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Shinto religion in japanese society today
The role of the shinto religion in Japanese society today
The role of the shinto religion in Japanese society today
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A Shinto priest, Rev. Yukitaka Yamamota, once said, “To be fully alive is to have an aesthetic perception of life because a major part of the world’s goodness lies in its often unspeakable beauty” (Fisher, 224). Yamamota’s quote summarizes one of the main concepts of theology in Shinto. However, Shinto theology is not only about natural beauty. Shinto is the ancient indigenous religion of Japan, and is a major influence in the Japanese culture. The basis of Shinto theology is that there is no God but there is kami in everything. Shinto also has a major influence on the arts. The Japan theater play of Noh has Shinto concepts incorporated in them. In addition, the painting styles of Japan have an influence on the West. Shinto also influences
One of the past times for the Japanese is to attend the theater where are many different types of plays. One type of play is called Noh. The Noh plays have very slow movements that are precise, the actors will wear masks, and there will also be chanting. There are many influences of Shinto in the Noh plays because, “Several Noh stories were composed, based on Shinto deities, and Shinto shrines” (“The Impact”). In addition, many of the Noh plays are based around or include the stories of Shinto priest and their encounter with shrine worship, as well as kami and the burdens of the people who come to worship at the shrine (“The Impact”). Another important influence Shintoism has on the arts is the area of painting. The painting styles and visual arts of Japan and Shintoism have an effect of the West (Detrick “Shintoism). For example, Frank Lloyd Wright was “impressed with Japanese landscape and use of architecture to result the natural soundings” and incorporated many of those ideas into his painting (Detrick “Shintoism”). Artist like Edouard Manet and Claude Monet used the Shinto shrine gardens with neutral backgrounds that had unusual perspectives and also simplified forms (Detrick “Shintoism”). Shintoism has affected artists because of the simplicity of Shinto, the ideas of Shinto, and their concept of nature to draw amazing paintings of waves or gardens. Overall, the arts have had major influences of Shinto concepts, deities, practices, and shrines included in them. However, Shinto also has impacts on the social and political aspect of society
Analysis: Shinto: The Way Home’s organization is quite useful because it moves in chronological order and it leads the reader in a way that allows for understanding the most unrelatable Ideas of Shintoism. The book uses many Japanese terms and names that may lead confusion for the audience as they have to learn the vocabulary to understand many of the statement Kasulis uses. Kasulis also lack an argument through most of this work and he seems to focus on supplying information as accurately as possible. The author discusses a variety information pertaining to Shintoism making it useful
The origins of Shinto and Judaism are rich in history, yet it is the steadfast strength of their belief systems that are most fascinating. While the beliefs of most religions will evolve with time, the core beliefs of these two religions seem impervious to the cultural and generational changes in modern times. In fact, their belief systems seem to be the very foundations of which their cultures were originally built upon In exploring the completely diverse beliefs of Shinto and Judaism, an appreciation for the longevity of each is undeniable.
Image and Text.” Japanese Journal of Religious Studies 33.2 (2006): 297-317. Jstor. 12 Oct 2011.
Shinto: The Way Home written by Thomas Kasulis is a book designed to inform the reader of Shinto traditions and history, but how does his work stand on its own as a scholarly source. Kasulis uses simple organization strategies to control the flow of the work the simplest method is the separation of the book into six chapters as well as a two prefaces one from the editor and one from the author. The first chapter discusses Shintoism in the terms of a western audience while the second chapter confers the connection with normal Japanese culture with Shinto traditions. The third, fourth, and the fifth chapter canvases the history of Shinto traditions in chronological order from prehistory to 2002. Chapter 6 explains Issues with Shinto in a modern
Shintoism has no founder ,and the history behind the technicalities of the rise of Shinto are rather obscure. Experts don't agree as to when Shinto became a unified religion more than just a label to give to the different faiths of Japan. Before the arrival of Buddhism, Shinto referred to the many local cults of the prehistoric Japanese people. These people were animists; devoted to the worship of nature and spirits. These spirits were the Kami; found in living things, nonliving things and natural phenomena. The early Japanese created a spiritual world—and rituals and stories to accompany it—that seemingly gave them control of their lives. It wasn't considered a religion at those times, early Japanese people regarded their faith as a commonality as a part of the natural world. The realms of Earth and the supernatural were closely integrated into each other for them. (“Religions”)
I did not know that much about this culture until this paper. The Japanese people are very polite and respectful. The Japanese take education very serious and nature. Their langue is a lot different they have different styles of speaking even for different social status there is a certain way of thinking. In Japan there is a mixture of the Buddha religion and the Shinto. Both beliefs have the same influence on the Japan culture. Buddhism was brought o Japan in the early 6th century from China. There are five precepts that they go by which are no killing, no stealing, no lying, no sexual misconduct, and no use of intoxication.
