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Themes in king oedipus by sophocles
Themes a streetcar named desire
Themes a streetcar named desire
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In the play, “Antigone” by Sophocles, and the play, A Streetcar Named Desire”, by Tennessee Williams, there is a direct connection between these two playwrights which can be recognized by an analytical reader. These playwrights are connected through the words of the characters they placed in their plays. Each of the characters had a specific role in conveying the theme of their plays. Another point which helps illustrate the connection between the two playwrights Sophocles and Tennessee Williams is that the ideas they present in their play are similar to each other.
One theme that is recognized in both of the plays “Antigone” by Sophocles and A Streetcar named Desire by Tennessee Williams is sexism. In both these plays the premise of gender inequality is questions. In the play, “Antigone”, by Sophocles, sexism is shown in an overt manner when Antigone breaks King Creon’s rule and she openly admits to disobeying him. In lines 70-73, Ismene says, You ought to realize we are only women, not meant in nature to fight agains men, and that we are ruled by those who are stronger. (Booth Mays 1131-1132) This line was stated by Ismene when Antigone was trying to convince her to go with her and disobey her uncle King Creon’s decree. This line was crucial in helping represent the
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theme of sexism because it showed how inferior women were to men in this time period. The mere idea of going against the rules as a woman was impossible to even imagine. Antigone’s action of disobeying the kingdom's rule had double the severity in its consequences not only because she was a woman but also because she was a member of the royal family. When a member of the royal family doesn't comply with the rules that his/her family created, it sets forth a bad precedent and makes it seem like the rules are not important enough to be followed. This is why her consequences would be doubling in severity. Another example in which sexism is shown in this play is when Creon says in lines to his son Haemon, we cannot give victory to a woman. If we must accept defeat, let it be from a man; we must not let people say that a woman beat us. (Booth Mays 1147) In this line, Creon is portraying the theme of admitting he lost as long as he lost to a man.
This implies that losing to a woman or letting women be superior in any sort of way seems atrocious in this time period. Sexism in this play helps show the morals and values of the people who lived in Sophocles time period. When Sophocles wrote, this play he was expressing his internal thoughts and beliefs. He questioned authority, delved into the concept of morality, tried to prove that moral law is as important as social law. Sophocles’ question of authority is represented by Antigone as she blatantly disregards the civil law and goes forward to defend moral laws despite the circumstances she has to
face. The theme of sexism is also present in the play, “A Streetcar Named Desire”, by Tennessee Williams, through the words that are stated by the characters. In this play, the women are treated badly. Examples of where this situation becomes real in the play is when Stella gets hit by Stanley, Stanley’s abusive behavior towards both Blanche and Stella, Stanley raping Blanche, and multiple other instances. Stella’s role in William’s play is to be a representation of the inferiority of women and their dependence on men during this time period. This statement is proven in the play in scene one where the interaction between Stanley is first shown. In scene one, Stanley yells at Stella “Hey there! Stella, baby! Catch! Meat! (Booth, Mays 1166) When these lines are being stated it shows the values in the relationship of a married couple during the time period in which this takes place. The women were expected to stay home and cook food while the men went out and did whatever they wanted and came back home to an exquisite meal and were treated like kings. Another example of how sexism is shown through mistreating women was shown in scene 3, when the stage directions says, sounds of blows are heard. The water foes on full tilt (Booth, Mays 1191). In this scene, Stanley hits Stella in a room full of his friends. This shows that he thought that it was okay to hit his wife in a room full of his friends without facing any dire consequences. In scene 4 when Blanche was asking her sister, Stella, who she hasn't left Stanley yet for hitting her, Stella says, Stanley’s always smashed things. Why, on our wedding night-soon as we came in here he snatched off one of my slippers and rushed about the place smashing light bulbs with it. (Booth, Mays 1194) This shows how Stella represents the inferiority of women in this time period and they dependency on men. Stella has every right to leave Stanley after the way he treated her yet she still stays with him because she considers his behavior normal and she accepts it. During the time period in which this play was written, women still didn’t have much of a say in anything. Women were usually mistreated and it completely fine in the eyes of society because it was seen as an accepted form of behavior. Tennessee Williams was a homosexual trapped in a time period in which people did not accept his sexual orientation so he had to keep it a secret. Keeping his true identity hurt him so psychologically. He conveyed his feelings through the characters he placed in his play in order to find some kind of output. His play represented the time period in which he was living which is crucial for the reader to understand the story in depth. While these plays are being read analytically, a reader would notice Ismene and Stella both have s couple of characteristics in common. One characteristic that both Ismene and Stella have in common is that they both prioritize Civil law over moral law. This was shown in the play Antigone by Sophocles in lines 70-73 when Ismene tells Antigone “you ought to realize we are only women, not meant in nature to fight against men and that we are ruled by those who are stronger to obedience in this and even more painful matters (Booth, Mays 1131-1132).This statement made by Ismene shows that she has accepted the fact that she can’t do anything to avenge the wrongful desecration of her brother’s body because she fears the rule of her uncle the king. This was also shown when she says “Yes you are Blanche. I know how it must have seemed to you and im awful sorry it had to happen, but it wasn't anything as serious as you seem to take it. In the first place, when men are drinking and playing poker anything can happen. Its always a powder-keg. He didn’t know what he was doing…he was as good as a lamb when i came back and he's really very, very ashamed of himself” (Booth, Mays 1194). At the time period in which Stella is living in, it wasn't very rare seeing a husband hit his wife. It was okay at this time in history because women didn't really have any real rights which protected them. Stella looked past her own moral values which would clearly indicate to her that she isn't supposed to be with him. She could be with someone who treats her better, but she decided to let it go. This is how Ismene and Stella have something in common. A similarity that connects both Sophocles and Tennessee Williams is that they both portray a certain time period with main characters who rebel against the rules that people normally follow. Another similarity that connects these playwrights is the fact that they both use their plays to convey a message to readers and viewers. The third similarity is that they have the characters in their plays have very similar characteristics. The last similarity that they have in common is that why both have the theme sexism existing in both of their plays. This is how the playwrights Sophocles and Tennessee Williams are similar to each other throughout.
