In “Fiesta, 1980” Junior is the protagonist of the story; however, the role of supporting characters lead him away from his innocence. Junior’s father teaches him the blemishes of relationships, his brother opens him up to a more mature mind, and his mother makes him consider about the possible impacts of his words. Junior’s father was having an affair with a Puerto Rican woman, which makes Junior realize that his father and mother’s marriage was not perfect, and his father did not care for his family as much as he cared for the Puerto Rican woman. “Rafa gave me the look and I gave it back to him; we both knew Papi had been with that Puerto Rican woman he was seeing…” (pg.23). Since the beginning, Junior knew his dad was seeing someone else other than his mom. However, he decided to stay quiet and just gave a look towards his brother because he was afraid to say anything about it. They were heading to a family party, but the dad still chose to see the Puerto Rican woman before hand. “They’ve known about this party forever” (pg.26). The father knew that this party was coming, but still went to see the Puerto Rican woman …show more content…
“Later I would think, maybe if I had told her, she would have confronted him, would have done something, but who can know these things?” (pg.43). Junior wants to tell his mother, but is afraid of the outcome. However, the longer he knows, the more guilt builds inside him. This is why Junior starts vomiting in his father’s car when they are all in it. “Rafa was with us and he couldn’t believe I threw up. I was famous for my steel-lined stomach” (pg.29). Junior never used to vomit, but he started to after he found out about his father’s affair. This is because the guilt is suffocating him inside, but he can never get the actual words out to tell his
As the writer gave freedom to her son, he tore a binder paper from the notebook, and he started writing about any story he wanted. Moreover, she was startled when she saw his story about The Boy In The Red Sox Shirt and Baggy Jeans. It was about a fourteen-year old girl, who
The situation with Mandy in Ed Vega’s short story “Spanish Roulette”, portrays a young women’s innocence being stolen and the distress that was brought upon the family thereafter. The narrator focuses on Sixto Andrade, the brother of Mandy, and how he deals with the situation. Although Mandy’s character is not directly introduced, she is significant because she is the purpose of the plot and she impacts the actions of her brother.
Conflict between the main characters in fictional stories can be so thick, you need a razor-sharp knife to cut it; that is definitely the case in the two literary texts I recently analyzed titled “Confetti Girl” by Diana Lopez and “Tortilla Sun” by Jennifer Cervantes. In the first text, tensions mount when a social butterfly of a teenage girl and her oblivious father lock horns over the subject of homework. In the second passage, drama runs high when a lonely child and her career-driven mother battle over the concept of spending the summer apart. Unfortunately, by the end of both excerpts, the relationships of these characters seem damaged beyond repair due to their differing points of view - the children end up locked behind their barrier-like
... educated so he decided to bury himself into his studies and leave his family life as an afterthought. Rodríguezes parents were always supportive of him and his academic success but he did not embrace them as he should have. Next, Rodriguez rightly points out that at his graduation ceremonies throughout life his parents would attend and someone would always say that “your parents must be proud.” and those words always registered with him. Rodriguez’s influences were his teachers during his school years. Rodriguez wanted to obtain the same knowledge that his teachers possessed so he would be able to concentrate on the benefits his education could bring him. Later he realized that he alienated himself from his parents. Rodriguez indicates the time he was in the closet reading a book and his Mother finding him was something he looked back on as one of his regrets.
The times are changing and he's unwilling to give up the past. The world is becoming modernized and people like him, cowboys and ranchers, are slowly disappearing. He runs away from home because he desires to find peace within himself as well as a place where he can feel he belongs. Here begins the adventure of John Grady and his best friend Lacey Rawlins. It is important to note here the means of travel. The story is taking place after World War II, a time when cars are fairly common, yet these boys decide to go on horseback, like in the fading old days. This is just another concept of how they are unwilling to give up a fading past. When they first begin their journey, the boys are having a good time. In a sense they?re two buddies on a road trip with no real motive. Rawlins even mentions, ?You know what?I could get used to this life.? Then they meet Blevins, the foil in the plot that veers the two boys of their course and also has plays a role in the lasting change of their personality. Their meeting with him gives an insight into Grady?s character. Rawlins is against letting Blevins come along with them, but because of John?s kind nature he ends up allowing Blevins to come. It?s because of this kindness and sense of morality, he gets into trouble later on.
