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Antigone as a Greek tragedy
Character analysis of creon in antigone
Character analysis of creon in antigone
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How is Creon A Tragic Hero ?
The play Antigone, by playwright Sophocles, contains a arrogant character named Creon who plays the royal king of Thebes and is a ultimate leader. The plot leads to Creon being challenged throughout the play meaning Creon must rebuttal with force because others are questioning his authority. Characters also throughout the play such as, Antigone, Haemon and Ismene do not comply nor help the situation as a whole leading to several unwanted deaths. Therefore, he Plays a role in which he becomes a pure tragic hero, meaning a hero who encounters A downfall that leads to his demise. Whether it is between Antigone refusing to follow the laws in the land of Thebes or Ismene siding with Antigone or as well as, Haemon
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his son choosing to go against what Creon plans to do. Or even Creon’s family and people that surround him leading the play to take a turn for the worse bringing a tragic hero out of Creon because of his arrogance, pride and him failing to be rational. To begin with, Creon begins to form into a tragic hero from the very beginning of the play of Antigone by being self centered and irrational.
For example, Creon argues that there is no way the gods would care about the corpse of Polyneices’ by saying “No one can tolerate what you’ve just said when you claim gods might care about this corpse.” (Sophocles, 329) This quote represents Creon’s fatal flaw which is arrogance because he is being told by the Chorus which can be viewed as Creon’s conscience, that the gods might care about Polyneices’ corpse. However, Creon refuses to believe what he believes to be non-sense. This is again a key representation of how Creon’s traits will get to the best of him and lead to his downfall. Not only that, throughout the play Creon already has self-conflict and Antigone’s actions create even more conflict adding fuel to the fire. This is shown when Antigone speaks to Ismene about burying Polyneices’ corpse by asking Ismene for help by questioning “Will you help these hands take up Polyneices’ corpse and bury it” (Sophocles, 318). This leads to the main conflict because Creon responds to this action as he is being challenged which is unacceptable and especially since it is by a woman. This adds even more fuel to the fire making Creon act even more …show more content…
irrational. Moving forward, Creon is going to punish Antigone and he is not satisfied with how this interaction goes. Most importantly it is clear to see his pride get the best of him when he chooses to ignore that he is killing Haemon’s bride. This conversation happens when he states “I have no desire my son should not have an evil wife…no not me Hades is the one who’ll stop the marriage.” (Sophocles, 341) This is a key representation of Creon’s pride getting the best of him he wishes to kill Haemon’s bride because he feels challenged. The worst part of that is Haemon will later in the play confess that if Creon kills Antigone then he will kill himself. Haemon states this by saying “Then she’ll die and in her death will kill someone else” (Sophocles, 355). At this point in the play Creon is still planning to kill Antigone despite Haemon’s threats. This is again showing a fatal flaw of Creon being to prideful and letting it make his irrational decisions leading to his demise. Creon’s actions due to his irrational mindset and pride is all catching up to Creon.
Especially, when Creon is told by Teiresias who is a blind prophet that if he doesn’t listen to what he recommends then Creon's life as well of Thebes will be in terror. Therefore Teiresias specifically states what would happen by telling Creon “ Then understand this well you will not see the sun race through its cycle many times before you lose a child of your own loins… in your arrogance you’ve moved a living soul into a grave.” (Sophocles, 370) Creon’s actions are alas catching up to him and he realizes it. Creon knows that his fatal flaws are going to lead to his life being ruined but his arrogance still fuels him and Creon is still somewhat hesitant on taking the prophets advice. Therefore, the play advances to Creon's downfall which is his family dying his son Haemon kills himself and his wife Eurydice, kills herself. The messenger would later come to Creon and say, “She stood before the altar, and her heart welcome the knife with her own hand guided” (Sophocles, 376). Creon knew this was his downfall and that his foolishness and failure to listen to Teiresias is what killed his family. At this point in the play Creon is questioning his life as everything falls apart and realizes that if it was not for his life ruining flaws his family could still be
