered to listen to Antigone or anyone else; his inability to listen to Antigone and others leads to the end of his reign. Creon’s decisions had eventually led his own son to shed his own blood. The messenger who had discovered this announced, “Haemon has been killed. No stranger shed his blood” (1303-1304). When Creon discovered this news, he was absolutely devastated. He was punishing his mind by saying how cruel mistakes can bring on death. He blamed himself and eventually accepted the blame before realizing it was too late. It only took him till his son’s death to realize what mistakes he had made. The Chorus Leader remarked, “Alas, it seems you’ve learned to see what’s right-but far too late” (Sophocles 375). It seems as if everyone around him had noticed his mistakes besides himself. To escalate matters for the worse, the messenger delivered word that his wife had already shed her own blood. This caused Creon to realize how large of a mistake he has made. Seeing as if he already lost his son, wife, and niece to his pride, he knew he would never be able to repay his mistakes. Creon had once said, “But you should know the most obdurate wills are those most prone to break. The strongest iron tempered in the fire to make it really hard-that’s the kind you see most often shatter” (Sophocles 338). Ironically, Creon was the one who was ultimately broken. In the beginning, Creon was the strongest iron and the most obdurate person in all his kingdom. He believed he was the one who was above anyone and everyone. Eventually, his confidence and arrogance overcame him which led him to make many unfortunate mistakes. He was shattered when his family had taken their own lives and left him. The interactions between Creon and Antigone had only furthered Creon’s judgement and pride, furthermore leading to the downfall of the tragic hero, King Creon.
Throughout history rulers have used force in the pursuit of the acquiring more power and wealth, regardless of the consequences. The use of force may lead to the fulfillment of ones current interests or goals, but continued abuse of this power in pursuit of ones own interests has historically lead to the downfall of those in power. In the text The Prince Machiavelli says, “It is much safer to be feared than loved, if you cannot have both”. This quote suggests that when given the choice it is better for a ruler to use his power, through force if necessary, and be feared than to do what is right for the people and lose everything. In Sophocles’ Antigone, Thucydides History of the Peloponnesian War, and Sophocles’ Republic the analogy of the double-edged
According to Aristotle, tragedy requires an admirable hero with power and in a high state, but more importantly, he or she possesses a tragic flaw that leads to their downfall. This tragic flaw most closely relates to a character’s hubris, excessive pride in themselves or their judgment. But sometimes a character cannot be categorized as tragic, and one can argue whether or not the tragic character violates the requirements. In Sophocles’ Antigone Creon and Antigone serve as tragic characters in the play; however, Creon’s character exemplifies Aristotle’s theory of tragedy.
At the beginning of the play, Antigone brought Ismene outside the city gates at night for a top secret meeting. Antigone wanted to bury her brother Polyneices' body because even though he died in dishonor he was her brother. Ismene refused to disobey the king which is also their Uncle Creon, and she failed to talk Antigone out of doing the act herself. "Consider, sister, how our father died,/hated and infamous; how he brought to light/his own offenses..Then, mother...did shame/violently on her life, with twisted cords. Third, our two brothers, on a single day...Each killed the other, hand against brother's hand." (Antigone, Lines 59-65) In this quote, Antigone justified her reasons for going against the law describing how her parents went through so much, how their father was banished and due to this their mother had committed suicide because her reputation went down to the drain, even after all that their two brothers went into battle against one another and died in the process. Ismene was sympathetic, but still she was noble and afraid of Creon so she did not offer her help to Antigone.
