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Into the wild character analysis
Into the wild character analysis
Into the wild character analysis
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Hamlet’s Best Friend, Horatio
The Shakespearean drama Hamlet shows much deception and crime. Few friendships in the play survive till the end. But Hamlet and Horatio, best of friends, are not even separated by the hero’s death. This essay will elaborate on this relationship.
A.C. Bradley in Shakespearean Tragedy notes a problem involving Horatio in Shakespeare’s Hamlet:
When Horatio, at the end of the soliloquy, enters and greets Hamlet, it is evident that he and Hamlet have not recently met at Elsinore. Yet Horatio came to Elsinore for the funeral (I.ii. 176). Now even if the funeral took place some three weeks ago, it seems rather strange that Hamlet, however absorbed in grief and however withdrawn from the Court, has not met Horatio. . . (368).
Marchette Chute in “The Story Told in Hamlet” describes Horatio’s part in the opening scene of the play:
The story opens in the cold and dark of a winter night in Denmark, while the guard is being changed on the battlements of the royal castle of Elsinore. For two nights in succession, just as the bell strikes the hour of one, a ghost has appeared on the battlements, a figure dressed in complete armor and with a face like that of the dead king of Denmark, Hamlet’s father. A young man named Horatio, who is a school friend of Hamlet, has been told of the apparition and cannot believe it, and one of the officers has brought him there in the night so that he can see it for himself.
The hour comes, and the ghost walks (35).
Horatio, frightened, futilely confronts the ghost:
What art thou that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denma...
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...Don Nardo. San Diego: Greenhaven Press, 1999. Excerpted from Stories from Shakespeare. N. p.: E. P. Dutton, 1956.
Granville-Barker, Harley. “Place and Time in Hamlet.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Prefaces to Shakespeare. vol.1. Princeton, NJ: Princeton University P., 1946.
Levin, Harry. General Introduction. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton Mifflin Co., 1974.
Mack, Maynard. “The World of Hamlet.” Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html No line nos.
Crooks also feels a great deal of loneliness, as he is an outcast on the ranch. He lives in his own room where hardly anybody ever bothers him. He is never invited to play cards or do anything fun with the other guys. One day a curious Lenny asked, “Why ain’t you wanted?” Crooks replies “Cause I’m black. They play cards in there, but I can’t play because I’m black. They think I stink. Well I tell you, you all stink to me” (pg. ). Crooks’ attitude towards this is shown when he saw Lennie playing with his puppy outside of Crooks’ quarters. Crooks states that “if me, as a black man, is not allowed in the white quarters, then white men are not allowed in mine” (pg. ). However this is merely a front as the more open side of Crooks is shown later on in the book.
Throughout the story, Horatio is continuously shown as the voice of reason and clarity. He is the authority figure and it is through him that we see the truth behind the actions of Hamlet and the others. Horatio is the outside observer to the play and it is a result of his words and actions that we can ground the play in reality. Ever since the beginning of the play, Horatio is shown to be a voice of cautious reason and measured skepticism along with a voice of truth, for it was not until he saw the ghost that the ghost became a reality. This idea is clearly portrayed atop the battlements when Horatio says “Before my God, I might not this believe/ without the sensible and true avouch/ of mine own eyes.”(I.i.56-58). Here Horatio confirms that he is the “narrator” of the play and the most sensible observer. However no matter what, Horatio is still Hamlet’s friend and despite his calm mindedness, at the end...
George and Lennie need each other to achieve their dream of their own farm with rabbits to tend. Lennie could not take care of his rabbits or even survive without George.
Curley’s wife is probably the most loathed on the ranch. The way she looks and acts leads other characters in the novel to see her as a “tart”. George makes his opinions clear just after he first met her “Jesus, what a tramp”, and “So that’s what Curley picks for a wife”. She just wants some one to talk to. Males on the ranch don’t like her because they think she will get them into trouble. They make judgments without getting to know her first. They judge a book by its cover. Curley, her husband doesn’t trust her with the other ranch hands. She was just out of place on the ranch, and because of that, must have been a really lonely person with lonely feelings.
Bradley, A.C. "Shakespeare's Tragic Period--Hamlet." Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, and Macbeth. Toronto: MacMillan, 1967. 79-174.
Evans, G. Blakemore. Ed. The Riverside Shakespeare. by William Shakespeare. 1552- 1616. Boston: Houghton Mifflin Company, 1974.
Goldman, Michael. "Hamlet and Our Problems." Critical Essays on Shakespeare's Hamlet. Ed. David Scott Kaston. New York City: Prentice Hall International. 1995. 43-55
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html
Thus the first step of the structure of Hamlet involves the presentation of a conflict-generating situation. Marchette Chute in “The Story Told in Hamlet” describes the beginning of the Exposition of the drama:
William Shakespeare is famous for his hidden character relationships and underlying themes. One of the most intriguing character relationships we see is in Hamlet, between the best friends and school mates Horatio and the young Prince Hamlet himself. While Hamlet hides his feelings well, Horatio subtly indicates that his feelings for Hamlet have progressed past friendship, as he now views Hamlet as more of a lover than a friend.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html No line nos.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.