Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Evolution of Noh theatre over centuries
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Japan is known for its unique gardening style, their diverse plants, their food, and their beautifully woven tapestries. Yet, most do not know about the history of their drama. Japanese Noh theatre is one of the most precise and prestigious art forms. It has been this way since the fourteenth century when Zeami first created Noh theatre. Zeami’s most famous plays, such as Kinuta, are still performed today. Japanese drama has not changed much since the fourteenth century because it has made a lasting effect on the culture. Noh theatre had a major influence on fourteenth century Japan and has affected modern day drama.
Fourteenth century Japan was a time of peace for many people. Buddhism had just become a major part of Japanese culture due to the Shogun Yoshimitsu. He became ruler in 1367 at the sapling age of ten (Waley 21). Yoshimitsu needed to distinguish himself from his ancestors and he did this by being devoted to Buddhism, specifically the Zen Sect (21). “Zen Buddhism and the life and teaching of Shinran are popularly identified as typical Japanese Buddhism.” (Takeda 27) However Buddhism, in Japan, is different and unique from Buddhism in other countries because it is considered the “funeral religion” (27). This is mainly influenced by ancient Japanese beliefs of the onryo.
Onryo are grudging and vengeful spirits (27). These spirits come about when they are not properly buried or remembered and cause great unhappiness (27). The belief is that onryo can only be calmed by prayer (27). According to traditional belief, however, thirty-three or fifty years must pass for the spirit to find rest (27). The Japanese believed that when the spirits would find peace they either became hotoke which means “buddha” or sorei, “ancestor go...
... middle of paper ...
...host is welcomed into Butsu (Pound 97). She finds everlasting peace.
Noh theatre came about at the same time Buddhism started having an influence on Japanese culture. They each affected the other. Noh theatre took the beliefs and the ideas of Buddhism and intertwined it with ancient Japanese beliefs to create a magnificent form of drama. Buddhism took those ancient Japanese beliefs and rituals to make a unique religion. Zeami took all of it and wrote some of the most influential plays of Japan. In fact, Zeami’s Noh plays are classified as the highest classics of Noh drama and of Japanese literature (Tsuchiya 104). Noh drama had a major influence on Japanese culture. A quarter of the eight hundred plays ever written and performed are still performed today (Magill 2423). This shows how important Noh theatre was in not only the fourteenth century, but in present day.
Akira Kurosaw’s Seven Samurai is a film that encompasses various ideologies in order to allow the audience to understand the lives of Japanese people during the 1600’s. The film delves deep in social issues of the roles of the people within the society, the expectations as well as the obligations within the respected castes and elements within groups of ; suffering, working together, protecting family and working for the better good of the community.
Yu, Han. “Memorial on Buddhism”. Making of the Modern World 12: Classical & Medieval Tradition. Trans. Richard F. Burton. Ed. Janet Smarr. La Jolla: University Readers, 2012. 111-112. Print.
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
In the history of civilization, there have been many different types of theatre. There is Greek theatre and Elizabethan theater. Some are musicals, some are comedies and some are tragedies. Some types employ realistic techniques while others are more avant-gardes. But one type stands out among the rest, and that is Kabuki theatre. This classical Japanese style of dance and drama is not just theatre. It is a beautiful form of art, which has been carefully crafted over many centuries.
Among the most classic Japanese Nō dramas is none other than Izutsu, or “The Well-Cradle” as often translated in English. Written by Zeami who is perhaps the most influential playwright to the Nō Theater, Izutsu was composed around the late 14th century during the Muromachi Period in Japan. In comparison with other Nō plays, it is relatively simple in nature as there are only three roles that need to be played—shite, waki, and ai—and the story is very characteristic of the typical Nō drama (Araki and Brazell, 143). Because a woman assumes the shite role, Izutsu is classified as a third-category play or katsura-mono (wig play), and since the play deals with supernatural happenings, or in the play’s case, the remaining spirit of a woman, it is also considered to be a mugen (phantasmal) nō (Tyler, 124). Through a careful analysis of Izutsu, one may not only observe its fascinating story, but also learn about its structure, aesthetic themes, and associations with the Buddhist religion that easily make this play one of the greatest Nō dramas of all time.
Brazell, Karen. Traditional Japanese Theater: An Anthology of Plays. New York: Columbia UP, 1998. Print.