Shinto or “the way of the gods,” is one of the oldest religious beliefs. A large part of the Shinto beliefs have to do with regular catastrophes, animals, and plants. Over time Shinto has changed to keep up more with present day and the developing world, yet Shinto’s major ideals are still the same and is not any different than it was in 6 B.C.E. Shinto has had to change to keep up with the different emperors and world events so as not to disappear. Today a considerable amount of Japanese culture, like dance, writing, and music come from the religion and individuals can see Shinto’s mark on Japanese
...ials, but one could argue the fact that religion was the single most important influence on Korean and Japanese civilizations because most systems of government used religion to legitimize governmental power. Religion brought new forms of poetry and literature as well as new styles of architecture. Many Korean and Japanese monks traveled to China in search of new texts to translate. Agricultural developments improved the economic stability of the countries by providing improved irrigation systems and easier methods of food gathering. The major impacts of Chinese influence on legislation, agriculture, art, literature, and religion were crucial in the nationwide development of Japan through the Heian period and Korea through the period of unification under Silla and helped the countries learn and advance in technology on their own to advance their civilizations.
Shimazono, Susumu. 2005. "State Shinto and the Religious Structure of Modern Japan." Journal Of The American Academy Of Religion 73, no. 4: 1077-1098. Academic Search Complete, EBSCOhost (accessed April 23, 2012).
Japanese culture has always been highly influenced by religions; such as, Buddhism. So, it is not very shocking to find out that even Noh Theater, a form of acting, is influenced by religion. Buddhism is the following of the teachings of Buddha, who encourages his students to live by the “Four Noble Truths” and to get rid of the bad spirits in their lives. Noh theater is the oldest form of traditional theater (video, 0:13) and it started in Japan, which makes sense that a lot of the ideas for the performances would have a strong example of Buddhist faith. Another reason that it would show signs of Buddhism is the fact the Elites/ Nobles supported the idea of a religion or belief that encouraged everything to remain “status quo”. When watching Noh performances it is important to notice what the actors are portraying and the effects Japanese culture and religion have had on the performance.
Noh theatre came about at the same time Buddhism started having an influence on Japanese culture. They each affected the other. Noh theatre took the beliefs and the ideas of Buddhism and intertwined it with ancient Japanese beliefs to create a magnificent form of drama. Buddhism took those ancient Japanese beliefs and rituals to make a unique religion. Zeami took all of it and wrote some of the most influential plays of Japan. In fact, Zeami’s Noh plays are classified as the highest classics of Noh drama and of Japanese literature (Tsuchiya 104). Noh drama had a major influence on Japanese culture. A quarter of the eight hundred plays ever written and performed are still performed today (Magill 2423). This shows how important Noh theatre was in not only the fourteenth century, but in present day.
In conclusion, although Japanese music between religious worship and court performance seems to have differences on their function or playing style, they also have some similarities that link them together. Court performance Gagaku are more formal and structured on instrument, length of time and occasion, yet Shinto worship performance are less informal, less etiquette, and divided to huge amount of genre and style. The same points between court performance and Shinto worship are they use same source of music, and both of them have a function of “Entertainment” according to Japanese culture. In my opinion, Japan is a country that doing well on extending their culture and in favor of many other countries
affect on all of the arts as well as the visual arts; as artists began
In China, most of the artists worked not for money but for themselves, so their paintings and art were forms of individual expression. They tried to express themselves with symbols and personal terms. The most common types of paintings were literati paintings which were characterized by unassuming brushwork, subtle colors, and the use of landscape as personal meaning. Literati painters painted for each other and used canvases like handscrolls, hanging scrolls and album leaves. Many of the paintings expressed the painters personality. One Chinese painter, Ni Zan, has a famous painting called The Rongxi Studio. It is done in ink and has mountains, rocks, trees and a building. The painting has little detail and is painted with the dry brush technique, like Zan’s personality, a noble spirit.
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.