alive. In Antigone, Creon is a pure tragic hero his pride, arrogance and irrational thinking lead to his downfall as a tragic hero. Creon thought he had everything under control but Creon’s mindset led him to convince himself that the gods would never care about the situation or that killing Haemon’s bride would not trigger unwanted deaths. It took a complete downfall for Creon to change but when he wanted to change it was simply too late showing how Creon is a true if not definition of a tragic hero. Works Cited DENNING, STEPHEN. “Antigone.” SPRINGBOARD, TAYLOR & FRANCIS, 2015, pp. 316–377.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Antigone is a great Greek tragedy by Sophocles. The story is about a young woman who has buried her brother by breaking king’s decree, and now she is punished for obeying God’s law. There are many arguments about who is the tragic hero in Sophocles’ Antigone. Some believe that it is Creon because he also has the characteristics of a tragic hero. Others believe that it is Antigone because the play bears her name. Antigone is the perfect hero, to exemplify the meaning of a tragic hero. In order to determine whether Antigone is the tragic hero, one will have to answer the question, what is a tragic hero? According to Aristotle, “The tragic hero is a character of noble stature and has greatness, he/she is not perfect, the hero's downfall and it is partially his/her own fault, and the hero's misfortunate is not wholly deserved.” (Aristotle) Antigone is a tragic hero because she has a high social standing in Thebes, she neither good nor bad, and her suffering appears to be unjust and unfair to the audience.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Haemon makes a point of this by saying, “The people here in Thebes all say the same – they deny she is (Lines 834-835). " This confirms Creon’s status as a tragic hero when he disagrees with his people's opinion on what has happened to Antigone, which causes him to step even closer to his ultimate demise. This is key because Creon shows how his ego comes before his people as Haemon stresses, which explains how his hubris, the emotion called stubbornness will contribute to his downfall. Additional way Haemon shows Creon as a tragic hero is by highlighting how his tragic flaws are not just angering humans, but the god's that their society revolves around. Haemon shows this by saying, “You're not honoring that by trampling on the god’s prerogatives (Lines 850-851).
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong. Creon so harshly yells Stop right there, before I am gorged with rage! (Page 12). The personality trait of being unyieldingly stubborn is one a majority can of people relate to. Therefore the audience might have felt sympathy towards him during that moment. Often the audience relates well to the tragic and can ...
...e is another corpse before me. Alas for the poor mother, alas for the child” (Sophocles 1302-1307). This shows how mean Creon was; however, he does understand how his mistake was as a result of his own actions.
Creon’s declination begins in Oedipus at Colonus when his infatuation with power and control begins to arise, in turn bringing forth a rigid side to his character. The battle over the kingship of Thebes is a pivotal point in Creon’s development. He goes to drastic measures when threatening the lives of Oedipus’ daughters in order to bring him back to Thebes, and in conversation with Oedipus, Creon says, “Your daughters: one of them I have just now / Had seized and carried off; now I’ll take this one” (129). His forceful and domineering actions towards his brother-in-law begin to peel back the layers of his intentions. In Oedipus Rex, Creon did not want the throne, nor did he enjoy attention, but he now finds pleasure in being the head figure of leadership. The first signs of Creon’s craving for personal pleasures are unravelled as he begins to act under the influence of his Id, “a demand to take care of needs immediately” (Boeree). The animalistic tendencies, destructive nature, and amoral actions are all induced by the Id, and Creon unconsciously begins to tap into that part of his mind as he strives to gain power. All other emotions and opinions of others are disregarded and Creon makes it his goal to become king, seemingly stopping at nothing t...
(Willocks). Creon realizes that he made an irreversible mistake of his own doing. The change from ignorance to enlightenment includes Creon’s realization of his tragic flaw, how it caused his downfall, how his actions have affected the lives of others. These errors in judgment are usually in the presence of a conflict. This is an example of fate and free will. Creon said, “I too know it well and am troubled in soul. It is dire to yield; but by resistance to smite my pride with ruin----this too is a dire choice.” (Sophocles 142). This evokes pity from the audience because they know that Creon thought what he was doing was right but they also know that what he was doing was wrong. This shows how Creon realizes that he made an anagnorisis.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
This “spark” caused Creon to intensify his punishments towards Antigone, which in turn caused a chain reaction of events and eventually led to his tragic decline. Being portrayed as a menacing villain throughout the play, Creon began as an honorable man; however, overwhelming events and confrontations caused Creon to evolve into this monstrous figure. This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play, Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.