Yet, Antigone not only breaks the edict once but twice for the burial of her brother. The first attempt Antigone takes towards her intention is when she asks her sister Ismene to bury their brother's body. Ismene becomes perplexed by this accusation Antigone has come up with that she will help bury their brother, whom the king is forbidden all citizens to bury. Ismene shows no support for her sisters intention. Ismene cares far too much about her own life and protection to ever put herself in harms way. However, Antigone is the opposite. She cares for nothing but justice for her brother. No obstacle can change her mind from the path her heart has chosen for herself. The second attempt of burying Polynices Antigone is caught and brought into the palace, by the guards, to see King Creon. Antigone arrives and Creon asks her if she is the one who is disobeying and if she is aware of the edict. Not once does Antigone deny her actions of the burial. “I did. Why would I not know? It was clear”(Ant. 458). This statement shows how she is in full knowledge of the law and does not care who set it. Antigone takes great pride of what she did because she believes it was her fate. The citizens of Thebes believe once they find out or realize their fate, something they are
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
A person once said, “The Antigone [is] one of the most sublime and in every respect most excellent works of art of all time” (Hegel). The play Antigone [is] written in the 6th century by the writer Sophocles (Willocks). Sophocles is a play writer and he made tragedies more complex. A tragedy always ends in defeat or death, has a hero who is confronted by hostile forces and has a tragic hero who has to make a choice difficult moral choice. The main character is usually the tragic heroine. A tragic hero is a person who has a dramatic change in fortune, morally good, heroic in stature or social position, true to life and consistent (Willocks). Creon is the king and he believes whatever he said should be obeyed. He did not listen to the Greek
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
At the beginning of the play, Antigone is upset about a decree Creon, the king, made (190). The decree states that her brother, Polyneices, was not allowed to be buried, because Creon believes that Polyneices was a “traitor who made war on his country” (211). Antigone has a very strong love for her brother and the gods, therefore she believes Polyneices deserves a proper burial according to the laws of the gods (192). Antigone says to Ismene that she [Antigone] will go against Creon’s decree-which states that if anyone buries Polyneices they will be killed (190). Antigone is extremely angry with Creon for creating the decree, to the point where she decides to make a big deal about the burial, instead of lying low and doing it in secret (192). Antigone even tells Ismene to “Tell everyone!” that she [Antigone] buried Polyneices when everyone finds out, and not keep it a secret-although Ismene doesn’t listen (193). Antigone’s decision not to do the bur...
In Sophocles play Antigone, Antigone is contrasted with creon in the play because everyone knows that Creon and Antigone had their differences about the burial of her brother, “Creon: yes, he will, if you give equal honors to a wicked man. Antigone: But the one who died was not some slave — it was his own brother. Creon: who is destroying this country — the other one went to his death defending it. (Lines 587-591) In that quote it’s saying that Creon doesn’t support the burial of her brother because in his mind he was destroying the country, and he didn’t want him going to the afterlife, but that’s what Antigone wanted. Ismene didn’t want Antigone to go behind Creon’s back and bury him anyway.
The play Antigone, by playwright Sophocles, contains a arrogant character named Creon who plays the royal king of Thebes and is a ultimate leader. The plot leads to Creon being challenged throughout the play meaning Creon must rebuttal with force because others are questioning his authority. Characters also throughout the play such as, Antigone, Haemon and Ismene do not comply nor help the situation as a whole leading to several unwanted deaths. Therefore, he Plays a role in which he becomes a pure tragic hero, meaning a hero who encounters A downfall that leads to his demise. Whether it is between Antigone refusing to follow the laws in the land of Thebes or Ismene siding with Antigone or as well as, Haemon
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
A tragic hero is defined by Aristotle as a person of noble stature, with a tragic flaw, who is doomed from their downfall. In the play Antigone by Sophocles, the character Creon possesses these traits. Although many people may see Creon as the antagonist of the story, by the definition Creon is a tragic hero. Creon’s flaw of excessive pride leads him to a catastrophic downfall, similar to how Aristotle describes.
The opening occasions of the play rapidly secure the focal clash. Creon has proclaimed that the trickster Polynices should not be given legitimate entombment, and Antigone is the singular case out of many others who will talk against this announcement and demand the hallowedness of crew. While Antigone sees no legitimacy in a law that slights the obligation relatives owe each other, Creon's perspective is precisely inverse. He has no utilization for any individual who places private ties over the benefit of all, as he declares solidly to the Chorus and the gathering of people as he rejoices in his triumph over Polynices. Creon's first discourse, which is ruled by words, for example, "standard," "law," "arrangement," and "announcement,"
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
Once the guards catch Antigone, they bring her before Creon. He sentences her to death, as his original decree had indicated. When he questions Ismene on her involvement, she tells Creon that she “did it … [and] shares the guilt, and the consequences too” (86), meaning that she would face execution as well. This infuriates Antigone, who asks Ismene “who did the work” (87)? She then goes on to say that she cannot share Antigone’s death, and tells Ismene to “[not] lay claim on something [she] has not touched” (87), and that “[her] death will be enough” (87). Antigone feeling so strongly against her sister dying alongside her, shows her true intentions. She is unwilling to let Ismene share any of the glory that Antigone feels she has just achieved. This shows that the glory and attention is more important to her than her brother getting a proper burial, or her sister’s desires. It is not clear if Ismene was trying to take partial credit for the burial, or if she just wanted to die with her sister, rather than stay lonely in a world with nobody left to support her. If it was the latter, then Antigone’s reaction is not only in poor taste, but also proves how obsessed she is with the theme of pride, as she believes that Ismene hasn’t done enough to earn