Compare And Analysis The Japanese Buddhism And Indo Buddhism Buddhism is a religion and philosophy founded by Siddhartha Gautama in northeast India during the period from the late 6th century to the early 4th century BC. Spreading from India to Central and Southeast Asia, China, Korea, and Japan, Buddhism has played an influential role in the spiritual, cultural, and social life of much of the Eastern world. It is the prevailing religious force in most of Asia (India, China, Japan, Korea, Vietnam, and Tibet). ‘Buddhism’ is reformulated and re-expressed in different cultures and at different times, adopting and redefining aspects of the cultures in which it has taken root. Today, there are about 300 million followers. (Yamplosky) The Indian religion Buddhism, founded in the sixth century BC, is one of the common features of Asian civilization, and Buddhist institutions and believers are found all over East, South, and Southeast Asia. While Buddhism is now just a minority belief in the country of it’s founding, it remains a significant religious and cultural force in Japan today. Buddhism started in India and made its way to China and Korea. From there, it ended up in Japan. Buddhism went through several different periods before it became Japan's national religion. In indo Buddhism, the temple is the main sanctuary, in which services, both public and private, are performed but Japanese Buddhism is mainly hub of individual activities and services. Similarly to Japanese Buddhism, in Indo Buddhism the monastery is a complex of buildings, located usually in a spot chosen for its beauty and seclusion. Its function is to house the activities of the monks. Images are important features of temples, monasteries, and shrines in both Indo a...
In Hagakure, a great emphasis is placed on the samurai ideology surrounding death. The samurai should live his life as though his body has already passed, and through this “he gains freedom in the Way”. His whole life will be without blame, and he will succeed in his calling”. This detachment is of fundamental importance to the samurai, and this relationship with death is influenced heavily by Buddhism. Zen Buddhism influenced the samurai by lending him his unique respect for life and death.
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.
I believe that universally, theater is the concentration of passing down history, whether factual or mythical, to future generations paired with various degrees of artistic dignity. Like many other staged performances, the root of Noh is based off of a storytelling tradition, enhanced or exaggerated to be viewed by a wider audience. In the end, it was supposed to be somewhat entertaining, the viewer perhaps receiving a more dramatic interpretation of a past tale accompanied by dance, music, and visuals. In general, another characteristic not as significant from the original literatures and stories that seeps its way into Noh are the religious undertones and shrinking the distance between the world of the living and the world of spirits. In Zeami’s Atsumori, the play concerns characters from a scene in a probably already overdramatic depiction in Heike Monogatari, bringing in a single frame from Japanese military history into a different context. Sumidagawa has a slightly different way of coming into existence, since it does not depend so heavily on an exact picture from Ise Monogatari, and is only loosely associated with it. Nevertheless, both Atsumori and Sumidagawa have interesting ties to literature from earlier periods that make each unique in their presentation.
In most college theatrical studies, the focus of history remains primarily on Western theatre and familiar cultures. In Eastern studies, the culture is so incredibly different from our Western world that it takes an enormous amount of studying to even begin to comprehend their theatre. Kabuki theatre in Japan is one of the most complex and historically rich theatre types of the Eastern world, with possibly the most controversial and interesting beginning. Upon entering a modern kabuki production, the atmosphere is completely different from anything Western-made, with symbolism prevalent in everything from costumes to makeup to music. The stock characters are a familiar tool, but these characters are nothing like the typical archetypes we see in movies or even play productions. The theatre housing the entire production is beyond anything like the proscenium stages we see today, and even the actors themselves seem larger than life. Though these kabuki productions may seem like high class entertainment for the educated and wealthy, the origins of kabuki theatre were anything but classy. (Lecture notes from Claire McDonald)
Japanese culture has always been highly influenced by religions; such as, Buddhism. So, it is not very shocking to find out that even Noh Theater, a form of acting, is influenced by religion. Buddhism is the following of the teachings of Buddha, who encourages his students to live by the “Four Noble Truths” and to get rid of the bad spirits in their lives. Noh theater is the oldest form of traditional theater (video, 0:13) and it started in Japan, which makes sense that a lot of the ideas for the performances would have a strong example of Buddhist faith. Another reason that it would show signs of Buddhism is the fact the Elites/ Nobles supported the idea of a religion or belief that encouraged everything to remain “status quo”. When watching Noh performances it is important to notice what the actors are portraying and the effects Japanese culture and religion have had on the performance.
Buddhism is a beautifully complex religion that since its widespread introduction to Japanese culture by the end of the seventh century has made enormous impacts and direct influences on the government and cultural practices of society (Hoffmann 36). The Japanese death poetry composed by Zen monks and haiku poets, compiled by Albert Hoffmann, is an excellent literary explication of the Japanese attitude towards death. This attitude is most notably derived from Buddhism, the main religion of the Japanese people. Even Japanese citizens who are not literal Buddhists still embrace the philosophies that have now become instilled in the cultural history of Japan due to such a heavy Buddhist influence on government and education throughout the centuries.
The popularity of Buddhism in America became most pronounce in the period after World War II. It is interesting to note that the United States had just concluded the most devastating war in human history, with the first use of the atomic bomb on the Empire of Japan, yet the Japanese of style Buddhism took hold in America more than other school after the war. It could be said that the main figure head of Japanese, or more precisely, Zen Buddhism, in America was the author and intellectual Dr. D.T. Suzuki. In terms of the American expression of Buddhism, Suzuki had more influence over the interpretation of Zen philosophy than any other writer of the time.
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.