Yunior struggles with his exposure to male privilege in a Dominican family, as he is very sensitive. Yunior can not fully comprehend why men took actions that women didn’t attempt to do. For example, Papi made all the decisions in the family. “She and tío Miguel got themselves an apartment in the Bronx, off Grand Concourse and everybody decided that we should have a party. Actually, my pops decided...” (306). Papi decided that a party was obligatory to be thrown for their arrival, but not as his expense or home; Tia and Tío hosted it, despite it being Papi’s decision. Male privilege is shown in the way “the women laid out the food and like always nobody but the kids thanked them. It must be some Dominican tradition or something” (312). Instead of having both men and women lay the food, it is only the women’s job. Helping with the preparations is not their responsibility, nor is showing appreciation with a genuine thank you. Junot Diaz gives a personal example on his family in his
Firstly, one’s identity is largely influenced by the dynamics of one’s relationship with their father throughout their childhood. These dynamics are often established through the various experiences that one shares with a father while growing up. In The Glass Castle and The Kite Runner, Jeannette and Amir have very different relationships with their fathers as children. However the experiences they share with these men undou...
First, Junior confronts the dreariness of the Wellpinit school system by deciding to transfer to the Reardan school system. Junior initiates this decision when he throws a book across the room upon discovering his mother’s name inscribed inside the cover. His outburst signifies Junior’s recognition of Wellpinit’s misery and desire to achieve. This ambition drives his decisions throughout the novel and defines his unique character. In addition, Junior discloses his decision to his parents with fearlessness and trepidation. Junior confesses, “I want to transfer schools... I want to transfer to Reardan” (Alexie 45). Junior’s bluntness highlights his fearless personality and validates his ability to confront his problems and tasks head-on. In complex situations, Junior possesses the skills to navigate his future. Finally, Junior’s ability to overcome problems appears in his ability to navigate his way to Reardan each day for school. With the uncertainty of gas money in his family, Junior often finds himself walking or hitchhiking to the school, however
Literature of the Americas has many stories and they all have comparisons, but they also have many differences. “Day of the Butterfly” by Alice Monro and “Crossroads: A Sad Vaudeville” by Carlos Solórzano have characters that share some traits and ways, but like all characters they have things that are different. The old woman from “A Sad Vaudeville” is a dynamic protagonist who finds herself meeting the perfect man for her, but has a dilemma when he is in denial because she is not the ideal girl of his dreams; she’s old. Myra from “Day of the Butterfly” is a static antagonist who does not have the same care free attitude as most of the children her own age. She is rather shy and does not fit in or socialize much with people her own age. She does not derive from a very wealthy family. She is responsible for her brother Jimmy which holds her back from having more age appropriate experiences.
Theme: Situations and surroundings can shatter the innocence of friendship, but more the identity of the individuals.
From the beginning of the story it’s very clear what type of man Papi is. When he arrives home, he goes to “wash off the evidence quick” (150) because he was probably with the Puerto Rican woman, Yunior speaks of. That one moment showed the adulterous side of Papi. This is a clear cut conflict. (Man vs. Man) In a sense he shows respect by going to washing himself off in the presence of family, but the manner in which he shows his respect cancels everything out. His respect is almost in vain. Papi struggles with being his poor self. He does not like the life he lives. Papi wants to be impressive to people. He went out and brought a VW van, knowing they could not afford one, “new or used” (173) All of Papi’s actions influence the other characters within the story. He had begun to bring the children around the Puerto Rican woman he was having an affair with. Eventually his cheating becomes normal and something that does not s...
John Singleton’s view of social problems in South Central Los Angeles happens in a tale of three friends growing up together. Doughboy and Ricky Baker are half-brothers and have opposite personalities. Ricky is a football player who hopes to win a scholarship and spends most of his time playing football. On the other hand, Doughboy is a young man who looks upon his environment for guidance. He is involved in violence, abusing drugs, and participates in violence. In between is their friend Tre, who actually has a father to teach him what is right from wrong. Furious Styles, who is Tre’s father in the film does everything in his strength to keep his son from becoming another startling statistic. As you can see, it is always important for parents to be a part of their child’s life because it can make a big difference not only in their life but also their child’s future.
Throughout life individuals face many challenges testing their values and personality one situation at a time. In the evocative novel The Outsiders by S.E. Hinton themes of growing up and innocence are shown. Ponyboy is not your average 14 year old he is part of a gang known to many as the Greasers. He encounters many situations testing his values and beliefs. Having lost both his parents recently he and his brothers stick together like a true family but this relationship is tested when Darry hits Ponyboy. He also experiences the loss several close friends in a very short period of time. Throughout this novel, Ponyboy encounters many life changing experiences that prove he is a dynamic character.
Nonetheless, this really is a tale of compelling love between the boy and his father. The actions of the boy throughout the story indicate that he really does love his father and seems very torn between his mother expectations and his father’s light heartedness. Many adults and children know this family circumstance so well that one can easily see the characters’ identities without the author even giving the boy and his father a name. Even without other surrounding verification of their lives, the plot, characters, and narrative have meshed together quite well.
The Frisco Kid depicts the journey of an ignorant outsider in an unfamiliar world, critiquing the traditional Western hero by placing great emphasis on his religious piety, indicating success is attained through blind faith rather than pragmatic action.