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Theatre history
A short reaction about the kabuki theater
Theatre history
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In most college theatrical studies, the focus of history remains primarily on Western theatre and familiar cultures. In Eastern studies, the culture is so incredibly different from our Western world that it takes an enormous amount of studying to even begin to comprehend their theatre. Kabuki theatre in Japan is one of the most complex and historically rich theatre types of the Eastern world, with possibly the most controversial and interesting beginning. Upon entering a modern kabuki production, the atmosphere is completely different from anything Western-made, with symbolism prevalent in everything from costumes to makeup to music. The stock characters are a familiar tool, but these characters are nothing like the typical archetypes we see in movies or even play productions. The theatre housing the entire production is beyond anything like the proscenium stages we see today, and even the actors themselves seem larger than life. Though these kabuki productions may seem like high class entertainment for the educated and wealthy, the origins of kabuki theatre were anything but classy. (Lecture notes from Claire McDonald)
Ironically, the first performance of kabuki theatre is accredited to a woman named Okuni, a shrine maiden of the Izumo Shrine. She performed in the summer of 1603 on the dry river beds of ancient Kyoto, which was a popular destination for many other kawara-kojiki, or “river-bank beggars”. (Wood, Bethany and Hamilton, Tim) Okuni was not a beggar, but a priestess. She moved and danced with prayerful and reverent intent, performing religious entertainments for passersby. Though Okuni had travelled to Kyoto to perform and raise donations for the Izumo Shrine, viewers were more intrigued by her physical beauty and gr...
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...or today were it not for the government’s interference with the prostitution issues from the beginning.
Works Cited
"About Kabuki." Web-Japan.org. Web Japan, n.d. Web. 04 Dec. 2013.
Grieg, David. "Theatre and Prostitution." Strange Behaviour. Suspect Culture, n.d. Web. 04 Dec. 2013.
Lombard, Frank. "Kabuki: A History." TheatreHistory.com. An Outline History of the Japanese Drama, n.d. Web. 04 Dec. 2013.
Johnson, Matthew. "Kabuki: A Brief History." Kabuki for Everyone. Fix Inc., n.d. Web. 04 Dec. 2013.
Ohno, Mary. "Dressing." Kabuki Academy. N.p., n.d. Web. 04 Dec. 2013.
Ohno, Mary M. "Stage Makeup." Kabuki Academy. N.p., n.d. Web. 04 Dec. 2013.
Pappas, Stephanie. "Why Men Buy Sex." LiveScience.com. Tech Media Network, 27 Apr. 2012. Web. 04 Dec. 2013.
Wood, Bethany, and Tim Hamilton. "Kabuki Theatre." UTNarukami. University of Wisconsin, n.d. Web. 04 Dec. 2013.
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
In the history of civilization, there have been many different types of theatre. There is Greek theatre and Elizabethan theater. Some are musicals, some are comedies and some are tragedies. Some types employ realistic techniques while others are more avant-gardes. But one type stands out among the rest, and that is Kabuki theatre. This classical Japanese style of dance and drama is not just theatre. It is a beautiful form of art, which has been carefully crafted over many centuries.
"Shoguns, Samurai, and Japanese Culture." Shoguns, Samurai, and Japanese Culture. N.p., n.d. Web. 20 Mar. 2014.
There are many important aspects of theatre history. Important playwrights, actors, theatres, and events that impacted theatre in major ways. In this paper I am going to discuss the life of an important actor who would be better known for his last name and the actions of his brother. By looking into his life I have learned how interesting of an actor he was and what significance he had on theatre history. This actor is Edwin Booth.
Brazell, Karen. Traditional Japanese Theater: An Anthology of Plays. New York: Columbia UP, 1998. Print.
The Tale of Heike." Traditional Japanese Literature: An Anthology, Beginnings to 1600. Ed. Haruo Shirane. New York: Columbia UP, 2007. 736-39. Print.
Geisha are defined as arts people who study classical Japanese music and dance, perform music and dance for parties, and are registered officially with a central office. (Foreman, 34, 2005, Prasso, 200, 2006) The combined proficiency at music and dance with a sense of elegance, tact, and grace that wins the respect and admiration of patrons. (Groemer, 159, 2009). They were high-end performers, and could not be afforded as entertainers by the common people. They are expected to be witty, flattering, excellent conversationalists, and have to endure long years of strict training in traditional dance or in playing the shamisen, a three-stringed instrument (Struck, 2000) Only those who were very rich could pay for the accompaniment of a Geisha. Overall, the Geisha should be interpreted as performers, just like in the west, ho...
Tsuzuki, Chushichi. The Pursuit of Power in Modern Japan, 1825-1995. New York: Oxford University Press, 2000. Questia. Web. 28 Apr. 2011.
...1900's said that the problem was between the Government and prostitutes as a question of seexual freedom, personal choice, and privacy.
Japan is known for its unique gardening style, their diverse plants, their food, and their beautifully woven tapestries. Yet, most do not know about the history of their drama. Japanese Noh theatre is one of the most precise and prestigious art forms. It has been this way since the fourteenth century when Zeami first created Noh theatre. Zeami’s most famous plays, such as Kinuta, are still performed today. Japanese drama has not changed much since the fourteenth century because it has made a lasting effect on the culture. Noh theatre had a major influence on fourteenth century Japan and has affected modern day drama.
Russell Brown, J. 1995. The Oxford Illustrated History of the Theatre. 3rd ed. Oxford: Oxford University Press.
In some form or other, prostitution has been recognized throughout history and all over the world. There has been alternating phases of repression and toleration of prostitution. Official Christian morality has always opposed prostitution, but in big cities prostitution has been rather open and tolerated in Christian societies until the sixteenth century when venereal disease became a major public problem. At that time public authorities began denouncing prostitution and took severe measures to eliminate it. By the nineteenth century, official enforcement of rules against prostitution had become lax in the U.S. and England; while in nations such as France had rather wide open houses of prostitution in major cities. The U.S. launched a campaign to suppress prostitution. Industrialization and mass communication seem to have been associated with increased repression of deviance in general and sexual deviance in particular.
The performances included opera-styled singing with intricate hand gestures. I used to think that the Chinese theater performances my grandparents watched on TV were too over-the-top and unnatural, but after reading about the history and meanings behind Chinese theater, I’ve developed a new perspective on the style and have come to admire the beauty of cultural differences in theatrical arts. Chinese theater’s “traditional performance” features a synthesis of poetry, singing, and dancing. In present day, “traditional performance” has undergone an improvement toward what can be termed “characterization performance,” which emphasizes the performer’s internal experience of the character played and the artistically truthful portrayal of feelings and thoughts (cite). Different cultures contribute to the varying theater styles. For example, “chinese playgoers are familiar with the stories, characters, and conventions...the objective of the Chinese performer is to meet the high expectations of the playgoers” (cite). Thus, Chinese performers are more conscious of ensuring that their gestures and body movements appear aesthetically beautiful to satisfy their audiences’ expectations. The knowledge of the diverse approaches of theater in different regions is significant for respecting a theater piece, because theater from different cultures than one’s own should be evaluated and appreciated with the viewpoint of that
Many cultural enthusiasts, archaeologists, and architects have a common interest in theatre and its origins. People from a few decades back have located the remaining of the oldest theatres in Greece, England, France and some parts of minor Asia. Theatre was a part of people’s lives as it was one of the few sources of entertainment, and it was originated from when people collectively sit in a gathering and listen to a storyteller. There were performances done by different people present at that moment. Later on, this activity kept improving and innovating, and in the result, many theaters for entertaining purposes were built by emperors who ruled the countries or kingdom in those days. The design of these theatres
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.