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Discuss the role of women in hamlet
Portrayal of women in hamlet
Portrayal of women in hamlet
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Regarding Hamlet’s Gertrude
In William Shakespeare’s most famous tragedy Hamlet, the audience meets a queen who is a former and present queen. She was unhappy before – how does she feel now? Is she evil, guilty, motherly, lascivious? The multiple aspects of her personality deserve our attention.
Angela Pitt in “Women in Shakespeare’s Tragedies” comments that Shakespeare’s Gertrude in Hamlet is, first and foremost, a mother:
Gertrude evinces no such need to justify her actions and thereby does not betray any sense of guilt. She is concerned with her present good fortune, and neither lingers over the death of her first husband nor analyses her motives in taking another. . . .She seems a kindly, slow-witted, rather self-indulgent woman, in no way the emotional or intellectual equal of her son. . . . Certainly she is fond of Hamlet. Not only is she prepared to listen to him when he storms at her, proof that he is sufficiently close to her to have a right to make comments on her personal life, but she is unfailingly concerned about him. (46-47)
Gunnar Bokland in “Hamlet” describes Gertrude’s moral descent during the course of Shakespeare’s Hamlet:
With Queen Gertrude and finally also Laertes deeply involved in a situation of increasing ugliness, it becomes clear that, although Claudius and those who associate with him are not the incarnations of evil that Hamlet sees in them, they are corrupt enough from any balanced point of view, a condition that is also intimated by the “heavy-headed revel” that distinguishes life at the Danish court. (123)
Gertrude’s “contamination” does indeed affect the hero. Courtney Lehmann and Lisa S. Starks in "Making Mother Matter: Repression...
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Lehmann, Courtney and Lisa S. Starks. "Making Mother Matter: Repression, Revision, and the Stakes of 'Reading Psychoanalysis Into' Kenneth Branagh's Hamlet." Early Modern Literary Studies 6.1 (May, 2000): 2.1-24 <URL: http://purl.oclc.org/emls/06-1/lehmhaml.htm>.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint of Shakespeare’s Women. N.p.: n.p., 1981.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html No line nos.
Smith, Rebecca. “Gertrude: Scheming Adulteress or Loving Mother?” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. of “Hamlet”: A User’s Guide. New York: Limelight Editions, 1996.
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint of Shakespeare's Women. N.p.: n.p., 1981.
Mack, Maynard. “The World of Hamlet.” Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.
One of the most important characters in Shakespeare's Hamlet would be the mother of Hamlet himself, Gertrude. Queen Gertrude played a terrible and devious part, which left many wondering the solidity of her honor and dignity. She led a life of prestige and luxury, but could not find happiness in either. Gertrude is the cause of conflict in Hamlet because in her quest for happiness, she married her brother-in-law shortly after her husband’s death, she was a driving force for the murder the King, and she is the motivation for much of Hamlet’s rash actions.
Findlay, Alison. "Hamlet: A Document in Madness." New Essays on Hamlet. Ed. Mark Thornton Burnett and John Manning. New York: AMS Press, 1994. 189-205.
middle of paper ... ... Gertrude betrays Hamlet as a mother, she does not believe in him or trust him, she goes behind his back and blocks out Hamlet and his feelings and marries Claudius which really hurts Hamlet. Gertrude as a wife and mother, hurts the people she most loved, her family. The Shakespearean play of Hamlet captures the audience with many suspenseful and devastating themes, including betrayal. Some of the most loved characters get betrayed by those who they thought loved them most.
At times it seems that Gertrude does not know or pretends not to know why Hamlet is so angry with her and with Claudius ('What have I done, that thou dar'st wag thy tongue/ In noise so rude against me?'). At other times she seems to know exactly what is troubling him ('His father's death and our o'er-hasty marriage', II.2.57). But Hamlet, too, does not come clean directly. He does not confront her with the murder, but rather sets out 'to wring her heart' (III.4.35), and plays upon her emotions rather than on her reason. Instead, he shows her two pictures, and compares at great length his father with his uncle (55 ff.). In this long speech, the son touches on many matters so delicate that critics can be forgiven for detecting more than a whiff oedipal sentiment in Hamlet himself. He plays on his mother's sense of shame, even bringing her eroticism or lack of it into play, and culminating in a vision of his mother making love in a bed stained with semen - not a pretty sight:
Hamlet’s relationship with his mother Gertrude is one of mostly rage, hatred, and possibly jealousy that could have been from loving her in a romantic sense. Hamlet finds out that Gertrude marries his father’s brother soon after his father’s death and goes in a fury. He yells at her and he calls her an incestuous beast. Whether or not this is from hatred for Claudius, Gertrude, or even out of jealousy are all cases that can be very well argued. The fluctuating emotions that Hamlet shows throughout is what makes the play so easy to relate to as a human and also what makes the possibility of there being multiple interpretations on how he really feels. Gertrude is also a strange character in that it seems as
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
Mack, Maynard. "The World of Hamlet." Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.
In the book Hamlet, Gertrude is a significant character in certain scenes. Gertrude is Hamlet’s mother; she does not really do or say much. Gertrude is very tedious because she never really does anything that will stand out. Even though she is tedious at times she can additionally be seen as gullible and vulnerable. One thing that I believe is very interesting about her is the fact that she married her brother in law only a month after her husband died.
To begin, Gertrude is presented in differing manners throughout Hamlet the play versus Hamlet (2000) the film. In Shakespeare’s play, she originally is cast as a woman who has power due to her husband, but sits as a trophy wife. Craving power, safety, and comfort, she depends on men for her position and control. Seeming to have poor judgment, she never expresses self-reflection throughout the play and just seems to be a bit oblivious to everything, ultimately resulting in her death as an unaware victim of a game she ensnared herself
The relationship between Hamlet and Gertrude is strained at first. From the beginning of the play to act III, Hamlet is bitter with his mother. He feels this way because it has been less than four months since the death of his biological father, yet she is already remarried to Claudius. He feels his father is being betrayed from her lack of mourning. She tells her son to "cast thy nighted color off" (I.ii.68) and "all that lives must die" (I.ii.72). Clearly, she isn't grieving over her late husband's death and instead puts forth an optimistic attitude to her new husband and life. Gertrude's concern with Hamlet's odd behaviour after his encounter with Ophelia in act II scene i also shows the strain in their relationship. For example, she agrees with Claudius' words that "of Hamlet's transformation" (II.ii.5) and suggests Rosencrantz and Guildenstern to spy and find out the underlying cause of her son's problems. In addition to that, she consents Polonius to hide behind the tapestry in act III scene iv without Hamlet knowing. These two decisions suggest their inability to communicate. Instead, spying is required for Gertrude to find out about her son's inner mentality. The mother and ...
...World of Hamlet.” Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.