Similarities Between 269 And Hemingway

1000 Words2 Pages

Women have long faced double standards when it comes to their existence in society. Men were free to do as they pleased, yet women had to keep their true interests secret and behave how society deemed they should. In the 19th and 20th century female sexuality was an enigma. However, that does not mean it was not talked about. Male and female authors alike wrote plenty of poems and short works that discussed women’s desires. Notably, Emily Dickinson in poem “269” and Ernest Hemingway in “Hills like White Elephants”. Both authors acknowledge the secretive nature of these desires by utilizing deep symbolism and metaphor to expand on women’s desire for connection, intimacy, and autonomy. Poem 269 (Wild Nights – Wild Nights!) is Dickinson’s brief …show more content…

The imagery of docking a boat blends the physical and intimate nature of the speaker’s desires together to create a sense of deep connection. Overall, the use of evocative language and nautical imagery is a subtle and complex approach to desire and intimacy, and her discarding of social norms to explore her sexuality. Continuing, Ernest Hemmingway’s “Hills Like White Elephants” touches on how women’s autonomy and desires for connection can be painful, not simply fun. The central symbol of the story is the hills that “look like white elephants” that Jig remarks on. The concept of the “white elephant” serves as the main conflict of the story. Generally, it can represent Jig’s pregnancy, which is an unwanted burden from the man's perspective, but seems to be something very significant to her. She seeks connection and intimacy with the man, yet he refuses to be in a relationship with her if she remains pregnant. The intentionally descriptive imagery of the fertile river valley on one side and the dry, barren hills on the other mirrors the choice the girl must …show more content…

Throughout this story, the pregnancy acts as a reminder of the character's sexuality which, at the time, should not exist. She is framed by the man as if she is solely responsible for the outcome and that is why she must get an abortion and do what he says. Clearly, the man has experienced this before but did not face any repercussions for behaving the same way she does. Her sexuality is made to be bad. If she retains her autonomy then she will be alone, and if she gives in to her desire for connection with the man then she loses her autonomy. She faces a very complex issue and must choose between the product of her sexuality or the maintenance of it. The story ends with her saying, “There’s nothing wrong with me. I feel fine” (Hemmingway). It is not known if she is lying or not. The whole story centers around her choices and the dichotomy of her desires for a future with a child or a future with a man. It is not a simple choice or story and explores the difficulties women have had asserting power over their choices through a descriptive and metaphorical

Open Document