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1. In Cathedral there is a blind man named Robert. I believe Robert was used to show just how blind or unaware the narrator is in regards to everyday insights such as general awareness of others thoughts and feelings and his own self-awareness. Simply put, there is more to discover than just what is on the surface, beneath that is where true understanding lies. The narrator remarks as soon as he meets Robert “A beard on a blind man! Too much, I say.” (Carver, 2013, p. 2682), and later “that the blind didn’t smoke…” (Carver, 2013, p. 2683). By doing this, the narrator shows just how ignorant he is about the various types of people. The interaction between the narrator and Robert allows the narrator to gain an insight into himself for the first time in his life.
Since the narrator is so unaware of the thoughts and feeling of others, he has an empty relationship with his wife. They coexist together, but they do not actually interact with each other. “My wife and I hardly ever went to bed at the same time.” (Carver, 2013, p. 2686), so the narrator was “glad for the company.” (Carver, 2013, p. 2686). After the epiphany the narrator had while drawing the cathedral with Robert, I believe he and his wife will have a better relationship. The narrator will not be quite as jealous of her relationship with Robert, and he may even take the time to listen to future tapes with her as well. I think the narrator will pay more attention to his wife and what she is really saying in their future conversations. By doing this, the narrator will become better acquainted with his wife; and they will no longer coexist, but they will participate in activities together. The epiphany the narrator had will also increase his self-awareness. Once he is more a...
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... times before the relationship is over. Miranda was lonely, and looking for a way to fill that loneliness, and she chose a poor way to do it. Although, she was happy while it lasted. Maybe this will help her to look for a relationship that is fulfilling and socially acceptable now that the unacceptable one is over. It is unfortunate that both women feel badly, and end up alone.
Word Count: 813
References
Carver, R. (2013). Cathedral. In N. Baym, W. Franklin, P.F. Gura, J. Klinkowitz, A. Krupat, R.S. Levine, . . . P.B. Wallace (Eds.), The Norton Anthology of American Literature (Shorter 8th ed.) (pp. 2679-2689). New York, NY: Norton.
Lahini, J. (2013). Sexy. In N. Baym, W. Franklin, P.F. Gura, J. Klinkowitz, A. Krupat, R.S. Levine, . . . P.B. Wallace (Eds.), The Norton Anthology of American Literature (Shorter 8th ed.) (pp. 2834-2849). New York, NY: Norton.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
In the short story “Cathedral” by Raymond Carver, the narrator, Bub, is as metaphorically blind as his guest, Robert, is literally blind. Bub has many unwarranted misconceptions about life, blind people in particular. He also has many insecurities that prevent him from getting too close to people. Through his interaction with Robert, Bub is able to open his mind and let go of his self-doubt for a moment and see the world in a different light.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
Blindness in Raymond Carver's Cathedral Blindness creates a world of obscurity only to be overcome with guidance from someone willing to become intimate with the blind. Equally true, the perceptions of blindness can only be overcome when the blind allow intimacy with the sighted. Raymond Carver, with his short story Cathedral, illustrates this point through the eyes of a man who will be spending an evening with a blind man, Robert, for the first time. Not only does this man not know Robert, but his being blind, "bothered" (Carver 98) him.
Baym, Nina, and Robert S. Levine. The Norton Anthology of American Literature. New York London: W. W. Norton & Company, 2012. Print.
In “Cathedral,” the narrator starts off as a single-minded man who fears what he does not know. For instance, when he discovers that his wife’s blind friend is spending the night, his words are, “A blind man in my house was not something I looked forward to” (Carver 1). The narrator fears blindness because he is
Constantly throughout the short story, Robert defies the narrator’s original portrayal of what he believes is a stereotypical blind man. “He also had a full beard. But he didn’t use a cane and he didn’t wear dark glasses. I’d always thought dark glasses were a must for the blind” (Carver 36). Robert also starts to change the narrator’s perception of blind people not only physically but emotionally. In an act of thoughtful accommodation, the narrator begins to describe to Robert the cathedrals on the television when the speaker of the program halts the commentary. Robert starts to slightly and gradually change the perspective that the narrator sees blind people from until the conclusion of the story when Robert shines a light on the
The short story "Cathedral" by Raymond Carver is about a woman who has a blind friend who comes to visit her and her husband. Although the husband has, technically, normal vision he is in the beginning of this story the one who is "blind." Through the husband’s words and actions when he is dealing with Robert, the blind man, we can see that the husband does not "see" or understand what Robert’s blindness means or how it changes or does not change him as a human being. At first Robert makes the husband very uncomfortable, for the husband does not know what to say or do around the blind visitor. As the story progresses, we can see a change in the husband; he seems to be able to see Robert as a person and not just as a blind man.
...h it emotionally detached without the pleasure of living. In the end, when the narrator has his eyes closed drawing the cathedral, he is the most open he has even been to the world. The narrator’s limited point of view in the story was crucial in showing the reader that what will hold you back the most in life are your biases and judgments. If the story was told in Robert’s point of view, it would have been a joyful story about visiting a long time friend, even with the tragedy of his wife’s death. We would have never known of the prejudices that were held inside the husband, and no true theme would have come from the story. The limited point of view was used in a way that expanded upon the theme even more, and made for a stronger story structure.
Baym, Franklin, Gottesman, Holland, et al., eds. The Norton Anthology of American Literature. 4th ed. New York: Norton, 1994.
... of “Cathedral,” it becomes apparent that the narrator’s affection for the blind man has positively shifted as they sit down and begin to draw the cathedral together. After a failed attempt to explain what a cathedral is to the blind man, the narrator is surprised at the encouragement Robert gives. Robert asks the narrator to close his eyes, to ultimately trust him, and the narrator listens. “My eyes were still closed. I was in my house. I knew that. But I didn’t feel like I was inside anything,” the narrator stated (Carver). This text suggests that the narrator was not necessarily concerned about what he was drawing, but on the feeling he was experiencing during that moment. The narrator is no longer isolated, but open to a new freedom (Esch). This freedom is beyond what is visible – and Robert, the blind man, reiterates this by his presence and lack of sight.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
Baym, Nina et al. Ed. The Norton Anthology of American Literature. Shorter 8th ed. New York: