Abortion is a major obstacle in any relationship, leaving the woman to decide to “terminate the baby” or to keep it. During the 1920s, around the decade in which Ernest Hemingway wrote “Hills like White Elephants,” abortion was illegal and frowned upon. Hemingway writes about an American man and a girl named Jig who finds out that she is pregnant. Throughout the essay, the couple is mentioning about having “an operation” or not. With their relationship at toll as well, Hemingway ends the story without the readers knowing what happens with the abortion and the relationship as well. David Wyche, Timothy O’Brien, and Stanley Renner compose articles to try to answer readers’ unanswered questions. Renner in his article, “Moving to the Girl’s Side of ‘Hills like White Elephants,’” states that the question in the movement of the characters as Jig struggles to find her own identity, leading her to the abortion. Similarly, Wyche in his article, “Letting the Air Into the Relationship: Metaphorical Abortion in ‘Hills like White Elephants,’” explains the story about the abortion and the relationship as a metaphor about Hemingway’s affair with Pauline Pfeiffer that ended shortly. Lastly, O’Brien’s article, “Allusion, Word play, and the Central Conflict in Hemingway’s ‘Hills like White Elephants,”’ says that the through the setting and dialogue mirroring the tension, Jig complies with the man. Through the topics of setting and dialogue, readers can predict that by the end of the story, Jig will have realized that without the man directing her, the “white elephant” is just extra baggage. The setting of Hemingway’s essay is not just a train station in where Jig and the American discuss the abortion, but it is where Jig finds her identity as she ... ... middle of paper ... ...reat mass of ice underneath, so does Hemmingway’s dialogue leave the unstated tension between the characters. Readers believe when reading Hemingway’s piece that he lacks creative imagery or eloquent phrases. With this style of writing, Hemingway lets the readers feel for themselves when reading essays like “Hills like White Elephants.” His writings may seem dull, but many are missing what a true picture he paints underneath the text. Hemingway in his essay addresses the crucial decision that some couples face: whether or not to abort a child. With the decision, the relationship is at toll if the couple is on opposite spectrums. In Jig’s perspective, with her complete dependence on the man as they travel, the abortion is the next step. As she moves to “the other side” at the end of the essay, she looks past the hills, acknowledging her dreams, but finally complies.
The main characters’ conflict over not wanting the same things in life is the root of the women’s disillusionment. The theme is furthered by the complication of the antagonist manipulation of the Jig’s feelings for him. Similar to Cisneros’s written work, Hemingway uses the narrative point of view to illuminate the growing disillusionment the women feels about not being able to have everything if she terminates the pregnancy. Hemingway leads the audience to this conclusion when the protagonist states “no, we can’t it isn’t ours anymore… Once they take it away, you never get it back” when referring to her disappointment that the antagonist will not change his mind and they can no longer have everything they ever wanted
“Hills like White Elephants” by Ernest Hemingway is about a couple, the American and Jig, who contemplate whether or not to have an abortion. The premise of the story seems simple enough, but the outcome is highly debated. Critics argue that the baby was kept by the couple ( Renner ) and others claim the baby was aborted.( Fletcher ) Others have even simplified the story, claiming that the issue was not resolved because the couple was drunk by the end of the story. ( Sipiora ) Although the conclusion is in questions many have agreed with the idea that the couples relationship would be changed and would end prematurely. ( Wyche ) Dialogue is the main technique in conveying this argument but we can only understand the complexity of Hemingway’s work by looking at the story as a whole. By looking at the many symbols, intrinsically and
In Hemingway’s “Hills like White Elephants” and Wallace’s “Good People,” both of the young females, Jig and Sheri, experience an unplanned pregnancy and must decide whether an abortion is the right choice. While the former story employs dialogue to depict the relationship of an adventurous, carefree couple in the 1920s, the latter uses third person limited point of view to show a faithful young couple whose religion is their source of morality. Thus, Wallace digs much deeper since both religion and love are a factor in Sheri’s ultimate decision. The enigmatic endings of both stories leave us questioning Jig and Sheri’s choice and its impact on the future of their relationship with their respective partners. The text suggests that Jig will not comply with the American’s wish of aborting the baby because of her vision and the indicative dialogue between her and the American, and Sheri will conform to her religious beliefs and carry the child.
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
Hemingway, does not, however, tell us that there is in fact an abortion. Jigg and her lover lead a very simple life before they are forced to consider a solution to their situation. “That’s all we do, isn’t it—look at things and try new drinks?” said Jigg (Hemingway 2). With the “awfully simple operation” (Hemingway 2), however, their entire world will be turned upside down. The American reassures Jigg “It’s really not anything…” and the entire process will be over in a few minutes; everything will be completely natural and fine. Yet Jigg, worried about their life together afterwards, asks the American what will happen. He responds, “Just like we were before.” (Hemingway 2). This leads one to believe absolutely no change will happen, at least in the eyes of the characters. In the story of Jigg and the American, there is what some consider a death (abortion) and what some simply consider an operation. Jigg is worried things will change from the way things were between herself and the American. The American continues to reassure Jigg that by having the “perfectly natural” operation things will go back to normal and “We’ll be fine afterward.” (Hemingway
Hemingway also uses immorality as the central idea. The American is trying to convince the girl to abort: ‘“I have known lots of people that have done it…. ‘But if I do it, then it will be nice again if I say things are like white elephants…‘I’ll love it” I just cannot think about it” (596,597). Here one sees how the man manipulates the girl.
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
In the story, "Hills like White Elephants" written by Ernest Hemingway, the main character Jig faces a life changing event, abortion. The struggles with the complications of abortion concern and desire Jig to want to keep the baby. Bringing a new life into the world is a long time commitment and it is something Jig feels she can treasure forever. However, her companion attempted to persuade her in another direction, to proceed with the abortion. As naïve as he is, he feels his persuasion can overcome Jig's desires. Jig is a sarcastic yet reserved woman, who desires to bring a new life into the world, even if her companion does not approve; she knows what is best.
In Ernest Hemingway’s “Hills Like White Elephants” the character Jig is submissive to her counterpart The American Man, who is encouraging her to have an abortion. While Jig is not sure what she wants, she does not wish to press the subject of the operation because The American Man is intent upon persuading her to go through with the procedure. Throughout this story Jig’s helplessness, indecisiveness, and her lack of education become apparent, although by the end of the story she becomes confident, decisive, and ultimately takes back control of her decisions and life.
Analysis of Hills Like White Elephants by Ernest Hemingway In “Hills Like White Elephants” Ernest Hemingway relies on symbolism to convey the theme of abortion. The symbolic material objects, as well as the strong symbolic characters, aid the reader’s understanding of the underlying theme. The material objects that Hemingway uses to convey the theme are beer, the good and bad hillsides, and a railroad station between two tracks. The beer represents the couple’s, “the American” and “the girl’s”, routine activities they do together.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Stukas, Jake. "Literary analysis: Hills Like White Elephants, by Ernest Hemingway." Helium.com. Web. 21 Nov. 2009. .
When a woman gets pregnant, she and her partner make a serious decision whether they should give birth to the unborn child or abort it. However, sometimes every couple can have a different outlook about giving birth or aborting because every male and female has his or her ways of thinking. In “Hills Like White Elephants,” the author, Ernest Hemingway tells a story of an American man and his girlfriend, Jig, who have a disagreement in the train station on the subject of whether to keep the unborn child or to abort. However, the author uses binary opposition of life and death to portray the polemic argument a couple encounters regarding abortion. As a symbol for the binary opposition of life and death, he represents the couple’s expressions, feelings, and the description of nature.