Captivatingly, both women act daringly, regardless of the culturally constructed labels as women, products of incest and wickedness. They use their “otherness” as a power mechanism, rather than an excuse to passivity. In conclusion, Elphaba and Antigone challenge conventional roles of gender, as they are strong, courageous figures of rebellion and exemplify a lack of traditional gender normativity.
Antagonists often offer a powerful contribution to various pieces of literature. Stanley Kowalski, in “A Streetcar Named Desire” by Tennessee Williams, and Tom Buchanan, in “The Great Gatsby”, both act as valid and powerful antagonists in their respective texts. These two characters share the need to find out the truth about the protagonists of the novels. They both are considered dominant, violent and strong men. They share the trait of honesty, but lack a sense of morality. Although there are evident differences regarding the social class of these two characters, they rightfully serve as similar characters. Both authors used very similar character traits to prove that despite the domineering and abusive mannerisms-characteristics of these
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's prejudiced judgments as well (and ambiguity of justice)
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Nearly every society, Nora and Antigone's are no exception, dictates a specific place or purpose for women, and while Nora and Antigone's respective societies possess some similarities regarding women's place and purpose, they contain several important differences. In Antigone, for example, the relative worth and status of women in Thebian society seems clear; women are to submit to the rule of man. Ismene suggests this submissive attribute of women in Thebian society when she begs Antigone not to defy Creon's commands, "Remind ourselves that we are women and as such are not made to fight with men." (193) Evidently the Thebian society controlled by men has kept a lid on women's individuality so much so that even a member of the royal family, Ismene, speaks of the futility in attempting to clash with the rule of man. Furthermore, Creon asks Antigone if she is "ashamed to differ from such men [the Chorus]?" (212) This suggests that in Thebian society w...
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
In the plays Antigone by Sophocles and Macbeth by Shakespeare, the lead feminine protagonists Antigone and Lady Macbeth are two women with strong beliefs, ambition, and personalities. They are both female characters with underlying power, and must fight the feminine social stereotypes in order to succeed. These women live in a time where men are ultimately superior, but end up having more mentality than any of the men in their plays anyway. These characters are both willing to do anything to achieve what they want, even if it is turning against the rules of society that have been built around strong feminine stereotypes. While these two women are trying to achieve two completely different tasks for two very different reasons, their ambition and motivation is rooted in similar places due to their personalities, similar situations, strong wills, and sense of determination.
Both William Shakespeare 's Othello and Tennessee William 's A Streetcar Named Desire are both theatre productions. Othello was written in 1603 and contains themes of betrayal and loyalty, whilst Streetcar was written in 1947 and both contain themes of social standing. Streetcar was intended to be received by an educated adult audience, whereas Othello was intended to be watched by a mixture of educated and uneducated adults. Both pieces possess a serious narrative tone, and were intended to entertain an audience whilst presenting the author 's themes and ideas.
Antigone is Sophocles Greek tragedy where we see a woman as the main character. Antigone is part of the “saga of Thebes” that deals with Oedipus Rex and Oedipus at Colonus. Produced around 442 B.C., we see the children of Oedipus deal with what fate has brought them. Antigone deals with the conflict of her burying her brother which would be in defiance of an order given by an egotistical ruler, Creon. In Antigone, one s...
Antigone points out many things , however one of the main things that it points out is how bad gender inequality is back in the old day. It shows many examples of how many societies were run back then. It proves to me how women and men were portrayed in the Greece society, are the equal or different, what gender expectations do they follow or fight against?
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
“The emotional, sexual, and psychological stereotyping of females begins when the doctor says, ‘It's a girl.’” (Chisholm). Where do women fit in the social order of society today? Many women today fit in the same role as they would have been expected to long ago. Though generally speaking, women have a lot more options today. The male hierarchy still governs most aspects of society, but with many more limitations because women are discovering that they can stand on their own, and have no need for constant regulating from their male counterparts. Patriarchal influences are the base of society. In Antigone Sophocles tells a tale about Greek values and women’s status. Antigone has just witnessed her two brothers kill each other; one brother died defending Thebes and the other died betraying it. Creon’s law keeps anyone from burying the traitor and Antigone is set on contravening this. Conversely, Ibsen’s playwright, A Doll’s House, is a story about an intelligent woman, Nora, who is misunderstood by her husband, Torvald. She takes desperate measures to keep her family intact but in the end wines up going out on her own. As the stories progress the both Nora’s and Antigone’s characteristics become very similar in that they are both rebellious, are subservient to male jurisdiction, and are resolute and strong-willed in their decision.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
Feminism is a large issue in present day while it was not such an important idea throughout history. Man was historically stronger, smarter, and more useful than woman. As it turns out, that idea is incorrect although at the time that “Antigone” by Jean Anouilh was written, this idea was widely accepted by both man and woman. The play itself is about breaking what is law to do what is right, but under all of that lies the true theme of man vs. woman. Antigone is set out to see how far a woman can push a man before a war is started.